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Featured Piano Teachers Near Austin, TX

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Here are just a few of the many teachers offering Piano lessons in Austin . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Rebekah C

Instruments: Piano Voice Acoustic Guitar

I love teaching music! But, what's more, I throughly enjoy sharing the gift of music with my students. I believe that passion fuels action. If I want my students to be actively engaged in the learning process. I have to do my part as the teacher and involve the student in the music choosing process, before I can involve them in the music making process. If my students are clearly not passionate about the song that we are working on together in lessons. Read More

Abel A

Instruments: Piano Guitar Bass Guitar Double Bass Tuba Music Electric Guitar

I have been performing on Bass and Double bass since I was fourteen years old. I have performed for various formal events, TMEA, weddings, Club gigs, Musicals, etc. I have had the pleasure of performing with jazz legends like John Riley, J. J Johnson, and Butch Miles just to name a few. I went on a salsa tour throughout the west coast in 2016. I have had the pleasure of performing with the Top Jazz and Salsa Ensembles at Texas State University. Read More

Fernando G

Instruments: Piano Cello

I believe the early years of a music beginner are the most influential time to develop healthy technique habits and a love for music. For that reason, I provide a positive experience by being attentive to the student's needs and aspirations and adapt my teaching accordingly. For more advanced students, I interview them to plan a syllabus for their desired results and schedule their classes accordingly. Should any student want to pursue higher education in music, I can help with auditions, university requirements, etc. Read More

Timothy J

Instruments: Piano Music Keyboard

He has also been a prizewinner of various other competitions, including the Russell C. Wonderlic Competition. Over the years Timothy has spent his summer months at Bowdoin International Music Festival, Meadowmount International Music Festival, and the Aspen Music Festival. He has studied privately with Douglas Humphereys (Eastman) and Wei-Yi Yang (Yale) and has participated in masterclasses with some of the world's leading teachers and pianists, notably Robert McDonald, John Perry, Richard Goode, and Leon Fleisher. Read More

Madison W

Instruments: Piano Guitar Voice Drums Bass Guitar Synthesizer Ukulele Keyboard Electric Guitar Acoustic Guitar

My teaching experiences started when I was in college, a fellow classmate of mine needed help with some of her younger students and the world of music education opened up to me from there. I have been teaching steadily now for 7 years, working with students from ages 5-55. I have taught group and private lessons in music studios, students' homes, or my own home studio. Students I have come across in time have come with a multitude of personality types, learning patterns and physical challenges. Read More

Benjamin P

Instruments: Piano Guitar Voice Violin Bass Guitar Ukulele Electric Violin Fiddle Keyboard Electric Guitar Acoustic Guitar

I am a passionate full time musician that both teaches and performs. I have been teaching private lessons for 9 years and performing for 4 years. I started out as an academically driven violinist while playing guitar recreationally. However, in college fell in love with playing guitar in the Jazz band and soon their after, I found my love for songwriting. I wrote, recorded, and published under the band name City of Decades while performing all over the country. Read More

Teacher In Spotlight

Neil D

Instruments: Piano Violin Trumpet Trombone Saxophone Flute Clarinet Drums Synthesizer Recorder Electric Violin Fiddle Orchestral Percussion Music Keyboard

Did you have a teacher that inspired you to go into music? How did they inspire you?
Well yes, it was my first band director. Granted that I had already chosen to be in band as an elective in middle school, I had never really played an instrument before and my musical knowledge was practically nonexistent. But his approach towards teaching was simple enough for me to make the connection between learning how to properly hold my instrument and obtain a decent tone from it all while learning to read music. But my first band teacher also provided time during lunch and after school in which to practice, and whenever available, he would help with my intonation, articulation, breathing skills, and even dynamics (volume) and this encouraged me to keep practicing which only results in an upward-spiral of skill building! towards continued musical progress!

How do I know if my child is ready to start lessons?
I have students as young as 3 and some of my students have special needs. However, you certainly know your child better than I do: What is their temperament like? I have but one rule: You have to WANT this...if this musical interest is not made a desired priority ahead of perhaps other extra-curricular activities, then the student will not put outside practice into this and it will become a downward-spiral. Vice-versa, with my positive energy and enthusiasm, I can keep any willing student engaged for a 30-minute, 45-minute, or even 1 to 1.5 hour session.

When will I start to see results?
I focus on making goals--set an objective for each day! Instead of time being the measure of effort, set a goal for both skills and performance! For example, one needs to practice exercises just to maintain current skills...so include this in your regular practice repertoire and focus on HOW to play them properly. But focus on a song...break the piece down into sections (if it is a whole page or longer in length) and focus on individual measures at a time. With each attempt, determine what errors are occurring and WHY--then, by process of deduction, you will rule out mistakes and improve your odds of accuracy until you are so familiar with WHAT to do that you can play this properly 10 times out of 10! Thus, every practice session should yield results...each session is one small building block towards successful performance of a song and mastery of your instrument!

What advice do you have about practicing effectively?
Find a place where you can focus and pick a routine time in order to develop the habit of regular practice. Instead of practicing for a designated amount of time, make a goal (e.g., Today I am going to work on this song, and I will finish when I can play it correctly 10 times out of 10 attempts!) If the song is multiple pages in length, then focus on just one section of it per day and break it down into measures. Various exercises such as scales and other rudiments need to be practiced in order to maintain skills. But always make time (even if it's just 5 minutes) for playing just for fun! I strongly encourage this!

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Recent Articles from the Musika Blog

Writing Guitar Riffs

...to provide predictable and structured harmonic content. Listeners almost always remember riffs but rarely remember chord progressions. Riffs can be played on the electric and acoustic guitars as well as the bass guitar.   Like so many other things in popular music, writing guitar riffs is an aspect of songwriting in popular music that grew out of the blues music tradition in America at the turn of the 20th century. Early blues riffs were written to match the phrasing and character of the human voice. Simple guitar licks that repeated over and over again laid the foundation for heavier and more intricate guitar lines... Read More

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...later post- while the bass drum simply plays ‘four on the floor’ (unlike a true bossa nova, which has a more complicated pattern in the bass). Note that while the other beats presented here have been single measure ones, this is a two measure pattern. Leave a comment if you recognize what famous song this one is from! (hint: it’s an ode to a star of early horror film, a pretty unlikely place for a Brazilian beat)   So as you can see, there is a lot still to work with, even within the limited framework of basic rock drum beats we’ve been using so far. And ... Read More

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...sense of good, natural posture in the body. In order to achieve the best results when you are singing, your body should feel as free and uninhibited as possible.   Set up your breath—take a few large, slow inhales and exhales (keeping the shoulders and neck relaxed!) to get the breath going. A little trick I like to use when setting up my breath is to imagine the origin of my inhale in the bottoms of my feet, and then I inhale up through my legs, torso, spine, and out the top of my head before exhaling completely. Breaths that start low in the body and helps ground ... Read More

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...height- some like to sit high, some low- so I’ll give my opinion based on my experience. I believe that the optimal height allows your knees to be directly over your ankles when placed on the pedals, with your thighs more or less parallel to the floor. This allows you to center your gravity on the throne, resulting in all your limbs being free to move independently. From this point, you may need to readjust your snare and floor tom heights based on the aforementioned rim-shot principle.   Hope this has helped you in setting up your drum set; here’s wishing you happy and safe ... Read More
Writing Guitar Riffs
Principles of Basic Rock Drum Beats, Part 2
Beginners Guide to Recording Studio Equipment
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Setting Up a Drum Set

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