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Here are just a few of the many teachers offering Cello lessons in Philadelphia . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Cello
As a young child, I was a music nerd, practicing all the time, listening all the time... until practicing started to feel like work and music got competitive. I stopped playing for several years and even when I returned to cello, studying music in college made it feel like I was doing it for all the wrong reasons. Now as I'm healing my relationship with music and building my curiosity and excitement about my instrument, I aim to center joy and enjoyment of music in all of my lessons. Read More
Instruments: Guitar Violin Cello Viola Bass Guitar Electric Violin Electric Guitar Classical Guitar Acoustic Guitar
The student may need help working on music from school so sometimes that becomes the priority. Other times, the student is interested in learning a song for their own enjoyment, and that will guide the direction of the lesson. In a typical lesson I will try to incorporate a little of all these things where applicable. I customize the learning experience based on the students' needs so they get the most that they can out of each lesson. Read More
Instruments: Piano Violin Cello Viola Fiddle Keyboard
Teaching violin is my greatest passion in life and I have dreamt of teaching since I was very young. I went to Mason Gross for both music education and also for violin performance. I teach strings in public school at East Greenwich and I play in many orchestras in the area. Recently, I have performed with the Ocean City Pops Orchestra and I served as section leader for the Classical Music Festival in Eisenstadt, Austria where we performed in the Haydnsaal and St Stephens Kirchedom in Vienna and these were huge opportunities! Read More
Instruments: Piano Cello
There are little bit differences between Korea and the U.S.A about teaching idea. I have lots of advantages from it because I can combine each of them very well. I also encourage my students to take opportunities, for example, joining in Youth Orchestra, Ensemble, Competitions not only giving private lessons. Since I want my students to have more joy, confidence, and advanced experiences from music. Most of my students are member in Orchestra ( Metropolitan New York Youth Orchestra, Carnegie Hall Youth Orchestra, Philadelphia Youth Orchestra). Read More
Instruments: Cello
I began teaching cello lessons sophomore year in high school and am excited to continue teaching in college. I like to focus not only on the technical aspects of cello playing, but endeavor to make the lessons enjoyable, especially for the younger students. I've had the pleasure of having many students with a wide range of skill levels, social skills, and personality, and have been successful at tailoring my lessons and teaching style to their needs. Read More
Instruments: Cello
I received my Master’s degree from the Jacobs School of Music at Indiana University, studying with former LA Philharmonic Principal cellist Peter Stumpf, and my bachelor’s degree at Temple University, studying with cellist Jeffrey Solow. As a chamber musician, I have studied with Menahem Pressler, Mark Kaplan, Jorja Fleezanis, and Kurt Muroki. Other studies include masterclasses with Fred Sherry, Colin Carr, Tokyo String Quartet, St. Lawerence String Quartet,and Ben Zander. Read More
Instruments: Guitar Voice Cello Synthesizer Banjo Ukulele Music Electric Guitar Classical Guitar Acoustic Guitar
When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
In the early years of my music career, I experienced many omens of encouragement and positivity from my peers, mentors, and family. Having such a buoyant support system has enabled me confidence in myself as human being and musician to succeed and exceed expectation by remaining humble & versatile in my field(s) of work.
In middle school, my conductor left an indelible impact on my musical ambitions. While rehearsing Danse Macabre, a renowned Halloween dance, I was caught noodling (improvising) in the key of the song. I was bored with the arrangement; my brain began to analyze contrapuntal harmony & syncopated rhythms to compliment the theme. My conductor stopped rehearsal to call me out...I was nervous! Incredibly, Mr. Simon went on to say "This kid...right here...he may not even be playing the sheet music...and while I'm angry at him for wandering away from the piece...he has more talent than everyone in this room combined...Jack...you'll be a rockstar someday, but for now, let's focus on Danse Macabre and nail it for the concert"
As an 8th grader, equally timid as I was emotionally pubescent, it was a surreal moment that inspired me to tackle head-on my pursuit of music with diligence, creativity, and exuberant confidence.
What advice do you have about practicing effectively?
To practice is to appreciate! When you make the conscious decision to practice your instrument, you must realize that your time allocation should be primarily focused on FORM not FLASHINESS. The little things we tend to overlook, like how one holds their instrument, switching hand positions, and nuances of that nature are critical to a progressive practice session. Bad habits tend to snowball over time, so my best advice is to practice material you are familiar with and (or) comfortable with in a formulaic fashion. Start by playing a given 4 bar passage at a slower tempo than suggested. Gradually increase the tempo as you vamp up the tempo. It is also important to remain hydrated and stretch before, during, and after playing. Your guitar is a lot like your body- it won't work with you if you don't honor and respect it!
When will I start to see results?
Oftentimes, we have tunnel vision on our end goals and can lose sight of the task at hand. A student will see results when they:
A) Practice & Prepare
B) Ask relevant questions
C) Develop a style and their own expressive form in performance
What do YOU desire to achieve? Retaining musical knowledge and skill is a testament to how much effort YOU put in to make it happen.
The tired rhetoric of "practice, practice, practice" simply isn't enough!
I advise my students to periodically self-check, before, after, and while practicing:
1) Am I playing in tune (no fret-buzzing/unwritten accidentals) and in time (in sync with the metronome)?
2) Am I observing dynamics to expressively and musically interpret the music I am working on?
3) Am I making notes on my tablature/sheet music? Annotate hints, tips, reminders, and notes to self!
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Cello lessons in Philadelphia to students of all ages and abilities.
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