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Featured Piano Teachers Near Manhattan, NY

4323   5 STAR Musika Reviews

Here are just a few of the many teachers offering Piano lessons in Manhattan . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Jonathan C

Instruments: Piano Guitar Voice Drums Bass Guitar Synthesizer Ukulele Keyboard Electric Guitar Classical Guitar Acoustic Guitar

For a beginning student on guitar, I have them learning notes from a Hal Leonard, Mel Bay, or Alfred starter book. All these books are great, but I believe it depends on the individual student and how they learn. I also teach tab to beginners. I feel it is important to read tabs these days as well as notes. I also work with music theory. It is also important to know what you are doing, not just putting your fingers on the strings. Read More

Marius D

Instruments: Piano Voice Trombone Drums Synthesizer Euphonium Tuba Music Keyboard

After receiving my doctorate in music from the University of Miami I started to teach at a neighborhood music school in Queens, New York. It's there that I fell in love with teaching. There's nothing greater than sharing my knowledge with the next generation. Hopefully you will become one of my students we can go on a musical journey together. We can learn all the styles that I have experience in including jazz classical and popular music. Read More

Jamian B

Instruments: Piano Voice

My teaching approach is based solely on the individuality of each student and what goals he or she would like to achieve over the course of our lesson. Read More

Quinn H

Instruments: Piano

For beginning students I typically use Piano Adventures by Faber and Faber. This lesson series helps to ensure each student gets a well rounded music education. For those with previous experience, I will get to know where they're at in their knowledge and ability as well as which music interests them, and we go from there. I encourage all my students to explore genres/songs that appeal to them since that's what makes music fun! Read More

Catherine P

Instruments: Piano

Since 2012 I worked as an ear-training tutor and private piano instructor during my undergraduate years. I used Kodaly method for ear-training tutoring and helped many college students improve and achieve their goal in their classes. I taught age 4 - 12 children piano until 2014. After I moved to the city, I started teaching music theory and piano privately since last summer. I have been creating a great relationship with all of my students and parents through highly individualized teaching approach and bringing fun and challenges together. Read More

Nobuko A

Instruments: Piano Voice Music Keyboard

Nothing is more rewarding than seeing my students develop a love for music!. Therefore, it's important that each student progresses at his or her own pace. I always aim my students' optimum learning, encouraging challenges themselves. Acknowledging accomplishments and performance opportunities help to fuel a students desire to progress, and makes students eager to learn more. By trying to find out what inspires the student, I can successfully tailor my instruction to their wants and needs. Read More

Ramiro V

Instruments: Piano Saxophone

I have been a professional musician and music teacher for almost 20 years. In 2016, I graduated with a doctorate in saxophone performance from Texas Christian University. At TCU, I studied saxophone with Joe Eckert. He is a well-known jazz and classical saxophonist and was the lead alto and director of the "Airmen of Note," the premier jazz ensemble of the US Air Force, for 20 years. I have traveled as a performer for several years, and I have recorded multiple major label projects with various Latin music groups. Read More

Teacher In Spotlight

Edward C

Instruments: Piano

Have any of your students won awards or been selected for special honors? How have they succeeded?
I recently had a student whose school participates in a statewide competition. My student came in second on her first time, and won it the following two times she was in it. She graduated in 2019 and auditioned for three college programs and was accepted by all three. She has not been the first to leave me and go on to study music in college. Other students I have participate in their school Holiday performances as accompanists of the other children singing.

Why did you choose your primary instrument?
I just liked the sound of the piano. It was featured at the first concert of the Philadelphia Orchestra I went to.

What musical accomplishments are you most proud of?
The work that I put in as a youth enabled me to graduate from music school cum laude. After which I was able to travel to Europe to study. I also worked as an assistant conductor for an opera company while still in school. The performances I have given.

When will I start to see results?
Every student is different! You cannot expect the same results from every student. Patience is the key thing that the parents need. Encourage your child at every opportunity. But also make sure they know what they are required to do. Then success will come

Did you have a teacher that inspired you to go into music? How did they inspire you?
I would say that the second teacher I had at Settlement School had the greatest influence on me. He was a demanding teacher but not a strict disciplinarian. He expected the students to be prepared so that they could make progress at every lesson.

How do I know if my child is ready to start lessons?
As a general rule, I would say that when a student has learned that alphabet and can read some is the time to begin. There are exceptions, of course. If the child has shown some talent or interest at an early age, then starting lessons could be called for. Remember, if there is someone in the home who has had previous lessons on the instrument, that gives the child a great advantage if they have questions.

What advice do you have about practicing effectively?
The student must be able to practice without as little background interference as possible. When they practice, they should know that there is a difference between playing and practice. Practice is the time to put in the work to iron out any problems they are having. In other words, DON'T play from beginning to end every time. If you have a problem with a particular passage, then turn that spot into an exercise in order to learn it better, then put it back into the context of the piece to see it you have mastered it.

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