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Featured Voice Teachers Near NYC, New York

4289   5 STAR Musika Reviews

Here are just a few of the many teachers offering Voice lessons in NYC, New York . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Donna K

Instruments: Piano Voice Keyboard

I am an energetic music educator that truly enjoys to teach. It’s a delight to see students develop their talents. I have been a public school teacher of choir for many years. I love music and my job and students will see my passions. I went to TCNJ for my BM, Rutgers for my MM, and Rowan for my EdD. I love teaching the student and being the student. Read More

Caroline S

Instruments: Piano Voice

Although my experience working with students goes back to high school, I began teaching at professional studios while completing my BA in Music. I also taught private lessons out of my own studio and even gave some pro bono lessons so I could put what I was learning at university into action. I started teaching Disney and Pop music to kids and teens and decided to expand my teaching to anything a student has to offer in Vocal Performance. Read More

Emily H

Instruments: Piano Voice

I cater to each students indivual level of experience and start teaching based on their initial level. As long as the student is learning and having fun, I'm doing my job. It's all about each persons' desire, drive, and ability level. I work hard to hone in on each students individual needs, as they vary greatly based on age and experience. I have knowledge and repertoire for all sorts of genres, including musical theater, pop, country, opera, rock and more. Read More

Angelica D

Instruments: Piano Voice Trumpet Trombone Clarinet Euphonium Tuba

In order for my students to achieve their full musical potential, I am aware that each student is different in regards to learning. To achieve this, I spend a lot of time getting to know the student and how the learn best so I can accurately plan and prepare lessons, objectives, and goals to fit the needs of each individual pupil. From there, I facilitate and incorporate various methods of music teaching into my lessons and curriculum. Read More

Katie S

Instruments: Voice

Kathleen is a mezzo soprano based in New York, NY. She has performed the roles of Miss Jessel in Benjamin Britten's Turn of the Screw with the Chautauqua Music Institute, Maddalena in Verdi's Rigoletto with the Asheville Lyric Opera and the Janeic Opera Company, Effie in The Ballad of Baby Doe with the Janeic Opera Company, the title role in The Rape of Lucretia at Manhattan School of Music, and Cherubino in Le nozze di Figaro with the Vancouver Opera Studio. Read More

Kayleigh B

Instruments: Piano Voice Trumpet Recorder Music Keyboard

All of my lessons, regardless of instrument, begin in the same way: warm ups! I tailor warm ups to the student's repertoire and change it up frequently so the student doesn't get bored or go on autopilot. For all vocalists, regardless of age, we work on breathing properly and posture, then moving on to tone and stylistic choices. For my instrumentalists, we work on breathing, proper technique for their instrument, and age appropriate repertoire. Read More

Louis P

Instruments: Piano Voice

Each student is different and that is the greatest part of this job. I always respect the student's opinion and choices. I am here to help and support so when it comes to new students, a good discussion with them is a small start to learn more about each other and what they want to get out of their lessons. Do not forget that this is YOUR lesson and I am here to support your goals by teaching you the tools. Read More

Teacher In Spotlight

Luis D

Instruments: Piano Voice Saxophone Flute Recorder Piccolo Music

What is your dream piece to perform and why?
Khachaturian Flute Concerto. Beautiful phrases, virtuosic sections, and DRAMA. What else could you ask for?

If you weren't a musician what do you think you'd be doing instead?
I would be a chef! In both instances we are serving others, and working as a unit to produce a greta product for others to enjoy!

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
This was a gradual decision which for me started in High School and I made the decision to dedicate myself to the craft, sacrifice a lot of my time, and be open to learning and being humbled by those around me- by pedagogues and performers alike.

Why did you choose your primary instrument?
My Elementary School PS165 took trips to Avery Fisher Hall and listen to the New York Philharmonic rehearse Peter & The Wolf. I was in the 3rd grade at the time so the only reason I liked the flute was because it was shiny, loud, and got all of the attention playing melody and in the center of the orchestra. I could hear the beautiful ringing melodies, the conversations had in between sections through the music, and how musicians/ conductors tackled difference of opinions in artistic approach, standard performance practice, what is historically accurate in terms of style, intonation, phrasing etcetc. There was so much to be said about something that requires no talking to make happen.

Have any of your students won awards or been selected for special honors? How have they succeeded?
Numerous students within my studio have won concerto competitions, orchestra seats, and chosen for masterclasses with known flutists from the New York Pops.

What musical accomplishments are you most proud of?
Going on tour with Nyack College to Asia in order to perform chamber music and going again a few years later as an Artistic Director where I would then oversee rehearsals, deal with logistics, and perform as a soloist internationally and get to give a Masterclass in Hong Kong!

What advice do you have about practicing effectively?
Practicing is just as much of an art-form as getting on stage with bright lights and playing your heart out! Go out and purchase a metronome! THAT is your best friend, and it never fails. Set a "Number Goal" for yourself and turn it into a game! Play something slowly 5 or 10 times, if you are able to play it correctly crank up the metronome 1-2 clicks. Set that same number again, if you mess up before getting to that number then go back to the previous tempo. Challenge yourself to memorize tricky passages as well. Take a tricky 8 or 12 measure section and memorize the first 2 measures to start off. Play it 10 times, then turn the stand and play it 5 times by memory- keep doing this and you will see how easily you can execute those tricky measures. Why? Well memorizing music is a greater challenge then reading that same passage which is now in front of you! So when its time to play it you can focus less on notes and nerves, and more on musical phrasing and air support!

How do I know if my child is ready to start lessons?
They should demonstrate a natural curiosity for music. Do they ask questions when they hear classical music? Do they react when they hear someone sing? Will they clap or dance on beat to music on the radio? Have they expressed an interest for a specific instrument? Another key factor is age/instrument. A child who is very active might find something like the drums or percussive instruments more appealing then say the piano or violin which requires less movement to execute sound.

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More Information About Voice Lessons

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