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Featured Piano Teachers Near Rancho Santa Margarita, CA

4319   5 STAR Musika Reviews

Here are just a few of the many teachers offering Piano lessons in Rancho Santa Margarita . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Charles C

Instruments: Piano Synthesizer Keyboard

I always want to be more into the music business, I play and sing at the piano bar, Christmas party, -Also, Last Christmas I was hired as an independent contractor. -I am a pianist rehearsal with of Christmas Carolers for their live performances at various of charity fund raising events, and church, Christmas party.- When I am not busy with perform, and when I am not working, I try to create a job for myself, that is be a music educator, teach piano and music theory. Read More

Stacey D

Instruments: Piano Voice Drums Synthesizer Music Keyboard

I have been singing and writing songs since I was 9 years old. I'm an ARTIST at heart. I have been a vocal, songwriting, performance and artist coach for 20 years . I enjoy meeting clients and helping them discover creativity beyond their greatest expectations. After the exploring and discovery phase is achieved-we get into the discipline of your creativity. But YOU - the student decides how far you wanna go. Projects for my clients include coaching for voice, musical theater , songwriting, arranging, studio recordings, church solos, live shows, auditions and more. Read More

Jean D

Instruments: Piano Guitar Voice

After graduating from school, I focused on teaching children how to read sheet music and play the piano and guitar within parochial schools, public elementary schools, private in-home lessons, and instructed adults for the Continuing Education Music Programs located within Rockland County, New York and Orange County, California.Today, I teach privately in my students homes and my home music studio, and privileged to share music with special education students on a weekly basis. Read More

Skylar R

Instruments: Piano Guitar Electric Guitar Acoustic Guitar

Music has been healing, a form of release, and my passion for many years. I did not go to school for music, however I was raised in an environment, with a mother who loved rock-n-roll, so she taught us how to dance, however both of my parents were musicians. I learned to play music much later in life from instructors, and self-taught. Once I got the bug, I took voice lessons as well, eventually I became a singer songwriter. Read More

Matthew S

Instruments: Piano Guitar Trombone Drums Synthesizer Ukulele Orchestral Percussion Latin Percussion Music Keyboard Acoustic Guitar

After I first received my Bachelor's Degree from CSU Fullerton, I opted to showcase my original music through distinct outlets. One of the resulting projects, themattsmithneujazztrio, has recorded three full-length records; my other project, JUICEBOX, has recorded two. I gained a masters of music in jazz drum set from California Institute of the Arts, where I was honored to record my own composition for the CalArts, 30th Annual Jazz CD at Capitol Records. Read More

Oanh L

Instruments: Piano Keyboard

I began to teach piano 3 years ago. In those three years, I have been working with a lot of young children and gain many experience in teaching piano. I have found that motivation and determination are the most important factors which help my student make progress. Therefore, I always try to figure out what my students really like to play and to learn, so that it can motivate them to practice the instrument better. Read More

Teacher In Spotlight

Robert S

Instruments: Voice Drums

What do you think is the hardest thing to master on your instrument?
The voice is the most challenging musical instrument because of the many musicianship skills it take to master it. While instrumentalists enjoy the luxury of being able to articulate music using external triggers such as sticks, bows, slides, valves, and keys, improving vocal technique still requires dexterity and the development muscle memory to achieve successful navigation. All musical instruments have different intrinsic challenges derived from their various mechanical designs, however, the voice is activated internally by sending a controlled airstream to the larynx. The experience of singing is entirely physical and in addition to the moving parts of the larynx, vocal training involves learning how to manipulate the rib cage, diaphragm, throat, soft palate and lower jaw to best support the connection of breath and sound to the voice. Additionally, since the head and throat serve as resonance chambers, singers must learn how to physically develop tone quality, timbre and vocal colors using these devices. Essentially, a singer’s musical instrument is their body and each is naturally equipped with its own personal attributes.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
For my voice students I like to begin with Anne Peckham's The Contemporary Singer because it provides the perfect warm up regimen for all musical idioms, including pop, R&B, jazz and classical styles. Anne's book provides perfect exercises for essential breath management skills, which affect intonation and phrasing. Students studying scat singing with me will learn mostly by rote but more advanced singers will use "Scat! Vocal Improvisation Techniques" and "Blues Scatitudes." In addition, I like to use the Vocal Real Book for jazz standard repertoire and will support any song the student would like to sing including pop, rock, Latin and Broadway show tunes. FInally, if the student needs to work on rhythms and/or rhythmic feel, I use my book "Rhythmania," which is call-response rote-learning format. Beginning drummers will enjoy a 3-step rote-learning process I call "Hear it, Sing it, Play it." Simultaneously I teach the traditional rudiments using a classic book called "Stick Control" written by George Stone. Intermediate to advanced drummers interested in playing jazz music use Ted Reed's "Syncopation for the Modern Drummer, "Advanced Techniques," by Jim Chapin, "Reading in 4/4," by Louis Belleson and David Weigart's "Jazz Workshop for Bass and Drums. Pop/rock/R&B drummers will enjoy Bill Elder's A Drummer's Guide to Contemporary Grooves," Paul Cappozzoli's "Around the Drums," and "Essential Stryles for Drums and Bass by Steve Houghton & Tom Warrington. I choose all my teaching approaches and books based on the student's interest, musical goals and proficiency level.

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