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25 Years
Since We Started
41,456+
Happy Customers
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Cities with Students
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Teachers in Network
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Here are just a few of the many teachers offering Piano lessons in Oyster Bay . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano Voice
I always start with applicable musical theory to help the student understand the basics of piano and what are the proper techniques to play the instrument. The same applies to voice lessons. After a student is able to read music on the basic level and knows the placement of notes on the scale, we proceed to the basic repertoire and practice. Each student is individual, so based on the pace I create a schedule, which always includes implementing the learnt material more and more, so that student can perform basics automatically correct. Read More
Instruments: Piano Bass Guitar Double Bass
I'm an instructor that is always learning. I learn from my peers, professors and especially my students, and my goal when I give lessons is to pass everything I have and will learn to them. I'm currently going to school for Jazz Studies at SUNY Purchase College, and I perform in Pop, Funk and Jazz groups in the Westchester/New York area. I currently perform/record with groups like, singer/songwriter, Wendi Mancaku and pop band, Old Country Landscaping. Read More
Instruments: Piano Voice Violin
I love teaching and helping students reach their potential. I have been teaching music for over 40 years. I teach beginning to professional level voice lessons from folk and pop to Broadway and Opera. I also teach beginning level piano, violin, viola, cello, double bass, and guitar. My students understand the voice and voice production. I am thrilled to pass on a fantastic technique to the serious opera or Broadway singers who have struggled with unfocused and frustrating techniques. Read More
Instruments: Piano Music Keyboard
Although I have taught at esteemed institutions such as Haverford College, Queens College and City College of New York, my main passion is teaching individual students 1 on 1, providing quality instruction to those want to enrich their lives with music. I started teaching when I was a conservatory student myself. Since then, my studio, which I call Opus 7 Music, grew over time and now I have both in-person students in New York City as well as students all over the world that I teach online. Read More
Instruments: Piano Guitar Voice Drums Bass Guitar Synthesizer Ukulele Mallet Percussion Orchestral Percussion Conga Latin Percussion Music Keyboard Electric Guitar Djembe Classical Guitar Acoustic Guitar
I started teaching music lessons back when I was 14, when friends would ask for tips or lessons, and local parents wanted lessons for their children. I fell in love with the act of helping others to realize the music inside them, and have been teaching consistently ever since. Learning any musical instrument involves learning about oneself. The student and teacher must work together to define their goals, be comfortable confronting shortcomings, discover how they learn best, and find the patience and drive to practice for long enough to get better. Read More
Instruments: Piano Guitar Voice Drums Keyboard
I teach because I love imparting knowledge and making connections in this way, and because I love the fundamental building blocks of musicianship and music theory. I have found that with careful attention to a student's character, the possibilities for learning are boundless. I like to let love guide the process, in the sense that I observe carefully the kinds of sounds that a student is fond of, and attempt to structure their learning in a way that empowers them to make those sounds. Read More
Instruments: Piano Voice Keyboard
I specialize in the Alfred Series for piano and My First Piano Adventure for young students. This approach focuses on ear training and reading music. Custom exercises and choice of material is based on the student's level and field of study. Lessons are scheduled at the student's convenience as per availability. Frequency and length of lessons is based on the students needs. Young voice students are taught general concepts, music theory, and ear training. Read More
Instruments: Piano Trumpet Saxophone Flute Clarinet Music Keyboard
Why did you choose your primary instrument?
I started out on clarinet. The way that they are made and the way that they are never seem to amaze me. Though I play piano a lot now, I really think that there is a lot to be learned from playing wind instruments. I think that there is carry over from instrument to instrument. I think that even applies to brass and woodwind instruments in the respect that they all horns of some kind. There is a relationship between any two instruments regardless of what they are. I think that finding those relationships and making them work is really where it is at.
What musical accomplishments are you most proud of?
I would list my accomplishments according to what I have learned rather than by any awards or accolades that I have received. The first thing that I am very happy to have done is to play woodwinds well enough to teach and perform at a high level.
The next most significant accomplishment is the development of my own jazz theory course that is designed to simplify techniques and to get students to improvise quickly and effectively by focusing on motifs first and larger phrases second. These thing have made me a more effective teacher.
Have any of your students won awards or been selected for special honors? How have they succeeded?
I have had several students audition for and get into good college music programs.
I have had several students audition for good high school groups and get into them as well.
What do you think is the hardest thing to master on your instrument?
On wind instruments the hardest things to master are holding the instrument properly and developing a good embouchure. The three most important things on a wind instrument are tone production, articulation, phrasing and musicality. After that reading music is something that all musicians should strive to improve. The faster someone can identify and play musical passages the better. Whether someone is playing classical or jazz they need to completely understand the passages that they are playing from numerous angles.
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I like Klose, Rose and Baermann studies for clarinet and Klose and Lazurus for duets. For flute I like Anderson studies and duets by Quantz, Mozart and Beethoven. For saxophone I like studies by Larry Teal as well as Marcel Mule and Sigurd Rascher. For piano students I like my students to play Haydn's first sonata in C major and then eventually Mozart's piano sonata #7 also in C major.
All students have the opportunity to take my extensive course of study in jazz improvisation if they choose to. All students are encouraged to select music for themselves and to practice those pieces every day.
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Piano lessons in Oyster Bay to students of all ages and abilities.
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