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Featured Voice Teachers Near NYC New York

Crystal M

Crystal M

Instruments:

Crystal's favorite roles include Cunegonde in Candide  (dir. Bill Wesbrooks), Christine in Phantom (dir. Doug Hodge), Anna Glawari (The Merry Widow), Mabel (Pirates of Penzance), Eurydice in Orpheus in the Underworld, Geraldine in Hand of Bridge  (Dir. Eric Einhorn), u/s Amber in Hairspray, King David, and singing “Glitter and Be Gay” with the NYU Symphony Orchestra at the Skirball Center under conductor Joseph Church and John Simpkins (dir).  Last summer, Crystal performed in Highmount, NY with the Belleayre Music Festival (Die Fledermaus as well as their children's opera, Humpty Dumpty).  Crystal just closed a NYC revival of Paint Your Wagon with producer Mel Miller at Musicals Tonight!

LaMarcus M

LaMarcus M

Instruments:

I am currently an very active performer in the United States. I have been a teacher at a small charter school in Brooklyn, teaching ages 14-60. I have a true a passion for teaching and most importantly toooons of patience!     

Barbara W

Barbara W

Instruments:

I graduated with my Bacholers in Music and Pyschology with a focus on opera voice in 2009. In my performance program I really grew as a vocalist and learned how to overcome my own obstacles and improve my vocal technique for myself.  I feel confident now in sharing my experience and my education with my students so they are able to really grow and improve as well.  I started professionally and privately studying vocal technique when I was 17 and prior to that I was performing musical theater in school and in community performance groups.  I really found my passion in classical repetoire and studied with numerous private teachers who were professional opera singers such as, Carol Yahr, Maria Fattore, and Annelise Von Georken.  

Song Yi J

Song Yi J

Instruments:

We won't use any particular book, but we will be eventually making a book as we go over the lessons. And it will be your next teaching method! 

Marilyn S

Marilyn S

Instruments:

I feel like music is our greatest form of self expression.  The voice is the most intimate instrument, because it is a physical part of you and each voice is as unique as the student's fingerprint.  Teaching voice, to me, is like helping a student to unwrap a beautiful gift they have been given.  It is imperative that the voice student and teacher trust one another, for without a relationship of trust the student will not fully be able to open the gift and see what's inside themselves.  Piano is easier, in that it is outside of the body, but I do try to help the student think of it as an extension of self.  In all my teaching, I encourage the student to express the music for which they have the greatest passion.  Allowing the student to progress at his or her own pace, I help shepherd the musical discoveries by setting realistic goals for each lesson.  If the student is young, the parent is a welcome addition to the musical discovery process, and I educate the parent and the student so they can best help each other during practice at home.  Whatever the age, I always praise a student's hard work and the courage it takes to open themselves up to success at developing musicianship.  

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Recent Articles from the Musika Blog

Violins for Beginners: To Rent or to Buy?

...violins themselves.) A violin bow should feel light to the hand, and respond quickly when you test it on the strings. Anything that feels heavy or sluggish is not a good candidate for long-term playing. Again, the weight and length of the bow will vary – and the needs of the violinist will also depend on his or her size and arm length/strength. Check with a luthier and with your teacher for tips on finding the best fit.   The Just In Case Part   If you are a beginner violinist, you may have noticed that some violinists have two bows in their... Read More

Basic Saxophone Maintenance: Caring for Your Instrument

...saxophone. Personally, I check to make sure it’s not sticking most times I take my horn out to play. The key sticking is the most likely scenario. If this doesn’t fix it, there may be a problem with the spring mechanism, which is an easy fix, but should be done by your teacher or a repairman. “My middle-D isn’t coming out right”: If you’re finding it difficult to play middle-D (low-D plus the octave key), there’s probably a problem with the octave key mechanism. The D should come out comfortably. If it has a fuzzy sound or if it overblows to high-A, ... Read More

How to Play Bruce Springsteen's “Born to Run” Saxophone Solo

...I should say, transcribing gets easier and easier with each song or excerpt or solo you transcribe. Eventually, once you have your process worked out, transcribing a song like this shouldn’t take much longer than a few minutes. I analyzed the essential saxophone sections from “Born to Run” above, but I purposely left out a few parts so that you can attempt figuring them out for yourself. Also, if you listen to different live versions of the song, Clarence Clemons plays slightly different things each time. The idea is to get a deep understanding of the song so you’re more ... Read More

Opera Voice Types

...Rosina in The Barber of Seville, also by Rossini.   Lyric Mezzos serve the same purpose as lyric sopranos–to generally focus on smooth, longer phrases. The warm vocal texture isn’t as big as the “dramatic” voice, and it isn’t as agile as the coloratura mezzo. The lyric mezzo range, which begins around a G3, extends for two octaves upwards, and lyric mezzos are often used for “pants roles.” Listen to Isabel Leonard performing the role of “Miranda” from The Tempest for an example of a traditional lyric mezzo role. One of the most famous lyric mezzo roles is the title role in ... Read More

The Art of Voice Classification

...Cecilia Bartoli Joyce DiDonato Aretha Franklin Edith Piaf Mary J. Blige Tenor: the highest male voice. The typical tenor voice has a range between the C one octave below middle C, to the C one octave above middle C (C5). The qualities of the tenor voice can range from “sweet and demure”- common for romantic songs, to loud and belting, which is often used in pop music. Notable Tenors: Matt Bellamy Andrea Bocelli Luciano Pavarotti Justin Timberlake Elton John Baritone: a male voice whose range lies between the Tenor and Bass ranges. The range for a baritone is usually the second G below middle C to the G above middle ... Read More
Violins for Beginners: To Rent or to Buy?
Basic Saxophone Maintenance: Caring for Your Instrument
How to Play Bruce Springsteen's “Born to Run” Saxophone Solo
Opera Voice Types
The Art of Voice Classification

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