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Featured Piano Teachers Near Rancho Santa Margarita, CA

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Here are just a few of the many teachers offering Piano lessons in Rancho Santa Margarita . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Annie H

Instruments: Piano Voice Violin

My name is Annie Hoffman and I was born with an indescribable passion for music that I long to share with others who have a strong desire to learn! I have been playing violin for over 19 years performing in the San Diego Civic Youth Orchestra from 2000-2009 and then continuing onto Azusa Pacific University Symphony Orchestra, various chamber string ensembles, as well as playing in the Azusa Pacific University Choir and Orchestra Ensemble. Read More

Ani C

Instruments: Piano

I am an enthusiastic and inspiring teacher who believes that learning music requires professional guidance to shape not only skills but also the tastes and values of young learners. I connect with my students on a personal level by understanding their interests, challenges, and strengths, fostering a supportive environment where they feel seen and heard. Music lessons are not just about mastering technique—they are about cultivating character, resilience, and a lifelong commitment to growth. Read More

Narissa R

Instruments: Piano Voice

Teaching piano from pre-school to advanced levels is very rewarding.  It is important that each student progresses at his or her own pace.  I set realistic goals for my students at each lesson.  Acknowledging accomplishments encourages students to progress and makes students eager to learn more.  I successfully tailor my instruction based on their wants, needs, and what inspires them. Read More

Jennifer W

Instruments: Piano Voice Ukulele Music

For piano lessons I generally prefer to use the Alfred curriculum, but am well versed in other options should the student already be accustomed to certain styles. I have assisted students with their Certificate of Merit completion, and worked several students through the entire Alfred curriculum, till they went on to achieve collegiate scholarship opportunities. As a voice teacher, I employ a Bel Canto technique, and specialize in a Musical Theater Style and Classical Background. Read More

Matthew H

Instruments: Piano Guitar Drums Bass Guitar

We learn the music you want to learn when you study with me! The very first lesson I ask the student what he or she is inspired by. We then work towards those songs, in a step by step gradual process. Along the way fundamentals about rhythm, the musical alphabet and theory are taught within the context of the song we are learnning. This makes the lessons moreenjoyable and relatableto the student's deisred outcomes. Read More

Jane K

Instruments: Piano

Likewise, Parents, I'm sure you are reading my profile, playing the piano requires not just your child to learn the piano but your role truly determines their success in playing this instrument. It is not easy but I promise, in the end, it is truly worth it. The times you put in to practicing, there truly is a reward at the end of it all. Your hard work will pay off. Read More

Gary B

Instruments: Piano

For most beginners, I use the Bastian series to get students started. this series of instructional books combines basic theory with practical examples that help to reinforce the concepts introduced each week. While working on fundamentals, we introduce performance selections that are fun and engaging. For adult learners, I typically chart a path of instruction based upon their goals and interests. Practice assignments are designed to reinforce the lessons and perfect the technique necessary to reach the desired performance goals. Read More

Teacher In Spotlight

Robert S

Instruments: Voice Drums

What do you think is the hardest thing to master on your instrument?
The voice is the most challenging musical instrument because of the many musicianship skills it take to master it. While instrumentalists enjoy the luxury of being able to articulate music using external triggers such as sticks, bows, slides, valves, and keys, improving vocal technique still requires dexterity and the development muscle memory to achieve successful navigation. All musical instruments have different intrinsic challenges derived from their various mechanical designs, however, the voice is activated internally by sending a controlled airstream to the larynx. The experience of singing is entirely physical and in addition to the moving parts of the larynx, vocal training involves learning how to manipulate the rib cage, diaphragm, throat, soft palate and lower jaw to best support the connection of breath and sound to the voice. Additionally, since the head and throat serve as resonance chambers, singers must learn how to physically develop tone quality, timbre and vocal colors using these devices. Essentially, a singer’s musical instrument is their body and each is naturally equipped with its own personal attributes.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
For my voice students I like to begin with Anne Peckham's The Contemporary Singer because it provides the perfect warm up regimen for all musical idioms, including pop, R&B, jazz and classical styles. Anne's book provides perfect exercises for essential breath management skills, which affect intonation and phrasing. Students studying scat singing with me will learn mostly by rote but more advanced singers will use "Scat! Vocal Improvisation Techniques" and "Blues Scatitudes." In addition, I like to use the Vocal Real Book for jazz standard repertoire and will support any song the student would like to sing including pop, rock, Latin and Broadway show tunes. FInally, if the student needs to work on rhythms and/or rhythmic feel, I use my book "Rhythmania," which is call-response rote-learning format. Beginning drummers will enjoy a 3-step rote-learning process I call "Hear it, Sing it, Play it." Simultaneously I teach the traditional rudiments using a classic book called "Stick Control" written by George Stone. Intermediate to advanced drummers interested in playing jazz music use Ted Reed's "Syncopation for the Modern Drummer, "Advanced Techniques," by Jim Chapin, "Reading in 4/4," by Louis Belleson and David Weigart's "Jazz Workshop for Bass and Drums. Pop/rock/R&B drummers will enjoy Bill Elder's A Drummer's Guide to Contemporary Grooves," Paul Cappozzoli's "Around the Drums," and "Essential Stryles for Drums and Bass by Steve Houghton & Tom Warrington. I choose all my teaching approaches and books based on the student's interest, musical goals and proficiency level.

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