Lesson Special - Up to 20% OFF! Get Started Now with a Risk-Free Trial!

Featured Piano Teachers Near Cupertino, CA

4341   5 STAR Musika Reviews

Here are just a few of the many teachers offering Piano lessons in Cupertino . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Dana S

Instruments: Piano Voice Keyboard

Music is my life. I actually enjoy teaching music and being creative with all ages and all kinds of people. Ive had the opportunity to play all over the world with jazz bands, Afro Cuban ensembles, top 40 bands as well as my own band which is a mix of original music that is jazz, r and b, soul, hip hop, reggae, latin and funk. I also direct a singing group in Richmond called Voices of Reason. Read More

Jonathan H

Instruments: Piano Guitar Keyboard Acoustic Guitar

My teaching style is one of deep listening to the student in their musical process, and from this creating the conditions for them to expand into new dimensions of musicality. I am an expert in creative process, and love working with students especially on songwriting, composition, electronic music production, and other such creative domains. In addition, my professional work is focused on a leading edge of musical education that is just emerging and beginning to be understood: developing the listening faculty as a pathway to musical excellence; for as the perceptual foci is polished, so does the sensori-motor engagement discover new possibilities. Read More

David H

Instruments: Piano

As a musician, I believe that performers must convey not only the logic, but the artistic and emotional warmth inherent in the music. As a teacher, I emphasize that one utilizes technique for the purpose of communication, and I know that this is a truth at all levels, whether in a Class Piano situation or with very advanced talents. I feel it is also vital for students (again, at all levels) to gain experience with literature from a variety of musical periods, so as to develop a diversity of taste and interpretive style. Read More

Philip S

Instruments: Piano Saxophone Clarinet

I was educated from age 7 in Clarinet, reaching the highest award offered by The Associated Board of the Royal School of Music at age 12. I was graded A* for my school music exam (GCSE) a year early, and also gained and A Grade in my college (A Level). Seeking to go to music college I then took ABRSM Grade 6 piano. I played in the Birmingham Schools Wind Orchestra (Principal Clarinet) and the Midland Youth Jazz Orchestra (1st Alto Saxophone). Read More

Camille H

Instruments: Piano Voice Drums Music Keyboard

For most of my beginning piano students, I use the piano adventures series. They offer a clear and well paced curriculum with numerous supplemental resources in a variety of styles. For beginning music theory, I use the Berklee School of Music texts or the Benward and Saker textbooks as well as many videos and other resources to explore musical concepts. For singing, I use a variety of sight singing books, all depending on the age and experience of the student. Read More

Patrick M

Instruments: Piano Trombone

I began teaching private lessons while I was still in college around 2005 and have had few private students. Ive taught and coached jazz band, concert band, and orchestra youth programs like Stanford Jazz, The Jazzschool, and Golden State Youth Orchestra. The students I work with learn the fundamentals and mechanics of the instrument, the understanding of musical language and theory, how it relates to the world, expression of feelings, thoughts and ideas, and the overall joy and fulfillment of playing music on trombone. Read More

Richard Max H

Instruments: Piano Clarinet

35 years teaching piano, music arranging, composition, theory, technique, personal expression. Beginning - Intermediate - Advanced. Intructor for Music School of Alameda. Music School at Sherman Clay, Private Music Studio, Music Director, 1st Trinity Lutheran Church Pianist for string orchestra, chamber groups, duos, trios, quartets, quintets. Accompanist for Vocalists, Instrumentalists. Pianist for Jazz Quartet Solo Pianist Classical, Jazz, Contemporary for Private Celebrations, Weddings, Birthdays, Graduations. Read More

Teacher In Spotlight

Lauren P

Instruments: Piano Voice

What does a normal practice session look like for you?
A normal practice session for me for voice consists of starting with breathing exercises, moving into a mid-high range easy scale drill, then I warm up my lower voice with a bel canto drill. After that I use exercises to pinpoint problems with the voice, nasality, annunciation, etc and work on those for at least 30 minutes. The rest of my practice sessions consists of working on repertoire, whether that is rehearsing problem phrases, working on diction, phrasing, etc. I will also do at least one run through of each piece. For piano, I usually will warm up my hands with scales and will jump into RH only then LH only practice on repertoire and then will work BH together until it feels comfortable.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
My BA and MM are both in Vocal Performance. I chose this because I didn't want to teach in a classroom setting long term and the area I was living in had very few music jobs open, so Music Ed didn't feel right. My undergrad didn't have a Theory, Musicology, Composition, or Other music degree available. It was either Performance, Education, or a General Music degree that was only allowed for people double majoring with another field of study. For my MM, Performance is what I found a love in, so it was a no brainer to choose a Performance Program.

What is your dream piece to perform and why?
I would love to perform the role of Marie Antoinette in John Corgliano's Opera The Ghosts of Versailles. This role is very demanding, and the music is very new age and avant garde. The character is a very sad character who the audience sympathizes with easily and it is a hard role to properly pull off. The wrong acting can ruin the performance even if the singing is beautiful. The whole opera is an interesting idea and it is a piece that in it's whole is a wonderful experience. I have already performed one aria from the opera in a showcase and it was such an amazing experience.

