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Featured Piano Teachers Near Indianapolis, IN

Samuel K offers piano lessons in Indianapolis, IN

Samuel K

Instruments:

...I am passionate about teaching music and helping others reach their full potential on whatever instruments they want to play. I am versatile and can play on almost every instrument with piano as my primary focus. ... Read More

Linda C offers piano lessons in Indianapolis, IN

Linda C

Instruments:

...I want to instill a passion for music in my piano students. To do this, I let each student progress at his or her own pace. I encourage this by setting realistic goals for my students at each lession and acknowledging the small accomplishments. ... Read More

Tatiana M offers piano lessons in Indianapolis, IN

Tatiana M

Instruments:

...Rachmaninov, M.Mussorgskyn M.,Glinka e.t.c. and European composers as well. I love theRussian classical music and the Russian Piano school isBest in the World with the long, great history. ... Read More

Richard D offers piano lessons in Indianapolis, IN

Richard D

Instruments:

...Music is such a blessing and should be fun! Ample time is given to students to discover their own music and inherent rhythms while studying the vast pedigree of music that has come before us.... Read More

Grant F offers piano lessons in Indianapolis, IN

Grant F

Instruments:

...For example as a chorus member i have performed multiple times at Carnegie Hall with the Westminster Symphonic Choir, throughout France and England with Westminster Kantorei Choir, and Barcelona with the Westminster Choir.... Read More

Nolan W offers piano lessons in Indianapolis, IN

Nolan W

Instruments:

...I write charts and exercises myself using tablature or standard notion depending on the student. As music being such a cumulative concept, I like to not only focus on pedagogy, but music theory and aural skills as well.... Read More

Ahafia J offers piano lessons in Indianapolis, IN

Ahafia J

Instruments:

...My goal for each of my students is that they are truly learning things that make them want to play, pieces and techniques that make them want to learn more and ask questions for themselves.... Read More

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Recent Articles from the Musika Blog

Choosing a Saxophone Mouthpiece

...take home a few mouthpieces for a trial period (usually 7 to 14 days). Classical Mouthpiece vs. Jazz Mouthpiece   Saxophone mouthpieces are made with different purposes and applications in mind. Many jazz players play classical and vice versa. Young students usually start out playing classical and then venture to jazz, but still practice classical as a basis for good technique. A lot of colleges even combine jazz and classical curricula. There are even a few professional saxophone players that are known for playing both classical and jazz. If you plan on playing both classical and jazz saxophone, it’s a good idea to have... Read More

Clarinet Warm Ups: Exercises for All Levels

...  Warm-up routines are personal to each individual and are specific to each situation. You want to vary your warm up routine, on both a short-term and a long-term basis. You want to avoid monotony and make sure that you’re challenging yourself in new ways. Start with what you know, but always move on to what is difficult. Some parts of your warm-up routine, however, will remain unchanged. You may choose different scales or technical exercises each time you warm up, but long tones will always be a part of your routine.   The length of time it takes to ... Read More

Soloing Over Rhythm Changes

...an ascending and descending arch, and then go to the closest note (in the 1357 pattern) that would achieve this. This is a good exercise in basic improvisation. This is what’s called a “chord tone solo”. The idea is to create a solo using only chord tones (1357). My example is very basic. When practicing chord tone solos, you can use the notes in any order and should use more rhythmic variation in order to create rhythmic interest.     This example is a basic 1357 digital pattern used over the bridge.   When you’re playing chord tone solos, you ... Read More

How To Write a Pop Song

...you feel like it needs a little oomph, consider writing a thoughtful bridge to change things up. Endings serve a similar purpose, but with an added finality and musical resolve.   When executed correctly, these sorts of transitional sections can add an elevated level of sophistication to your songwriting, but when thinking about how to write a pop song, keep in mind that more sections doesn’t translate to better songs. Daniel Johnston’s “True Love Will Find You In The End”—an indie-pop song widely loved by millions—consists of just two simple verses. No choruses, bridges, or instrumental sections needed. In songwriting, conveying a mood ... Read More

Belt Mix Untangled: A 5-Step Guide

...allowing the singer to keep practicing and performing safely for years. How to Use Belt Mix in Five Steps It should be emphasized that learning to use belt mix, like any other vocal technique, takes a lot of time and patience and should be done with the help of a teacher. Just remember that you are building the foundation for healthy, sustainable vocal production. Take a quick mental body scan—are you holding tension anywhere in the body unnecessarily? Are you locking your knees? Hunching forward? Gripping your jaw? If so, take a few minutes to do some gentle stretching to release tightness and set up a ... Read More
Choosing a Saxophone Mouthpiece
Clarinet Warm Ups: Exercises for All Levels
Soloing Over Rhythm Changes
How To Write a Pop Song
Belt Mix Untangled: A 5-Step Guide

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