Cello Lessons New York

Instruments: Piano, Cello

Mike started playing and became obsessed with the cello at age 16. He would fuse this new-found obsession with the passion he had developed years earlier for heavy metal music. This has defined the unorthodox style he's developed. His music fuses his classical training with his love of heavy metal, fantasy, film folk music. Building layers of cello on top of each other, he creates a world simultaneously dark, beautiful, wonderful, fantastic breathtaking. Read More

Instruments: Cello

For all of my students I try to encourage good basic technique and practicing scales and etudes. I believe in a healthy mix of technique and artistic expression. I also try to help students use their bodies in the most efficient way possible. I help students to create good habits and work to fix bad habits. Read More

Instruments: Piano, Guitar, Voice, Violin, Cello, Saxophone, Clarinet, Drums, Bass Guitar, Banjo, Mandolin, Tuba, Keyboard, Djembe, Acoustic Guitar

Yes for teaching piano I use Nancy and Randall Faber's books. I have used all of them. For guitar and mandolin I generally do not use a "book". As the lessons progress I might introduce a book if that is what is called for. All orchestral instruments call for the structure of a book and I augment that with my own explanations. This is true for all ages of learners. Read More

Instruments: Cello

My teaching is strongly influenced by the Suzuki method and the teaching methods of Mimi Zweig and Susan Moses. I incorporate Dalcroze Eurhythmics and general music theory and ear training into each lesson. I believe that learning to play an instrument should be fun and enjoyable, while simultaneously stretching a childs musical imagination and growing their cello technique. At the heart of my teaching is the study of technique, for as ones technique improves, the musical rewards always increase. Read More

Instruments: Cello

In private lessons, through the assignment of scales, arpeggios, technical exercises, etudes, and solo work, students gain a progressive yet sound understanding of technique. Students develop an internal map of the fingerboard, learn how to accurately and consistently arrive in positions, have the flexibility of creating their own a fingerings, understand the fundamentals of sound production, bowing styles, and how to use these techniques as an aid to music making. Read More