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Featured Music Teachers Near Oyster Bay, NY

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Here are just a few of the many teachers offering Music lessons in Oyster Bay . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Diego M

Instruments: Drums Orchestral Percussion Conga Latin Percussion Djembe

My methods vary depending on student age, ability and goals with the instrument. I believe no everybody learn the same way so I adapt to find the best, most efficient and fun path to teach my students. For Children I like to emphasize the importance of the fundamentals and technique through fun exercises and simple tunes they can play along to. As the student progreses and grows more interest in the instrument, which I guarantee they will, classes will start to get more challenging. Read More

Francesco D

Instruments: Drums

I am a 33 year old New York based professional drummer from Rome (Italy). I have been involved in music from a very early age, thanks to my father who sings and plays guitar, bass, piano, harmonica and drums. Music for me is a pure passion that became my job. As a teacher I try to pass that passion on to my students, helping them to find their own love of music, to have fun and eventually to do it professionally. Read More

Garrett S

Instruments: Piano Guitar Saxophone Bass Guitar Music Keyboard Electric Guitar Djembe Acoustic Guitar

My teaching experience began in 2016, when I enrolled in a degree program in secondary education at Southern Connecticut State University. At Southern, I learned very much about human development, and teaching methods and strategies. I also gained over 120 hours of classroom observation experience. Upon graduating with a B.A. degree in Physics (Southern doesn't offer music education degrees), I was hired as a Paraprofessional in a New Haven Public School. Read More

Eric T

Instruments: Piano Trumpet Saxophone Clarinet

For beginner students, I typically start with rote lessons that teach the basics of the instruments. Then, I move into performing basic, pedagogically-appropriate scales, and begin curriculum in the Rubank Elementary Method books. For more advanced students, I usually have them start with the intermediate or advanced method books, and we learn more advanced major and minor scales, followed by arpeggios and chords (if on piano.) Overall, my main objective is for students to have fun and make meaningful connections. Read More

Carlos M

Instruments: Piano Guitar Bass Guitar Synthesizer Double Bass

As an instructor and professional musician, I teach and motivate my students to develop their skills and expand their musicanship. I graduated from Aaron Copland School of Music at Queens College, NYC, with a Master of Music. I'm very fortunate to have the opportunity to play with many extraordinary musicians here in New York City and around the world. I'm passionate about music and I love to teach students how to focus their passion for music into a finely honed technique. Read More

Sem E

Instruments: Trumpet Trombone Euphonium Tuba

For beginning students, I start out with theStandard of Excellence Band Method book to learn intrumental basics along with basic music theory. Once the student is comfortable enough on the basics, he or she will be introduced to solo repertoire. For more developed students, work will be taken directly fromArban's Complete Conservatory Method for Trumpet. Read More

Teacher In Spotlight

Christopher T

Instruments: Bass Guitar Double Bass

Why did you choose your primary instrument?
The first thing that I fell in love with about the bass was just the pure sound of the instrument. First was the electric bass on songs on the radio and CD's. Then later it was the woody sound of the upright bass - mostly on classic jazz recordings - but there are some modern upright bass players who had a big influence on my conception of sound on the instrument - mostly Larry Grenadier and Ben Street. After this initial love, I came to equally fall in love with the roll that the bass plays in a band. When a bassist chooses a note to play, his/her choice has a drastic effect on the sound of the music. Once I began exploring possibilities in this realm, I was hooked.

What advice do you have about practicing effectively?
Begin by setting smaller goals for yourself. Don't try to practice for hours straight right off the bat. If you can sit and practice in a focused manner for 15 minutes, that will help you much more than if you were to practice for one full hour with your mind constantly wandering. No matter what a teacher tells you, it is up to the student to be honest with themselves about their concentration. Most serious musicians would probably admit to having practiced for periods of time just going through the motions, not really focusing on what they were doing. This is a very bad habit. Start with shorter spurts and focus all the way through, and you can grow from there.

Did you have a teacher that inspired you to go into music? How did they inspire you?
I have had a number of very important music teachers in my life. The first one was Linda Cecil, she was my middle school general music teacher. She noticed that I had an aptitude for music, and she really went out of her way to show me how fun and interesting studying music can be. Next was Doug Barber, my high school band director. He was my first electric bass teacher, and he showed me all kinds of music that inspired me, most of all jazz. Another teacher in high school was Jeffry Lowden, who fed my desire to learn whatever music theory I could.

When will I start to see results?
It really depends on the student, for the most part. I will do everything I can to teach at least one new thing each lesson. Different things inspire different people, and it's a matter of finding that spark to get a student going. Sometimes, (in ideal cases) a student becomes so inspired that they can't stop practicing for a while in the beginning. If this is the case, results should be seen quickly. If the student is un-inspired, it is likely that results will take much longer, and it should be evaluated whether or not it's a good idea for the student to continue. Teaching a student who has no interest, especially young children with no interest, can be a confusing and unpleasant experience for all parties involved.

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