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Featured Piano Teachers Near Fairfield, CT

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Here are just a few of the many teachers offering Piano lessons in Fairfield . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Claudia G

Instruments: Piano Voice

I like to encourage to all my students to practice technique every day because consider that it will give them flexibility with the instrument. Also, I will stimulate them to find out the beauty, complexity and the appropriate interpretation of the repertoire that they are playing. The repertoire depends of student's level and their desire of improve. When I teach children I like to develop games during the lesson so they can have and learn at the same time. Read More

Alexandre M

Instruments: Piano Voice Keyboard

I am an ambitious and open-minded teacher always looking to better myself and my students. I have been playing the piano for 11 years in addition to singing for 5 years. Although I am trained classically in piano and voice, I also like to work at a variety of genres as well as learn other instruments. It's always fun, especially with my students, to explore different flavors music has to offer. As of now, I teach Music and Chess at an academy and summer camp in Jersey City and study Music Education at William Paterson University. Read More

Katherine K

Instruments: Piano Violin

For beginning piano students who are children, I usually start with John Thompson's "Teaching Little Fingers To Play."  Once the student has progressed and becomes more familiar with reading the notes in both clefs, I will begin to introduce solo pieces of music that the child picks out of the choices I present to them.  I do this to help encourage and reward the child with their success.  For adult piano students, I find out what the student is interested in and guide my instruction accordingly. Read More

Chieh-An Y

Instruments: Piano Violin Music

I put great emphasis on establishing a very good control on the technique of violin. I do it by teaching students how to do scales and etudes while having fun and making themselves more motivated by setting their own goals and achieving them, which also builds up their confidence. After students get more and more in command of themselves and the violin, I would then proceed to help the students with their own repertoire and guide them to formulate their own musical ideas and make their own voice be heard! Read More

Giorgi J

Instruments: Piano Cello

I truly believe that its never too late to start, and anything is possible. Nothing is more rewarding than seeing people develop a passion for music. The biggest gift we can give our students is an education that is student-centered. In order for students to learn, they must be involved in their own education and have a say in what they are learning and how they learn and demonstrate that learning. Read More

Louis P

Instruments: Piano Voice

I always like to give the opportunity to the students to work on the material that they are more interested in. If the lesson is with a beginning student I work mostly on technique and when I feel the student is ready we move on to repertoire. In general, I start with a good warm up where students can record it on their devices so they can use it at home as well. Read More

Scott T

Instruments: Piano Synthesizer Keyboard

The best thing as a music teacher personally is to see of my students develop a love for music. It is also important that each individual student will improve at his or her own pace and his or her own level. I will encourage this by making realistic goals for all my students at each individual lesson. Telling the individual student what they have accomplished musically and what they have learned musically at the music lesson will help give the individual student to want to learn more about music. Read More

Teacher In Spotlight

Gregg D

Instruments: Piano Guitar Organ Electric Guitar Classical Guitar Acoustic Guitar

What advice do you have about practicing effectively?
Set a specific time every day/week. Make sure the student eats a hour before the lesson. Put on your mind to "receive" mode and that there aren't any distractions in the room. If a section of a piece is problematic that we would work on that part first. A metronome can be helpful at first when practicing. If possible, internally sing the piece down and up again. The instructor can play one hand while the student plays the other. There are also pieces for 2 pianos. Practicing doesn't have to be boring at all. it can be a creator of fun, drama, adventure...

How do I know if my child is ready to start lessons?
If the child has a great deal of energy and it is focused on inner thought, If the child has a little energy and it is focused on outer thought. If the child can sign-a-long from DVD tracks, or if the child can dance to a children show, they are ready for lessons. If the students stop crying when music is being played. If the students bang on kitchen utensils. they are ready for lessons. If the student asks the family for piano at home, they are ready for lessons. If the student starts playing what he hears on the radio, they are ready for lessons.

When will I start to see results?
A parent of slower IQ will find themselves seeing results in either a month or less. A parent of medium IQ will take 2-3 weeks, while advanced students for 1-2 weeks. This isn't set in stone, some of their grades fluctuate from (ex. third to second) and some rearrangement will probably occur. But by the end of the course all grades should normalize. It is important that the children wants to be here, but excessive crying (for youngest class) lesson after lesson indicates a problem. I would gently ask the child "whats wrong", or "is the music giving you a problem?". Sometimes the personal touch can help students with bad attitude.

Did you have a teacher that inspired you to go into music? How did they inspire you?
When I was just starting my undergraduate I was very impressed by Charles Wuorinen, Pulitzer Prize and MacArthur award winner. He taught for New Jersey and commuted to New York if there was an engagement (he also has a home on West End Avenue). Wuorinen's music is daring and electrifying to the listener. It also has moments of eerie calm where the instruments can stretch out and blend together. His pieces tend to be large with well-defined sections. He also takes the older composer (Machaut) and arranged it in his style. Similar pieces are over his output.

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