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Featured Music Teachers Near NYC, New York

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Here are just a few of the many teachers offering Music lessons in NYC, New York . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Greta M

Instruments: Piano Voice

I start off all beginning students by teaching them the fundamentals of singing. If students have taken lessons in the past, I work on reviewing fundamental concepts with them. When a student first begins lessons, I typically spend more time on helping to build the student's technique than on repertoire, and as the student progresses, I split the lesson more equally between the two components. I believe in motivating students by helping them learn the repertoire to which they are most attracted, though I do also give them repertoire of styles with which they may be less familiar in order to help them solidify their technique. Read More

Lea K

Instruments: Violin

I am a trained, experienced violin teacher with a passion for classical, baroque and chamber music. I have a BA and MA degrees in Education and am licensed by State of New Jersey Department of Education. I teach from beginning to advanced level students, ages 7 to adults. I completed private advanced Violin studies with Emily Gregerson; Elliot Golub at University of Chicago, Jules Samuel Applebaum, Maria Radicheva of Manhattan School of Music; and Vita Wallace. at Chamber Music Society of Lincoln Mannes College of Music. Read More

Elia F

Instruments: Saxophone Clarinet

I have been teaching private lessons for over five years. I specialize in beginner to advanced students of all ages. I am passionate about sharing the joy of music with others and enjoy tailoring lessons to each student's unique needs. I am experienced in helping students build fundamentals and can prepare your student for their next audition or concert. Over the past five years, I have helped students audition for and gain acceptance into youth orchestras, music festivals and arts magnet schools. Read More

Scott T

Instruments: Piano Synthesizer Keyboard

I am a determined and motivated music teacher who loves working with students and giving my love of music to others. I graduated from City College with a Bachelor of Arts degree in Music Education. I have done gigs as a substitute drummer playing the drums in clubs all over New York City when I was a teenager many years ago. I have played with Michael Brecker at the Seventh Avenue South Jazz Club and also have played with Donald Dunn at the Bourne Club and also have played with Ace Frehley at the Lamour Club. Read More

Christopher R

Instruments: Drums

For me, the biggest thrill as a teacher comes from watching the enthusiasm on the face of my student who is having fun during their lesson. Creating a positive environment, where the student can learn at a pace that will suit their needs, experience, and goals is one of my highest priorities. Providing each student with a step-by-step curriculum that will give them the necessary skills to develop into a proficient musician is key to keeping the student motivated. Read More

Arsen K

Instruments: Violin

I’m a passionate and motivated instructor who loves working with students and sharing my love of music. In 2003,I graduated from Tchaikovsky Music School, where I studied violin pedagogy and performance. In 2008, I graduated from the Komitas State Conservatory of Armenia with honors (with Masters degree in Violin Performance. Performing all over the world has been one of the greater experiences of my life as a musician, and I’ve had opportunity to play at many well known concert venues of The USA,include Carnegie Hall, David H.Coch Theater, The Kennedy Center Opera House,Microsoft Theater ,as well touring the world with hundreds of concerts as the concertmaster,associate concertmaster of ShenYun Performing Arts And much bigger ShenYun Symphony .from 2011 to 2013 I worked as member of Armenian National Philharmonic Orchestra,and participated in all international festivals and concerts of the orchestra, during that time period I had opportunity to work under the batton of many Great conductors including Christopher Warengreen, Eduardo Topchjian, Karen Durgarian, And had opportunity to work with soloists such as Pinchas Zukerman, Daishin Kashimoto, Maxim Vengerov,Isabelle Faust, Michell Legrand And others in 2012 I participated at I,Culture Festival and toured around Europe ,and that gave me chance to collaborate with such great musicians and teachers as Marshal Marcus, Claire Thompson, in 2005- I was one of the founder members of State Youth Orchestra of Armenia and toured with the orchestra around Europe,in 2007 the orchestra became a member of European Union of Youth orchestras as well the official orchestra of world known Aram Khachaturian competition. Read More

