408-389-3524
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24 Years
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Here are just a few of the many teachers offering Piano lessons in San Jose . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano Guitar Voice Drums Bass Guitar Organ
It is important that each student progresses at their own pace with reasonable and realistic goals that they can reach. Acknowledging accomplishments helps fuel a students desire to achieve even greater challenges. My desire is to find what motives the student and create a curriculum that will refine them based on their desire. Read More
Instruments: Piano Guitar
I have been teaching privately since undergraduate college days. In addition to private lessons on guitar and piano, I have facilitated group workshops, directed ensembles, and tutored reading comprehension in some Oakland public schools. It's a profound joy to see young children have their first musical experiences as well as to see the fire of music be rekindled in those who have put an instrument down and have decided to pick it up once again. Read More
Instruments: Piano Guitar Violin
I started learning piano in first grade. I learned music theory, and it helped me learn other instruments quickly. In Middle School, I learned violin very quickly because I had the fundamentals down. After high school, my parents wanted me to have a financially stable career. I studied business in college, but ended up becoming a Middle School teacher. Not only did I teach math, I was also their music teacher for their after school music teacher. Read More
Instruments: Piano Guitar Voice Drums Bass Guitar Conga Latin Percussion
I have been teaching music since 2001. I was the music program director at Mission Hills Middle School and the guitar and conga teacher at St. Paul’s Episcopal School in Oakland. I have also been a music instructor with Star Power Music, COVA, Art and Soul Music Studios, Hayward Music Center and ALMA. I teach all levels of guitar and congas, as well as beginning piano, voice and drum set lessons. Read More
Instruments: Piano Guitar Trumpet Trombone Drums Ukulele Euphonium French Horn Music Keyboard Electric Guitar Acoustic Guitar
I like to emphasize fundamentals, especially if a student is just beginning. I believe a strong foundation makes it easier as they progress. For all instruments I always have my students prepare both technical exercises and solo material. I always emphasize historical context to bring the music to life. I also like to teach the music theory side of music, explaining chords, sequences and progressions. I can inform students how to improvise in jazz, as well as play at the level required for symphonic performance. Read More
Instruments: Piano Cello Keyboard
Octavio has 14 years of experience playing cello and 8 years teaching privately. He has worked with students all ages and backgrounds. Octavio is always on the look for curious individuals who are interested in music learning and cello playing. He has participated in numerous masterclasses with prominent musicians, some include, David Ying, Richard Aaron, Wendy Warner, Phillip Borter, Jrme Hanta, Khari Joyner, and Steven Isserlis. Octavio's passion and versatility as a cellist are evident in his wide-ranging repertoire and commitment to musical excellence Read More
Instruments: Piano Voice
I couldn't imagine my life without teaching. To nurture a love for music in another, especially a child, is a gift I would not give up. I strive to find the correct balance of technique and performance, practice and play, focus and fun for each of my students. Every one of them comes to me with different skills, ambitions, and needs; building honest, open relationships with student, parent, and teacher is essential to meeting those needs. Read More
Instruments: Piano Voice Drums Music Keyboard
What musical accomplishments are you most proud of?
I have had the good fortune to play and sing in Carnegie Hall on three separate occasions.
I am also really proud of my work with my students. I totally love when a student becomes more like a colleague in conversation and performance and pedagogy.
Finally, I am proud of how I handled my work during the pandemia. I kept offering lessons, singing opportunities, and musical “events” throughout the lock down.
Did you have a teacher that inspired you to go into music? How did they inspire you?
I have been fortunate to have many music teachers invest their time and energy into teaching me, irrespective of my attitudes or levels of commitment to the work. Memories of their grace and patience is the anchor I use when I am teaching. Memories of their deadlines and expectations are the fuel I use when pushing students in their own development.
Why did you choose your primary instrument?
I started playing piano when I was five. I was born with three fingers on each hand. Diving into the world of piano repertoire was always and interesting exploration of feasibility and joy. I started playing percussion in late elementary school. This lead to playing multiple percussion parts for my very small community youth orchestra. I majored in music with an emphasis on piano and percussion in my undergrad career. I continued to play both as I perused a degree in opera conducting for my graduate studies. I was very fortunate to play a variety of musics in a multitude of styles and techniques, which are skills I try to pass forward to my students.
How do I know if my child is ready to start lessons?
I would encourage you to talk to your child about what they like and do not like in other “structured” times. Lessons can be modeled in a variety of ways, but they are mainly one-on-one attention on the student. Is your child comfortable with the length of time and the structure of time in that manner?
When will I start to see results?
How do you define “results” in the context of the learning? What I tend to find is that students go through cycles of absorbing and applying new information and then plateaus of developing specific skills. The periods of plateau can be both difficult and frustrating for students, and I work hard to acknowledge how students are still developing and gaining strong outcomes in their work.
What advice do you have about practicing effectively?
Practice a little bit every day rather than a lot in one go each week. The slow and steady method will garner long term effects. The cram method actually can make the learning more difficult.
24 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Piano lessons in San Jose to students of all ages and abilities.
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