516-342-3591
Musika Quick Stats
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
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516-342-3591
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Here are just a few of the many teachers offering Music lessons in Oyster Bay . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Guitar Music Electric Guitar Acoustic Guitar
My style is very basic. I believe that it is very important to play music. A lot can be lost on the practicing and theory. I like to develop the love and passion for music. I believe it is important to learn scales, chords and theory but you have to hear and feel music. My lessons are tailored to the ability of the students. I try to find what style the student likes and begin from there. Read More
Instruments: Guitar Drums Bass Guitar
I typically like to start lessons with a warm up, and this is a good opportunity to see what level a student's technique is at. I immediately address anything that I see to be problematic in the student's technique, and we start working on ways to improve it as soon as possible. These can be simple exercises and when I see that my students are improving in these exercises and that their technique has gotten better, I always make sure that they also notice the difference and give them a sense of accomplishment. Read More
Instruments: Piano Voice Organ Synthesizer
I typically use the Alfred books for young beginning students. In these books, children learn the geography of the keyboard and learn about the contours of musical notation and by the end are using both hands. For adults, as well as intermediate children and up, I prefer the Michael Aaron series for intermediate and beyond. For beginning adults I use the Aaron Musical Primer. I also use the Aaron Technic for advanced performers. Read More
Instruments: Piano Voice Music
I was awarded as Best Musical Actress by HOLA 2020 in the production of El Barbero de Sevilla with New Camerata Opera in the role of Elena. In April 2020 I was to make my debut as Frasquita in Carmen at Rose Theater at Lincoln Center with MasterVoices which was canceled due to COVID19. At Opera Tampa I had my debut singing the title role in Maestro Anton Coppola's Lady Swanwhite, a world premiere. Read More
Instruments: Voice
As a teacher I try to create an environment that is supportive, nurturing, safe, and I always want my students to have a pleasant time learning. Im dedicated, passionate about music, about teaching, about sharing and learning. I believe that the role of a teacher is to give to the students the tolls for them to become their own teachers, meaning, trusting their ears, their sensations, their instincts, and knowing how to use these tolls. Read More
Instruments: Trumpet Trombone Saxophone Clarinet Drums Synthesizer Conga Latin Percussion Music Keyboard
My teaching experience has been quite rewarding and varied over the years. Every student has a unique and special passion that has drawn them into music and I make sure to acknowledge that in order to maintain that spirit even when a task is in front of them. My main focus is the technical aspect of the instrument, helping the student discover how it works for them, so they can shape the music the best way possible. Read More
Instruments: Flute Clarinet
Playing clarinet has always been a staple of my life. I started mentoring and giving private lessons to younger clarinet students in high school and continued on from there! I have traveled to students homes and worked out of my studio ever since. I like to use a good combination of technique exercises and expressive studies to give my students a well rounded education and understanding of how to perform. Read More
Instruments: Bass Guitar Double Bass
Why did you choose your primary instrument?
The first thing that I fell in love with about the bass was just the pure sound of the instrument. First was the electric bass on songs on the radio and CD's. Then later it was the woody sound of the upright bass - mostly on classic jazz recordings - but there are some modern upright bass players who had a big influence on my conception of sound on the instrument - mostly Larry Grenadier and Ben Street. After this initial love, I came to equally fall in love with the roll that the bass plays in a band. When a bassist chooses a note to play, his/her choice has a drastic effect on the sound of the music. Once I began exploring possibilities in this realm, I was hooked.
What advice do you have about practicing effectively?
Begin by setting smaller goals for yourself. Don't try to practice for hours straight right off the bat. If you can sit and practice in a focused manner for 15 minutes, that will help you much more than if you were to practice for one full hour with your mind constantly wandering. No matter what a teacher tells you, it is up to the student to be honest with themselves about their concentration. Most serious musicians would probably admit to having practiced for periods of time just going through the motions, not really focusing on what they were doing. This is a very bad habit. Start with shorter spurts and focus all the way through, and you can grow from there.
Did you have a teacher that inspired you to go into music? How did they inspire you?
I have had a number of very important music teachers in my life. The first one was Linda Cecil, she was my middle school general music teacher. She noticed that I had an aptitude for music, and she really went out of her way to show me how fun and interesting studying music can be. Next was Doug Barber, my high school band director. He was my first electric bass teacher, and he showed me all kinds of music that inspired me, most of all jazz. Another teacher in high school was Jeffry Lowden, who fed my desire to learn whatever music theory I could.
When will I start to see results?
It really depends on the student, for the most part. I will do everything I can to teach at least one new thing each lesson. Different things inspire different people, and it's a matter of finding that spark to get a student going. Sometimes, (in ideal cases) a student becomes so inspired that they can't stop practicing for a while in the beginning. If this is the case, results should be seen quickly. If the student is un-inspired, it is likely that results will take much longer, and it should be evaluated whether or not it's a good idea for the student to continue. Teaching a student who has no interest, especially young children with no interest, can be a confusing and unpleasant experience for all parties involved.
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Music lessons in Oyster Bay to students of all ages and abilities.
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