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Featured Violin Teachers Near Manhattan, NY

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Here are just a few of the many teachers offering Violin lessons in Manhattan . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Glenna C

Instruments: Piano Violin Music

I am a violin and piano instructor with a love for teaching and encouraging a love of music. I received my Bachelors in Violin Performance from Boston University as well as a Masters and Artists Diploma from New York University. I have taught at various organizations including but not limited to NYU and the Noel Pointer Foundation. I take an individualistic approach to teaching with a balance between technique work and musicality. Read More

Lea K

Instruments: Violin

I have created a curriculum which is comprised of the Suzuki series for Violin, the String Builder Series by Samuel Applebaum; the Introducing the Positions-Volumes I & 2 and Scale studies by Harvey S. Whistler. Music theory is taught using the Master Theory Series by Charles S.Peters and Paul Yoder. Additional Etudes that focus on Bowings, and Double Stops are taught to the more advanced student. Musical compositions such as Sonatas and Concertos by the major composers continue to develop the skills of the advanced student. Read More

Maria R

Instruments: Violin Electric Violin Fiddle

I typically start the students off with open strings and rhythms and we learn the left hand separately so that the start is not overwhelming. With an intermediate to more advanced students we progress to scales (Jhnke, Galamian, Flesh etc...), etudes and exercises (Shradieck, Kayser, Mazas, Kreutzer, Wieniawski, Paganini etc...), as well as performing pieces (this often includes Bach and Mozart in every student's repertoire). I very much encourage all of my students to record themselves a few times a week, perform as much as possible (even for the family pet), play competitions and play with others! Read More

Christopher D

Instruments: Piano Violin Cello Viola Electric Violin Fiddle

Although I can teach various genres of music, my musical personal favorite is classical, which had great influence on my style of playing. I love music because it has always been my passion and driving force in my life. I teach music because it's not only an essential subject in academics, but also provides students with a creative outlet to express themselves and create meaningful connections with others in an orchestral setting. Read More

Sarah M

Instruments: Violin Viola Electric Violin Fiddle

I began teaching while still in high school and have maintained a small private studio consistently since. I encourage consistency with practicing and performing in multiple groups for experience. I have a Bachelor's of Music in Violin Performance from Eastern Michigan University, and have been studying violin and playing independently for twenty years. After working in a well known strings store for three years in college I have an extensive knowledge of different music literature and teaching methodology. Read More

Julia H

Instruments: Piano Voice Violin Fiddle

I love to do a combination of Suzuki and traditional styles. I believe ear-training and traditional sight-reading are both crucial to young musicians. I began Suzuki piano when I was five and I'm so thankful to have such a keen ear as a professional violinist. If the student has had music lessons before, I'm very happy to continue teaching whatever method they had previously started with. I believe method should be catered to the student and the student's needs as a beginning/intermediate musician. Read More

Chayong L

Instruments: Piano Violin Viola

As a soloist, I was a prizewinner of the Nova Vista Young Artist Concerto Competition and winner and soloist with the KAMSA Youth Orchestra and Texas Christian University Symphony Orchestra. I have appeared in recitals throughout Berlin, Germany and in master classes with Dorothy DeLay, Donald Weilerstein, Brian Lewis, Ruggiero Ricci, and the Tokyo String Quartet. I have also performed regularly on baroque violin and participated in a master class with Cynthia Roberts. Read More

Teacher In Spotlight

Ariel F

Instruments: Piano Violin Cello Viola Double Bass Keyboard

What advice do you have about practicing effectively?
Quality over Quantity, every time! Make sure to drill the fundamentals at least once a day, and to play them well, rather than quickly. You should always play scales slowly, as to avoid as many mistakes as possible. Never underestimate the power of a quick 15 minutes with your instrument. You can even repeat the 15 minute practices 2-4 times a day, to get anywhere between a half-hour to an hour of practice a day! Daily practice is the only thing that can 100% ensure improvement. Practice should be thoughtful, not rushed. Practice should require a full focus on the task at hand and be away from any distractions.

How do I know if my child is ready to start lessons?
Can they sit for 15 minutes and do something educational? (read, write, color, etc) Do they know their ABC's, 123's, or are getting there pretty well? Do they enjoy music? If the answers to all of these questions are "yes", your child is ready. You may think that your child is too hyperactive to start, but I find that involving physical activity with the music lessons hepls hyperactivity a lot. Hyperactive children simply have a lot of energy, and an instrument is a wonderful thing to put energy into.

When will I start to see results?
After the very first day, guaranteed. If you're asking when they'll be able to play a song, it all depends on the age of the child, and how much work they put into studying their music when I'm not around.

What is your favorite style/genre of music to play and why?
I don't even listen to this too often in my spare time, but...classical, baroque, and romantic music is a time capsule, and I LOVE performing it. I'm a big nerd about history, and I love to learn about people gone by. You learn so much from an artist from studying their work. Schumann's frolicking urges, Tchaikovsky's deep suffering. Sometimes I feel like I can hear Mozart laugh with glee when I play his work. It challenges my fingers, challenges my mind, and gives me insight to the artist within.

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
One of the conducting mentors I look up to most is Jeffrey Grogan. As a small child, he was helping out at the Mason Gross Orchestra Camp. He told us, "If you want to be a musician, make sure that there's nothing else you truly want, even a little. Because it's competitive out there. And it's real hard. And if you have something else you're good at...maybe you should consider going for that, first." And I asked myself on that day if there is anything more that I love than music. Often, I make sure to ask myself that question again, and I arrive at the same answer. I have yet to regret my decision. Every day is wonderful.

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