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Featured Piano Teachers Near Vallejo, CA

4040   5 STAR Musika Reviews

Here are just a few of the many teachers offering Piano lessons in Vallejo . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Haley M

Instruments: Piano Music Keyboard

I'm a passionate and motivated instructor who loves working with students and sharing my love of music! I've been practicing and playing piano professionally for nearly 20 years. I have performed at private and public events and was the pianist for my church for several years until I moved to California. Now I want to share my expertise with those who are learning so they can also achieve their dreams! If you or someone you know is interested in learning some beautiful classical pieces I would love to get in touch. Read More

Cesar C

Instruments: Piano Keyboard

I see no difference between method and style so I will just try to add more to what has already been mentioned. I think of myself as very supportive and encouraging but I believe in having standards. When a student does well I applaud them and let them know how happy I am to see their progress. I will also let a student know when they are not doing well and not meeting some reasonable expectations. Read More

Octavio M

Instruments: Piano Cello Keyboard

For beginner students I like to start them with basic principles such as how to properly hold the bow and how to properly sit with the cello. I like to use methods such as Suzuki to work on musicality, and Essential elements to work on basics. For intermediate I like to work with the Popper etudes and the Bach Cello Suites, I also add some of the more advanced Suzuki books. Read More

Daniel W

Instruments: Piano Guitar Bass Guitar Synthesizer Music Keyboard Electric Guitar Acoustic Guitar

I am open to a wide variety of teaching methods! By not committing to one specific method, I allow myself to be flexible and respond to my student's needs. For example; if a student has limited eyesight, as a previous student of mine had, I will focus on teaching by-wrought rather than by using written notation. I take extreme care planning lesson plans for my students, and often find myself thinking what would best help my students in my off time. Read More

Julie L

Instruments: Piano Guitar Violin Viola Saxophone Flute Clarinet

I love seeing my students grow in their knowledge and appreciation of music! Excellence is rewarding, and I teach the process to get there from whatever level we begin. I use positive reinforcement and notice what the student is doing right. Then, I give critique and an action plan to improve performance. It feels good for the student and teacher when they learn the methods to break down what is currently difficult into smaller pieces so that it is both manageable and possible to go further than they thought. Read More

Shuyi H

Instruments: Piano

I enjoy observing each student’s character in their playing and design lessons tailored for them. Also finding a good balance between the music that a student is good at, and others that a student is not familiar with. Playing piano is in a way of expressing one's opinion through music. Learning the history, musicology, stories behind a piece, and the different techniques and tones for expressing the music, are all important features in my teaching. Read More

Teacher In Spotlight

Geoffrey W

Instruments: Saxophone Recorder

If you weren't a musician what do you think you'd be doing instead?
If I wasn't a musician, I would be pursuing one of my other creative outlets in a more direct and permanent way. Most likely this would be wildlife photography, multi-media art sculpture or programming.

What musical accomplishments are you most proud of?
The musical accomplishments I am most proud of are my music degree from Loyola University New Orleans, the 7 records I created with my bands, and the hundreds of live performances I have given with them.

Have any of your students won awards or been selected for special honors? How have they succeeded?
Yes. Multiple students of mine have gone on to attain All-County and All-State status and seats in these prestigious positions. The difficulty and ages of these talented kids was from 10 years old all the way through 18 and from the simplest level 1 solo to the most difficult level 6.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
The specific methods I employ with my students depends on their requirements and needs as I deem them. I use a plethora of instructional books, ranging from simple mechanics and scales, tone development, music theory etc. It is advised that you purchase the books we will be using. Until then I can provide pdf's for most if not all materials.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have a Bachelor of Science in Popular and Commercial Music with a Concentration in Jazz and Classical Saxophone Performance. I originally started out as solely a music performance major, but decided that to better encompass my vast plethora of musicality applications, a more well rounded program including music business and all of the facets that surround that was the wiser decision.

What do you think is the hardest thing to master on your instrument?
The hardest things to master about saxophone are a tie between embouchure and tone development, pitch and then mechanical skills like developing muscle memory, finger strength etc.

Why did you choose your primary instrument?
I chose to become a saxophone player kind of by accident. When I was 8 years old, an accident at summer camp resulted in my front tooth being knocked out. It was re-implanted, but two years later when we were choosing instruments in elementary school and I expressed desire to play the trumpet, my mother asked my orthodontist who said the pressure from trumpet would be bad for the implanted tooth, and suggested saxophone! It is one of the most controversial and beneficial truths of my entire life...

When will I start to see results?
If you take what I say and teach seriously, you will start to see results immediately. Part of my job as an instructor is to have the expertise to pinpoint a students strengths and weaknesses and construct a teaching model conducive to the most efficient and effective way of advancing your abilities as an instrumentalist and a musician in general.

What advice do you have about practicing effectively?
The first step to effective practice is to take out your metronome and your tuner; these tools are vital to your development and are required for all students during all lessons. Next, stop practicing the parts you can already play, slow down the ones you can't and get them up to speed.

Did you have a teacher that inspired you to go into music? How did they inspire you?
During my high school years I had at one point 14 different private music teachers all over New York state. Each one of them inspired me in different ways, which is why I sought out as many pros as I could find to get each one's unique input. But the one who inspired me to continue on seriously as a teenager was the legendary Mike Holober, leader of the Gotham Jazz Orchestra and resident professor of The New School in New York.

How do I know if my child is ready to start lessons?
Your child is ready to start lessons if they have an instrument and a desire to play music and develop their new skills. The type of instruction and severity of difficulty depends on their natural ability, their developed ability, and desired ability.

What is your favorite style/genre of music to play and why?
My favorite styles of music to play are big band jazz, classical/avant-garde saxophone quartet, and the rock-jazz-fusion style that my old band AUTOTOMII developed, mixing traditional rock band setups with baritone and alto saxophones and other woodwinds, and home-made special sound effects studio and record production.

Does music run in your family? Tell us a little about your musical family members.
Music absolutely runs in my family. My mother was a classical voice major at University of Colorado, who pursued professional music theater for decades afterwards as a soprano belt. Later in life she was a voice teacher. My older brother is a graduate of NYU Steinhardt in vocal performance and makes a living in Brooklyn, NY as a singer, actor and musician. My father, while not an instrumentalist, is probably the most well versed in music and theater non musician I've ever met.

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
My decision to play music professionally came about early on in my college years at Loyola University New Orleans. There really was no defining moment; I've been playing saxophone since I was 10 years old and always gravitated toward doing just that.

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