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Featured Guitar Teachers Near Oklahoma City, OK

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Here are just a few of the many teachers offering Guitar lessons in Oklahoma City . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Timothy W

Instruments: Guitar Banjo Ukulele Mandolin Music Classical Guitar Acoustic Guitar

I am an avid listener as well as player. I perform as a solo guitarist specializing in Celtic and American acoustic music. I also work as an accompanist on a variety of instrument (mandolin, dulcimer, banjo, guitar) for singer-songwriters. You can catch my band Harper Valley Hypocrites performing locally. Our material cover Dylan to Zevon as well as some great original tunes. I continue to write and arrange pieces for fretted instruments and find great joy in adapting pop and rock classics to instruments that are not normally used for such tunes. Read More

Kash S

Instruments: Guitar Bass Guitar

I love seeing my students suceed. Its important to me for each student to progress at their own pace. I want the students lesson to be fun and easy going. I try to assure my students that music is supposed to be a realease and not cause more stress and frustration. Read More

Jacob M

Instruments: Guitar Ukulele Classical Guitar Acoustic Guitar

During my time as a graduate teaching assistant for the University of Louisville, I learned the importance of effective and appropriate communication between students and instructors teaching class guitar, guitar ensembles, private instruction, and class ukulele. My guitar pedagogy background allows me to approach each student with a variety of styles and techniques that help streamline student progress and keep the passion of making music thriving. My students are encouraged to compete with and offer recitals of the music we study, whether it be standard repertoire or an original work. Read More

William R

Instruments: Piano Guitar Trumpet Trombone Saxophone Flute Clarinet Recorder Euphonium French Horn

As long as a student truly wants to learn and excel on their instrument, I believe I can help him or her achieve that goal. Their goal becomes my goal and it gives me great satisfaction to help them gain the musical and instrumental skills they need to reach their goal, whatever that may be. I consider myself a patient and nurturing teacher who will try various teaching pedagogies to help a student learn the skills necessary to be successful in their instrumental music education. Read More

Ethan F

Instruments: Guitar

The lesson material is completely dependent on the student. I believe the most important things for someone to learn are keys, chords, scales,intervals and improvisation. For students are just beginning the first step is to learn the notes on the neck of the guitar. The next step is to begin learning intervals that way the student is able to build chords on the neck. From there is goes on to chords then scales and then keys. Read More

Teacher In Spotlight

Jason S

Instruments: Saxophone

If you weren't a musician what do you think you'd be doing instead?
I would likely still be a teacher, but for a different subject. Probably Math. I loved that too when I was in school. I've also taken a liking to cars, so I could perhaps be working as an auto mechanic or doing something else in the auto industry.

What does a normal practice session look like for you?
We will start with long tones to warm up. Select scales and arpeggios will come next. If possible, we will do exercises relevant to the material being practiced. For example, blues scales will be done to lead into jazz tunes and improvisation. Next, we will address solos, concert music, or any other material that needs addressing. Finally, we will warm down with long tones. Depending on the circumstances, I would do some sight-reading with my students as well. I would either challenge them to read and play a piece of music on their own, or I will play a duet with them.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
The Rubank Method books are simple, to the point, and set a great foundation. Jamey Aebersold's books do the same for jazz/pop music and improvisation. If your school offers you a specific method book, we may use that to keep things consistent for you. After all, there isn't a truly bad method book out there. The overall goal of lessons will be to rely on method books less and less over time, although you may return to them from time to time.

Why did you choose your primary instrument?
Simple answer: the Saxophone is COOL. I've always loved the sound and feel of the instrument. The instrument is also extremely versatile. It has been embraced by every style of music. Unlike most other acoustic instruments, you can truly make the sound your own.

What musical accomplishments are you most proud of?
It would have to be a very ambitious senior recital in college that contained about an hour's worth of music. It was wonderful to share and perform.

What do you think is the hardest thing to master on your instrument?
For me personally, it's the altissimo register (notes above the true range of the instrument.) This skill takes a lot of time and patience to discover, let alone master. It's a lot like discovering a hidden passageway in a video game that not many people know about.

What advice do you have about practicing effectively?
The number one priority is that you play every day, whatever that entails. Being a musician is similar to being an athlete. As such, too much time off will cause you to lose progress in your training. Play every day.

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The Saxophone in Pop Music: 1950s to Today
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