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Featured Piano Teachers Near Oyster Bay, NY

4048   5 STAR Musika Reviews

Here are just a few of the many teachers offering Piano lessons in Oyster Bay . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Barbara W

Instruments: Piano Voice

Wanting to share my love and passion for music is the such an important role of being a music teacher. I hope to encourage my students to want to learn, practice, and preform at their own pace. I also strive to acknowledge my students accomplishments and progress to keep them motivated and eager for more. I cater my lessons to the individual wants and needs of the student in order to acheive what is best for them and keep them excited and interested. Read More

Abaigael M

Instruments: Piano Voice Flute

I love sharing the joys of music with others! I graduate from Marywood University in January 2017 with a Bachelors degree in Music Therapy. I took private vocal lessons starting when I was 14 years old. I was a part for my colleges chamber choir and I went on tour with them and performed throughout the US and Canada. I studied abroad in London for a semester and was a part of the Kings College choir as well. Read More

Alexis G

Instruments: Piano Guitar Electric Guitar Acoustic Guitar

I am all about making sure that my students are receiving enthusiasm and inspiration. I think the best way is to customize every lesson to each student and their learning style. I like to create lesson plans/practice schedules so that my student and I can keep track of growth and accomplishing goals. I will help the student in whatever way I can to achieve their musical goals. I make myself available for any student. Read More

Sunny L

Instruments: Piano Violin

For beginning students who are children. I typically start with Suzuki Violin Book or Hal Leonard's Essential elements. Once the students has progressed to have a grasp of the fundamentals, I will begin to introduce some repertoire they can perform. For adults, I try to find out what music the students are interested in and as teaching basic skills, I will teach music what they would like to perform. Also I will guide my instruction to encourage their interest of playing violin so they can have fun with playing violin, not get stress about practicing violin. Read More

John C

Instruments: Piano Saxophone Flute

I'm a dedicated and passionate multi-instrumentalist and composer and have been sharing my love of music with students of all ages since 2009. I studied jazz performance at the New England Conservatory of Music and my curiosity in other styles of music has led me to branch out into classical music, rock, electronic, and a variety of folk musics from different parts of the world. I'm lucky to have been able to perform in and around Seattle, Boston, Europe and now Brooklyn. Read More

Evan M

Instruments: Piano

One of the biggest things I've learned from teaching students and being a student myself is that ultimately, the student's mindset and practice habits are the biggest determinant in their improvement. That is why I believe strongly in getting to know each individual student before designing a week-by-week curriculum that I feel is best for them. Books I tend to use often include the Faber "Piano Adventures" series, Hanon, and Bartok's "Mikrokosmos" (for sightreading practice). Read More

Tina C

Instruments: Piano Violin Viola Music

My teaching experiences includes: • Violin Teacher – The Children’s Storefront, Harlem, NYC, and Harmony Program, Washington Heights, NYC -Teaching group violin lessons and music theory to elementary and middle school students. • String Coach – Manhattan School of Music Pre-College Division Orchestra, New York, NY -Developing students’ string and ensemble skills in orchestra • Private Studio Teaching — In-person and online -Teaching private in-person and virtual violin, viola, and piano lessons to students Read More

Teacher In Spotlight

John C

Instruments: Piano Trumpet Saxophone Flute Clarinet Music Keyboard

Why did you choose your primary instrument?
I started out on clarinet. The way that they are made and the way that they are never seem to amaze me. Though I play piano a lot now, I really think that there is a lot to be learned from playing wind instruments. I think that there is carry over from instrument to instrument. I think that even applies to brass and woodwind instruments in the respect that they all horns of some kind. There is a relationship between any two instruments regardless of what they are. I think that finding those relationships and making them work is really where it is at.

What musical accomplishments are you most proud of?
I would list my accomplishments according to what I have learned rather than by any awards or accolades that I have received. The first thing that I am very happy to have done is to play woodwinds well enough to teach and perform at a high level. The next most significant accomplishment is the development of my own jazz theory course that is designed to simplify techniques and to get students to improvise quickly and effectively by focusing on motifs first and larger phrases second. These thing have made me a more effective teacher.

Have any of your students won awards or been selected for special honors? How have they succeeded?
I have had several students audition for and get into good college music programs. I have had several students audition for good high school groups and get into them as well.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I like Klose, Rose and Baermann studies for clarinet and Klose and Lazurus for duets. For flute I like Anderson studies and duets by Quantz, Mozart and Beethoven. For saxophone I like studies by Larry Teal as well as Marcel Mule and Sigurd Rascher. For piano students I like my students to play Haydn's first sonata in C major and then eventually Mozart's piano sonata #7 also in C major. All students have the opportunity to take my extensive course of study in jazz improvisation if they choose to. All students are encouraged to select music for themselves and to practice those pieces every day.

What do you think is the hardest thing to master on your instrument?
On wind instruments the hardest things to master are holding the instrument properly and developing a good embouchure. The three most important things on a wind instrument are tone production, articulation, phrasing and musicality. After that reading music is something that all musicians should strive to improve. The faster someone can identify and play musical passages the better. Whether someone is playing classical or jazz they need to completely understand the passages that they are playing from numerous angles.

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