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24 Years
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Here are just a few of the many teachers offering Violin lessons in Oyster Bay . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Violin
I began teaching general music 12 years ago by presenting 45-minute programs for ages 3 yrs-14 yrs at numerous public schools in the Greater Boston Area in partnership with From the Top. These presentations had a vast range of topics and activities. With a class of 4th graders, I helped the students express their daily routine by writing and performing their own piece of music. I had a discussion with a class of 6th, 7th, and 8th graders about the story behind a Bach Sonata I performed at the beginning of the class. Read More
Instruments: Piano Violin Cello Viola Keyboard
I set up each lesson of what and how to practice at home. So whatever we do in the lesson, is what you are to do in your personal practice, making it super easy! I suggest each students sits with the instrument at least 3 days a week, not including lesson day. I give you fun and easy warm ups to explore how to use the instrument. Then we work on fun pieces to explore the many beautiful sounds of your instrument and your voice as musician. Read More
Instruments: Piano Violin Cello Viola Electric Violin Fiddle
My teaching experience dates back to my college days, as I began teaching private lessons part time 8 years ago, and have been consistently teaching students in my home studio for the last 5 years. Encouraging regular practice on a consistent schedule is one of the key points I like to emphasize for younger students, as it tends to help the student progress and gain a passion for the instrument. I've also found that a combination of classical and modern music can go a long way in helping students enjoy the piano and motivate them to practice and continue to learn. Read More
Instruments: Violin Viola Electric Violin Fiddle Music
I teach out of my home studio in East Williamsburg, Brooklyn, as well as through Zoom to students worldwide. I have both a Master's and a Bachelor's Degree in Music Performance from the San Francisco Conservatory of Music, where I was concertmaster of the Conservatory Orchestra and the recipient of the full-ride Sergei Barsukov Violin Scholarship. In addition to my private studio, I am an active performer in several professional chamber music ensembles and a Teaching Artist for the Midori & Friends Foundation here in New York, as well as on faculty for Elizabeth Faidley Studios. Read More
Instruments: Violin
I began teaching in 2003, right at the beginning of my college studies. I taught in several after school programs in upstate New York, and organized many student recitals. I encourage daily practice, as this gives students a chance to become comfortable with the violin much more quickly, and I make listening to music a part of each students normal routine so they can strengthen their desire to learn. I have been teaching privately since 2003, and have also served as a violin coach for more advanced students. Read More
Instruments: Piano Violin Mandolin Electric Violin Fiddle Music
I draw heavily on the Suzuki method when I teach. For young beginners this means a lot of ear training using singing, recordings, and games. For young students, I ask a parent to be involved in the training so that they can help the child with practicing. The key to young beginners is making everything fun and not going too fast. Through repetition, they learn skills and develop confidence by experiencing success at every stage of the process. Read More
Instruments: Violin Viola Piano Voice
My teaching style is strongly based on the constructivist method of learning. What that means is I prefer to help students by means of demonstrating skills( Left/ right-hand technique, excerpts from music, etc.), to scaffold their learning, and to help them overcome challenges by means of critical thinking and problem-solving. Setting practice goals and also keeping a practice journal is an effective way to keep students on track with their playing development. Read More
Instruments: Voice Violin Viola Electric Violin Fiddle
Does music run in your family? Tell us a little about your musical family members.
My mother and older sister sang in choirs and played piano. My grandfather was an accomplished violinist. They all played for fun mostly and I wanted to cross the threshhold into playing as a career.
If you weren't a musician what do you think you'd be doing instead?
I am also a copy editor, a writer and a surfer! I would love to write travel books or film travel videos, obviously surfing along the way!
When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
After spending years as a magazine editor, I was laid off. In that time, I picked up singing gigs while I looked for new work. Those gigs turned into bigger and bigger experiences until I decided to teach. After 10 years of performing and teaching, I started up my own studio and left the public school system. I feel I can do more as a private instructor, without red tape and state standards!
If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
Violin, viola and cello are very similar, so it was not hard to choose those. I began playing bass guitar because I was asked to join bands. I began playing piano to accompany my voice students. Once you learn one instrument, you begin to speak the music language and other instruments become increasingly easier. I'm glad I began with violin because that has been the most challenging.
What is your dream piece to perform and why?
Paganini Caprice number 5 on violin. It's beautiful and intricate, and in the film Crossroads, Ralph Macchio crushes Steve Vai by playing it on electric guitar. As an electric player, I always loved that. In voice, I would love to write the perfect original song. I believe there's an intimate beauty in sharing original work.
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I use Suzuki for violin/viola. I find it works very well to build muscle memory and sight reading skills for beginners. After the first couple levels of Suzuki, students may decide to branch into something more flexible or play fiddle rather than traditional violin, but a foundation in Suzuki has always helped.
What do you think is the hardest thing to master on your instrument?
In violin and viola, it took me years to enjoy my own sound, then translate that to electric violin/viola. Vibrato is always a challenge as well and I was not happy with mine for quite some time.
Have any of your students won awards or been selected for special honors? How have they succeeded?
Four of my voice students have been on "The Voice" and one has joined me in publishing three songs to commercial television. Three of my younger students have been accepted into very prestigious music conservatories.
Why did you choose your primary instrument?
I chose violin because my grandfather was a violinist and used to play fiddle for me as well. I chose voice because I enjoy connecting with others as a vocalist and it has helped my conquer my fear of public speaking. Being a vocalist and violinist has brought me experiences I never expected and will cherish.
When will I start to see results?
Every student progresses at their own pace. A good teacher will help students set realistic and reachable goals from day one, so you will see progress immediately. Be prepared for your own humanity though! One off day may feel like 10 steps back. A good teacher will help you through these obstacles.
What advice do you have about practicing effectively?
Practice your rigorous exercizes, but always end with a "guilty pleasure" or something that is easy or fun for you. Set a practice time and stick to it. If you get frustrated, take a quick breather, but don't put your instrument down. Don't look at your instrument as your enemy, but as an extension of you. If you're having an off day, just run through your basics and remind yourself that music is a language that takes time to learn. Some days are better than others!
How do I know if my child is ready to start lessons?
Forcing a child into music may turn them off to it completely. Let your child experience all types of music and ask them if they are ready to try and learn. At first, a child may want to try several instruments to see which one they bond with. Allowing them ownership of their music choice is a positive way to start. As for vocal students, children cannot truly begin to work on their voices until after puberty, but young students can learn about proper breathing, music theory, warmup exercizes and group singing.
24 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Violin lessons in Oyster Bay to students of all ages and abilities.
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