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Featured Piano Teachers Near Lakewood, CA

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Here are just a few of the many teachers offering Piano lessons in Lakewood . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Alpha S

Instruments: Piano Voice

I encourage students to choose one or two songs that theyalready know or would like to learn. Students are also taught simple vocal exercises from basic fundamental books, as well as stretching and breathing exercises.I use a variety of music books,depending on the level of the student. A new song will be introduced at the next lesson, and a review of the present lesson will continue. Read More

Esther Y

Instruments: Piano

Nothing is more rewarding to see students highly motivated playing piano on their own after receiving the first lesson. All of my students are excited after taking piano lessons every week. My goal for teaching is students are able to practice all the songs they have learned during the lesson time, master them before next lesson begins. During the lesson time, I encourage them to fully understand what they have learned so that they can practice on their own. Read More

Thomas G

Instruments: Piano Guitar Ukulele Keyboard Electric Guitar Acoustic Guitar

I began teaching piano when I was 16 years old and I am very fortunate to be able to share the passion that my teacher shared with me. It's crucial to me that students are learning the pieces that they wish to learn and support each students personality so they are progressing while having fun. I also make a point of sharing little anecdotes and fun facts from world history, literature, science, and nature, as music is embedded in all of those things. Read More

Taylor M

Instruments: Piano Drums

My teaching style differs from student to student. With the younger students, it's all about fun. The goal is to make playing music less of a chore, and instead, have it be something they enjoy just as much as playing video games or soccer. For the adult students, and students interested in playing music professionally, I tend to give them more material at a much quick rate. Read More

Krystal J

Instruments: Piano Voice Trumpet Trombone Synthesizer Recorder Euphonium French Horn Music Keyboard

I began teaching private music lessons in college in 2003. I have been teaching lessons consistently for the last 10 years from my home studio, online, as well as traveling to the students' home. I find great pleasure in hearing a student's progress, that's why I encourage recording their practice and having a consistent practice schedule. I feel it is important to give positive reinforcement and feedback to students. I am always excited to bring on new students of many different age groups! I believe it is important to keep the lesson interesting to the student by incorporating music for technique but also songs that the student enjoys playing. Read More

Jordan S

Instruments: Piano Guitar Drums Bass Guitar Acoustic Guitar

I am an accomplished film composer for Netflix, Vice, HBO and many films. I also make music for ads like Apple, lOreal, MasterCard and more! I focus on the students strengths and dont force them to learn classical compositions. Although theory and site reading are very important, my students are here to learn how to fall in love with music and their instruments. As a conservatory student myself, I am grateful for the teachers who pushed me to have fun, learn songs, and allowed me to explore my creativity; this is the type of environment I bring to my students. Read More

Teacher In Spotlight

Robert S

Instruments: Voice Drums

What do you think is the hardest thing to master on your instrument?
The voice is the most challenging musical instrument because of the many musicianship skills it take to master it. While instrumentalists enjoy the luxury of being able to articulate music using external triggers such as sticks, bows, slides, valves, and keys, improving vocal technique still requires dexterity and the development muscle memory to achieve successful navigation. All musical instruments have different intrinsic challenges derived from their various mechanical designs, however, the voice is activated internally by sending a controlled airstream to the larynx. The experience of singing is entirely physical and in addition to the moving parts of the larynx, vocal training involves learning how to manipulate the rib cage, diaphragm, throat, soft palate and lower jaw to best support the connection of breath and sound to the voice. Additionally, since the head and throat serve as resonance chambers, singers must learn how to physically develop tone quality, timbre and vocal colors using these devices. Essentially, a singer’s musical instrument is their body and each is naturally equipped with its own personal attributes.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
For my voice students I like to begin with Anne Peckham's The Contemporary Singer because it provides the perfect warm up regimen for all musical idioms, including pop, R&B, jazz and classical styles. Anne's book provides perfect exercises for essential breath management skills, which affect intonation and phrasing. Students studying scat singing with me will learn mostly by rote but more advanced singers will use "Scat! Vocal Improvisation Techniques" and "Blues Scatitudes." In addition, I like to use the Vocal Real Book for jazz standard repertoire and will support any song the student would like to sing including pop, rock, Latin and Broadway show tunes. FInally, if the student needs to work on rhythms and/or rhythmic feel, I use my book "Rhythmania," which is call-response rote-learning format. Beginning drummers will enjoy a 3-step rote-learning process I call "Hear it, Sing it, Play it." Simultaneously I teach the traditional rudiments using a classic book called "Stick Control" written by George Stone. Intermediate to advanced drummers interested in playing jazz music use Ted Reed's "Syncopation for the Modern Drummer, "Advanced Techniques," by Jim Chapin, "Reading in 4/4," by Louis Belleson and David Weigart's "Jazz Workshop for Bass and Drums. Pop/rock/R&B drummers will enjoy Bill Elder's A Drummer's Guide to Contemporary Grooves," Paul Cappozzoli's "Around the Drums," and "Essential Stryles for Drums and Bass by Steve Houghton & Tom Warrington. I choose all my teaching approaches and books based on the student's interest, musical goals and proficiency level.

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