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Featured Guitar Teachers Near NYC, New York

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Here are just a few of the many teachers offering Guitar lessons in NYC, New York . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Steven M

Instruments: Guitar

Guitarist of 30 years. 19 years of teaching experience. Studio musician/hired gun on privately financed projects in a variety of styles. Two European tours. Over 1,000 live performances. Read More

John K

Instruments: Guitar Cello Electric Guitar Acoustic Guitar

My teaching experience includes teaching both cello and guitar privately as well as cello in various classroom situations. I like to give students a combination of repertoire that I think will build their playing ability directly as well as repertoire that they are personally passionate about. I have experience teaching both classical music and rock music as well as blues. I enjoy teaching students of all ages. I have taught people of all ages and various ability levels. Read More

Doug L

Instruments: Guitar Bass Guitar

I consider my teaching style to be comprised of two major components - physical and mental. The physical component includes things like picking, strumming, finger strength, finger dexterity, and left hand/right hand coordination. For this, I provide a variety of exercises which do not necessarily require musical knowledge. These can be taught at any time, but are especially valuable early in a student's learning path. They are also effective warm-up exercises before practice and before performances. Read More

Phil G

Instruments: Guitar

Lessons will vary, depending on each student's needs, wants, and capability. I think it's important to consistently accomplish small goals in order to raise one's self esteem and motivation to practice the instrument. I put a strong emphasis on listening, reading, writing, improvisation, and playing with others. Students who are new to the instrument will be introduced to the fundamentals of the guitar. From then on, students will work to set their own goals, ranging from wanting to be to play their favorite Justin Bieber songs, or if diving deep into the world of jazz. Read More

Sean P

Instruments: Guitar Bass Guitar Ukulele Mandolin Double Bass

I first started teaching when I was a junior in high school. Over the summer I would help the younger students of my town by giving Double Bass lessons. Since then I've grown my studio and I've only become more enthralled with helping people learn about music. I try to educate students on the history of the instrument as well as the many roles in can play in different genres. Read More

Maximilian S

Instruments: Piano Guitar Voice Violin Viola Drums Mallet Percussion Orchestral Percussion Conga Keyboard Electric Guitar Djembe Classical Guitar Acoustic Guitar

My music pedagogy is influenced by Zoltan Kodaly, mile Jaques-Dalcroze, Edwin Gordon, and Carl Orff. For teaching violin, while I employ elements of the Suzuki Method, Strictly Strings, and Metodo Nicolo Violin to instill discipline and establish ,precision, I set up a lively, interdisciplinary, and creative environment by incorporating calisthenics, games, dancing, singing, and storytelling to encourage versatility and innovation. Read More

Brianne F

Instruments: Piano Guitar Organ Synthesizer Ukulele Keyboard Classical Guitar Acoustic Guitar

My teaching style is light and fun and geared to the temperament of the child and the specific goals of the parent. My methods are traditional pedagogy. With younger students under the age of 5 and special needs students I make use of tactical manipulatives for example play doh to assist with fine motor skills. I also incorporate if needed coloring full body movement etc if needed. I try to set realistic goals with both the student and parent bringing various rewards and incentives for achievement.. Read More

Teacher In Spotlight

Pranvera C

Instruments: Piano Guitar Violin Bass Guitar Double Bass Classical Guitar

Does music run in your family? Tell us a little about your musical family members.
NO .

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
I grow up going to music school since I was 6 yrs old and then gradually I grew as musician and when I reach the age of making my own decisions I was in a path without regrets .

If you weren't a musician what do you think you'd be doing instead?
Criminal Justice Investigator Career

What is your favorite style/genre of music to play and why?
Rock and Pop Classical Romantic Era Impressionism Era

If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
It was a requirement from my music school to start the 2nd instrument at age of 10 (5th grade)and then later one of requirements to get merit scholarships .

What is your dream piece to perform and why?
"Europe: from Carlo Santana .This is my dream piece because was that piece what it got me into loving Latin jazz and it involves Latin percussion band .

What do you think is the hardest thing to master on your instrument?
The hardest thing to master on your instrument is practice time which might conflict with your free time . I would add here "your passion and love for your instrument will pass all the other" .

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
Music Education Musicology I choose musicology because I loved music theory ,harmony and musical analysis.

What does a normal practice session look like for you?
Warm up with scales ,articulation exercises, etudes and then at the end your performance repertoire. The lessons might ends with something that student want to share with me or parents.

Have any of your students won awards or been selected for special honors? How have they succeeded?
Yes, Second Prize of "Passion Of Music 2019" Third Prize of AFAF (American Fine Arts Festival) 2017 Awards from Pelham Music Festival . NYSSMA Piano performance level VI.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
As I said it above ,,yes ,Alfred Piano Method ,Mel Bay Guitar Method ,Hal Leonard Guitar Method , Cherny Piano Technique Exercises ,Suzuki Method Abner Rossi "La methoda di chitarra" Julio Sagreras Method of Classical Guitar .

What musical accomplishments are you most proud of?
Grand Price from Republic of Albania President 2017 Several accomplishment Performance Certificates Best Artist of Albanian Culture TV Two of my piano students pursue their careers in minor piano performance and major in choral conducting degree.

Did you have a teacher that inspired you to go into music? How did they inspire you?
Yes ,I did . She still is my mentor . I do talk to her when I see that student's progress is slowing down and beside what I do still is not progressing .

Why did you choose your primary instrument?
Ahh..I did not choose my instrument.The music school staff chose for me .All I have to do is practicing no matter which instrument I play . The most important was becoming a professional musician then play your favorite instrument. All musical instruments are the same . I come from a different music education system focused on music studies and performance .

When will I start to see results?
Depends on the student progress .If student work consistently you will see the difference from lesson to lesson from the first lessons. On his/her first year performance.

How do I know if my child is ready to start lessons?
We will do the intro lesson and evaluate student's capability to handle the extra time and learning possibility based on focusing ,patient and passion for music lessons.

What advice do you have about practicing effectively?
That depends on student's age and their available time among the other daily activities . For the young students 20-30 minutes every day. For upper level depends on the program needed to be covered.

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Recent Articles from the Musika Blog

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...of coming up with a great idea for a song only to hit a brick wall somewhere along the way. Admitting you don’t know what to do with an idea is a good place to start a collaboration with another songwriter. Rather than letting good ideas go to waste, running them by other songwriters might bring your ideas to places you never thought they could go.   Tip #9: Change your writing routine when things begin to sound stale   If you’ve been writing for a while, your music is bound to get a little stale and predictable after some time,... Read More

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...with common interests are drawn to one another, but there’s more to it than that. There’s an aspect of vulnerability when you play your instrument or sing for and with other people. It’s the opportunity to share something indescribable and incredibly human with other people that bonds musical communities with one another. 5. It’s just fun No doubt about it, it just feels good to make music. Ask anyone who sings and dances in their car, in the shower, or at a party. As I mentioned right off the bat, we lie in a very high-stress, high-stakes society. Now more than ... Read More
10 Songwriting Tips To Help You Write Memorable Music
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Five Benefits of Music Education

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