If you weren't a musician what do you think you'd be doing instead?
I originally wanted to be a doctor, but found my passion in music instead. I honestly think though, that music is the only thing I could ever do long term. People who have known me for a long time will even say this is what I should be doing. I have people who I have run into from years ago who knew I was going to school for science originally and they aren't even a bit surprised that I ended up in the music field instead. They all say it was obvious from the first time they met me that I am a musician through and through.

Read More

Musika Quick Stats

25 Years

Since We Started

41,456+

Happy Customers

10,769

Cities with Students

3,123

Teachers in Network

How to Get Started

Trusted as the industry leader, for over 21 years the teachers in our network have been providing Piano lessons in Cupertino to students of all ages and abilities.

how image

Tell Us Your Needs

We'll then reach out to the teachers for you.

image

Get Matched

Schedule the risk-free trial lesson directly with the teacher.

image

Take Your Trial

Continue with that teacher or try someone else.

Recent Articles from the Musika Blog

Warner Bros. and Classical Music: The Anti-Fantasia Movement

...minutes, but it borrows from some other Wagner operas as well.” Specifically, Carl Stalling borrowed from Der Fliegende Holländer and Wagner’s Tannhäuser.   What’s Opera, Doc? ranked #1 on the list of The 50 Greatest Cartoons. Here’s another video of a live performance in Hollywood:     1959: Baton Bunny Directed by: Chuck Jones Written by: Michael Maltese   This cartoon features Bugs Bunny as a conductor, and the classical work for the program is Franz von Suppé’s Ein Morgen, ein Mittag und Abend in Wien.     Here’s an excerpt:   1976: Bugs and Daffy’s Carnival of the Animals Directed by: Chuck... Read More

Guitar Lessons For Adults: Taking Guitar Lessons as an Adult

...course of a year or more rather than trying to learn as quickly as possible is ideal because like most instruments, technical skill on the guitar is built off of muscle memory more than anything else. Muscle memory is the process of forging new connections from your muscles to your brain. When you snap your fingers or give someone a thumbs up, you are utilizing connections from your brain to your muscles that you formed years ago as a child. Creating new connections takes time, focus, and a great deal of effort, so it’s only natural human behavior to want to avoid the ... Read More

Song Structure Tips for Songwriters

...to settle on the best few options that suit the music you’re writing. At some point, it’s a good idea to take stock of all the sections of your song and make sure that each one serves a purpose. Just because you can add in instrumentals, endings, and bridges to your song doesn’t mean that you should. It’s sort of like cooking. Some types of food call for a complicated cooking process that can be filled with exotic ingredients and challenging steps, but then you have your grilled cheese sandwich. Cooking a grilled cheese sandwich is easy. What determines how good ... Read More

Listening to Jazz: A Beginner's Guide

...play busy, what cymbals they decide to use and when. You could spot listen to each drum and cymbal. Listen to a recording and only listen to what the drummer does on the snare drum the whole time, or the ride cymbal, or the bass drum, etc.   I planned on writing out another example to illustrate this method, as I did above, but listening to jazz in this way can be very involved and detailed, and it would take a whole series of dedicated articles to do any recording any sort of justice. I recommend using this method while listening to ... Read More

Belt Mix Untangled: A 5-Step Guide

...to feel. If tightness or pushing occurs, go back down the scale and try again with fully engaged breath.   When you try out these steps to learn how to use belt mix during your next practice session, please remember that you are learning to coordinate and use your voice in a completely new way. It’s not easy, but your singing will feel so much more effortless and flexible once you can sing with belt mix. Record yourself every now and then to track progress and adjust your practice as needed. With some patience and diligence, you will be singing more freely and fully than you ever imagined ... Read More
Warner Bros. and Classical Music: The Anti-Fantasia Movement
Guitar Lessons For Adults: Taking Guitar Lessons as an Adult
Song Structure Tips for Songwriters
Listening to Jazz: A Beginner's Guide
Belt Mix Untangled: A 5-Step Guide

You are in Good Company

Trusted since 2001 by world famous musicians & producers to teach their kids. Some clients included members of Metallica, the Fugees, Lauren Hill band, Poison, Def Jam Records, and Arista Records.

  • fugees
  • metallic
  • DefJam
  • poison
  • arista

Ready for a Trial Lesson? Have Questions? Call 408-389-3524

Up to 20% OFF!
GET A RISK-FREE TRIAL

Select all the days/times the student would be available to start lessons. Selecting "3pm - 7pm" means the student can start as early as 3pm or start as late as 7pm. It is important that you select as many days and the widest window of start times for each day as possible. That will help us make a match with one of our teachers.

Ok

Are you sure that's your only availability? The more availability you easier it will be to arrange a teacher for you.