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Here are just a few of the many teachers offering Cello lessons in NYC, New York . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Guitar Cello Bass Guitar
Hello! My name is Eric Eaton and I am a professional cellist living in Brooklyn NY. I started playing cello at the age of 10 and instantly fell in love with the world of music. From an early age I was taught to love and appreciate music from all over the world and that has been something I'm very passionate about passing on to my students. My training was primarily in Classical Music specializing in solo and chamber playing. Read More
Instruments: Cello
For all of my students I try to encourage good basic technique and practicing scales and etudes. I believe in a healthy mix of technique and artistic expression. I also try to help students use their bodies in the most efficient way possible. I help students to create good habits and work to fix bad habits. Read More
Instruments: Piano Cello Drums Orchestral Percussion
I have taught students for about 5 years and it has become one of my greatest passions. I've worked with all age groups from toddlers to the elderly, as well as a wide range of skilled students from beginner to advanced. I am currently teaching in my home studio and I also drive to my students' homes for lessons. In my lessons, I always make sure the students are enjoying what they're learning. Read More
Instruments: Piano Guitar Violin Cello Viola
Again this can be likened to an athlete who no longer trains. Also like an athlete this is something that does get easier the more you do it. That being said it requires less of a time commitment than many may think. One of the goals with my students is going to be to find entertaining ways to build that consistency. We'll make practice a game. A challenge to overcome, or a boss to beat. Read More
Instruments: Cello
As an educator, I create a safe and healthy environment for learning. Realistic goals are set in consultation with students and are dependent on a variety of factors (work schedule, home life, travel, etc.) With consistent attendance and outside preparation, students will understand the principles of proper cello playing technique, gain the ability to read music notation, understand basic concepts of music theory, and learn how to apply practical and healthy practicing habits. Read More
Instruments: Piano Cello
I have experience in teaching private cello lessons, music school teaching and kindergarten music lessons since 2004, I also have a big experience as a cello performer: Soloist with Tbilisi Opera and Ballet Theater (Tbilisi, Georgia) Soloist with Chamber Orchestra "Concertino Tbilisi" (Tbilisi, Georgia) Soloist in TV project "Maestro" (Tbilisi, Georgia) Cellist and actor in One Act Ballet for three dancers and three solo instruments dedicated to Nina Ananiashvili 30 years stage celebration "Tampopo" (Tbilisi, Georgia) Cellist in Zviad Bolkvadze project "The Stairways" (Tbilisi, Georgia) Read More
Instruments: Cello
My journey as a cello teacher began when I was asked by my teacher to assist him with a few college level students who were in the same cello class as me during my BA studies in Tel-Aviv University. I then discovered my passion for teaching people how to improve their technical skills in order to be able to express themselves musically. After graduating from New-England Conservatory in Boston I returned to Israel with the goal of developing my teaching skills and improving as a music mentor and cello professor. Read More
Instruments: Guitar Cello Electric Guitar Acoustic Guitar
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I think that it is important for a teacher to be well versed in books but also recognize what is important for the student as an individual. People learn differently and at different rates. I am experienced in a number of books but also believe that the relationship between the teacher and the student is of significant importance. It is the responsibility of the teacher to see what works for the student and make appropriate choices in terms of repertoire and books. Also theses choices have to be made in terms of keeping the student motivated.
If you weren't a musician what do you think you'd be doing instead?
If I wasn't a musician I would be somehow involved with sports. I very much believe that excellence must be maintained and appreciated in society. Both sports and music teach you patience, work ethic and life lessons that can carry you through many other occupations. Sports are great because they teach you how to use your mind. They teach you how to continue through adversity and they teach you to never give up. I have taught sports and enjoy seeing all of those lessons learned. I was a very hard working athlete and sports teach you work ethic.
Did you have a teacher that inspired you to go into music? How did they inspire you?
I have been very lucky to have many great teachers and musicians that have inspired me. I think the teachers that have meant the most to me have been able to recognize the person that I am and keep me motivated and focused. I have been as lucky as anyone in finding people that I have been able to relate to and understand how important music has been in my life. I think that it is a unifying force in the world and teachers have given me insight into what it means to be a part of that and continue its legacy.
What advice do you have about practicing effectively?
I think it's the teachers job to keep effective practice happening. I also think that for students that are just beginning music that quality is more important than quantity. I think that focused practice is a skill in and of itself and that teachers must find ways to keep students interested. That said, I also think that encouragement goes a long way. If a student is stuck in a piece or song, then the teacher must find a way to keep them interested. I think it is a necessary challenge for any teacher to continually think about how to improve their students efficiency.
How do I know if my child is ready to start lessons?
I think that it varies according to instrument. I think that if the chid has a desire to learn then they can start. I also think that it is difficult to know if a child is ready. Generally, if the child is able to put in some work, a lot of other aspects that might get in the way can be overcome. It's very important that a child does not strain himself or herself but generally I don't think that happens if the teacher is paying proper attention to the development of the student. Many aspects of playing music that might be ostensibly difficult can be fixed.
When will I start to see results?
I believe that music can be learned quickly. However usually students get out what they put in. I'm confident that I can get results at a fast pace. It does require getting used to how the student learns. The teacher always has to adjust to the student and analyze what is working and what isn't working. I think that immediate results are possible if the right amount of work and the attentiveness of the teacher are one and the same. I would like for all of my students to learn quickly but music people learn music at different paces.
24 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Cello lessons in NYC, New York to students of all ages and abilities.
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