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Here are just a few of the many teachers offering Cello lessons in Manhattan . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Synthesizer Ukulele Recorder Electric Violin Double Bass Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Oboe Bassoon English Horn Music Keyboard Electric Guitar Acoustic Guitar
I am a third-year undergrad at NYU, studying Music Education with a concentration in instrumental performanceand I love it! Currently, I am working on the last of my classwork before student teaching full time. I hope to graduate in May 2024 with a B.M. in Music Education and my NYSED pK-12 certification. I play clarinet with the NYU Wind Symphony, where I'm also Operations Manager, as well as the NYU Orchestra 2, Tisch New Theater pit orchestra, and as a soloist. Read More
Instruments: Cello
For beginners, I usually start with Hal Leonard's Essential Elements books and Suzuki books 1-3 and supplement them with technical exercises. Once the student is comfortable with the fundamentals, I introduce appropriate cello solos and etude books. For children, I like to assign a well-rounded repertoire from various time periods and styles. Students of all ages can request to learn music that they find exciting. With adult students, I prefer to let the student direct repertoire choices according to their particular musical passions. Read More
Instruments: Violin Cello Viola
I'm a passionate, motivated teacher who loves with students of all ability levels and trying to encourage a love of music in my students. I am currently working towards a BM double degree in Music Education and Violin Performance at Mason Gross School of the Arts, Rutgers University. I've had the opportunity to play all over the world through my youth orchestra and I have had even greater opportunites through my college. Read More
Instruments: Cello
For beginner students I usually start with teaching the fundamentals of how to hold the cello and bow and how to make a sound, using Pizzicato and bow movement. I then introduce the Suzuki volume 1-4 books and make sure that the student learns a piece that will help him or her improve the most but at the same time will ensure an enjoyable and successful learning experience. For intermediate and advanced students I usually get familiarized with the student's skill level during the first lesson and build an individual curriculum for each student that will involve pieces the student loves and wants to play, pieces that will challenge the student, and pieces that will help the student reach his or her goals as a cellist and musician Read More
Instruments: Cello
I'm a passionate and motivated instructor who loves working with students and sharing my love of music. I graduated from Yale school of music with master degree of cello performance in 2020. I have performed in renowned venues such as Carnegie Hall, John F. Kennedy Center for the Performing Arts, Vienna Konzerthaus, Suntory Hall in Japan, and the National Concert Hall in Taiwan, I also worked with prestigious conductors including Carolyn Kuan from Hartford Symphony Orchestra, Valery Gergiev, Jean-Marie Zeitouni, Takacs Nagy from Verbier music festival, Peter Oundjian from Toronto Symphony, David Robertson, Ignat Solzhenitsyn, Marin Alsop. Read More
Instruments: Piano Violin Cello Viola Keyboard
Hello Musika community! I am a cellist and music educator based in Brooklyn, NY. I've been running my own private teaching studio of cello, piano and violin students since graduating with my Masters degree in cello performance from the San Francisco Conservatory of Music in 2005. I’ve learned over the years how to communicate effectively with both students and parents. Highlights have always been our annual recital, our various community-service concerts and ensemble recitals with other local private teaching artists. Read More
Instruments: Piano Cello
Ph.D. candidate Mason Gross School of the Arts, Rutgers University M.M. Mannes School of Music, The New School B.M. Central Conservatory of Music, Beijing, China Tutor coordinator at Mason Gross School of the Arts Music teacher in Asian-American Coalition of Education Teach Piano, Cello, Composition, Music theory, Aural skill training in NYC and New Jersey. “Music is one of the most important parts in my life, it can raise someone's mood, get them excited, or make them calm and relaxed. Read More
Instruments: Cello
If you weren't a musician what do you think you'd be doing instead?
I actually attended the Peabody Conservatory because of its connection with Johns Hopkins University. Peabody was the only school I applied to where I was accepted to only study music. I did not think that I wanted to be a musician when I was going to college. I chose Peabody because of Johns Hopkins and its upstanding ranking in Neuroscience. I was particularly interested in the similarities and differences between how the brain recognizes language and music. Throughout my college years I took multiple Neurosciences and sciences courses at Johns Hopkins, but inevitably decided that it would be easier to go back to Neuroscience later if I decided that is what I wanted, but it is virtually impossible to come back to music and compete at the same level.
Why did you choose your primary instrument?
When I was three I decided I wanted to play the violin because I liked the way the bows went up and down in orchestras. My mom took me to get fitted for a violin, and when I put it up to my neck I thought it was so uncomfortable. When they handed me a cello I knew from that moment that it was the instrument for me. Since then, I have taken guitar, piano, and viola lessons but I always stuck with the cello because it just seemed to fit the best.
What does a normal practice session look like for you?
First, before even taking out my cello I look at my practice journal and I see what my goals for my practice session are (I usually set these the day before). Then, I start with warm-ups such as scales and arpeggios, etudes, and technical exercises. These technical exercises include vibrato, shifting, intonation, and bow use. What I choose to start with usually has to do with my goals for the day. I then go into orchestral excerpts because I enjoy them and they get me into the zone for a focused practice session. Next, I move into my repertoire. This takes up the bulk of the time of my practice, but usually during this I will work through the tasks I set from the day before, record myself, and then set tasks for the next day.
How do I know if my child is ready to start lessons?
I started the cello lessons on my fourth birthday and know people who started lessons as young as two. I don't think it is an age restriction, as much as a reflection of personality and maturity. Your child should be able to at least sit through a 30-minute lesson without bouncing off the walls. Of course, with younger students, it is very normal to integrate moving and activity into lessons to keep them engaged and having a good time, but they should still be able to grasp the concepts that we are talking about. I also think the parents should figure out what they want their role to be - if you do not want to be involved at all then you should wait until a child is older, but if you are willing to take lesson notes and practice with the child at home then it can be worth it.
Did you have a teacher that inspired you to go into music? How did they inspire you?
I have actually only had two teachers in my 20 years of studying the cello. I call them my cello parents because just as much as they were my teachers, they were my largest role models. They are both incredibly talented teachers, players, and humans. For me, I believe a music teacher should be more than just someone to tell you how to hold a bow or press down a key, they should be there to celebrate in your successes and help you through failures. My teachers stood by me when I could not decide if I wanted to be a cellist, when I stopped practicing, and were there for me at all my recitals and through all my auditions. I want to be that for my students too: to be invested in their playing but also who they are.
What advice do you have about practicing effectively?
Take it slow and methodically. Just like you would never go into a sports play without a plan, or paint a picture without knowing what you were going to paint, you shouldn't expect to have a good practice without a plan. It is also important to remember that changes do not happen in one session, take your time, and enjoy what you are playing. If you have to practice your solo piece but playing Despacito sounds more fun, do that in addition to your solo. As long as you are playing your instrument and thinking about the technical aspects you need to be working on, you're doing well.
24 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Cello lessons in Manhattan to students of all ages and abilities.
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