Frank G

Instruments: Piano Guitar Drums Conga Latin Percussion

I began teaching at the Long Island Drum Center in 1990 and was the youngest instructor ever added to their ranks alongside their world renown faculty. Since then, I have taught hundreds of students in many locations in New Jersey and in New York. I have participated in drum clinics, been interviewed by major drum publications, and am a member of the Vic Firth Education Program. As a member of the National Association for Music Educator, Im committed to staying up to date with all the latest findings in the field of music education. Read More

Teacher In Spotlight

Eric S

Instruments: Guitar Trumpet Drums Bass Guitar Electric Guitar Acoustic Guitar

What do you think is the hardest thing to master on your instrument?
Discipline and consistency. There's always something more to learn and finding ways to show up for our instrument as consistently as possible is maybe the most valuable lesson that learning an instrument can teach. It takes time and there's no shortcuts. It's just being able to stay committed to the process of learning and getting better little by little that pays off in dividends.

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
Becoming a professional musician was always a dream of mine. Throughout my early adult years I was solidly a semi-professional, having other jobs as well as doing music. Since 2022 I've gone full time and I've never looked back. It's a real privilege to be able to do this professionally and I don't take it lightly.

Does music run in your family? Tell us a little about your musical family members.
We've got a family band! There's not a Sherman family occasion that goes by without us playing a set or two. My cousins play and my brother also plays a bunch of instruments, so its always a joy to get together. We'll play anything from classic rock from the 60's & 70's, Motown, current top 40 and everything in between.

If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
My family is also musical. My older brother was the drummer in a band when he was in high school and his band would practice at our house. Because of that, there were always tons of instruments around. My curiosity led me first to the bass that hung out on our couch, and then as I got older and was able to see some amazing musicians perform, I felt like I had to figure out how to play like them. That impulse led me to learn drums and then guitar in college. Once I got a basic proficiency on those, it became more a method of self-knowledge. Music always felt like a safe place to go, with the added benefit that at the end of the day you can take all the things you learned and get on stage and perform!

How do I know if my child is ready to start lessons?
At first, we're looking for a spark. It could be wonder or amazement while watching or listening to music, it could be the ability to focus on something musical for an extended period of time. It could be your child asking you every day if you can get them that guitar. At that point, it's worth a try. Lessons may not be the best fit for every child, but if your child is expressing interest in music it's a great place to start.

When will I start to see results?
This will depend on me, you, and your child (if you're booking lessons for your child) all doing our respective jobs. My job is to set out clear exercises and goals and make practicing exciting and fun. Your child's (or you, if you're looking for lessons for yourself) job is to find a way to be consistent in their practice. A little every day is better than a lot every now and then. If you're a parent, your job is to encourage your child's budding relationship with their instrument, and with music in general. Reminding them to practice, renting an instrument, and buying into their musical journey can go miles and miles for a child's musical development.

What musical accomplishments are you most proud of?
Playing at Red Rocks Amphitheatre in Colorado was a huge bucket list moment. I had the opportunity to perform there in July 2024 with by band Snacktime, along with our big siblings Portugal The Man. Being the house band for Jason Kelce's late night talk show "They Call it Late Night" on ESPN was also really cool. I've also really enjoyed recording music and producing it all myself and watching it all come together piece by piece. It's something I would wish for any student of music, especially nowadays when it's so easy to start to begin to record yourself.

What advice do you have about practicing effectively?
I love this question. It reminds me of a quote attributed to Abe Lincoln: "Give me six hours to chop down a tree and I will spend the first four sharpening my axe". In other words, it's important to be clear with ourselves what our goals of a given session of practice will be. Are we working on flexibility? Are we working on intonation? Are we working on a specific piece of music? With that in mind, I've found it's well worth the time to spend even a couple minutes thinking and planning out how we want to use the time practicing, which would then dictate what exercises we might practice, or how much time we want to spend on specific aspects of our instrument.

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