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Featured Music Teachers Near NYC, New York

4329   5 STAR Musika Reviews

Here are just a few of the many teachers offering Music lessons in NYC, New York . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Ivan G

Instruments: Guitar

I am a motivated instructor that has an ability to target problem areas in a student . I take pedagogy seriously and focus on proper technique and eliminating bad habits . I was Vice President of New York City classical guitar society and loved to recruit some of the best guitarists in the world . I loved teaching and giving masterclasses. Music is everything to me and I take teaching it very seriously and hope that my students also dedicate much time to this beautiful instrument that is one of the most demanding. Read More

Mike M

Instruments: Guitar Bass Guitar Ukulele Electric Guitar Acoustic Guitar

I am a music instructor, and professional guitarist/perfomer/songwriter based out of New Jersey. I have been teaching professionally since 2006. My goal is to teach to the students needs, and allow them to get whatever they hope to get out of music, be it competence on an instrument, performing, improvisation, reading music, understanding theory...whatever their journey entails. I also put together performance opportunities for my students twice a year. Read More

James H

Instruments: Voice

I focus on the voice first - not just repertoire, not just impending auditions or competitions. Building the voice - not just the performance to come - is an approach I have found to yield strong technique that can carry students far past any immediate need. Building range, teaching the function and physiology of the vocal anatomy (moreso as students age), and bringing students to understand their voice as an extension of their heart, mind, and body are all simple goals I have for each student. Read More

Vincent T

Instruments: Piano Guitar Violin Bass Guitar Organ Synthesizer Harmonica Banjo Mandolin

I do not use a heavy handed method of teaching or discipline, though I do impart the importance of practice, diligence, attention to detail, and creativity. At times I incorporate methods, such as the Suzuki method for violin, or Mel Bay for guitar. I love to get students to be creative, so encourage them to write their own music, and spend time working on expressive interpetations of other's music. I also encourage them to play with others, as it is one of the best ways to practice and learn. Read More

Ethan C

Instruments: Drums Mallet Percussion Conga Latin Percussion Music Djembe

I have been teaching for 8 years, getting my start in my home town of Nyack, NY teaching jazz combos and private lessons at the Nyack Summer Music Camp. Since then, I taught private lessons to students of all abilities at Oberlin for 5 years, I was a staff teacher at the Avon School of Music in Avon, Ohio, I was a music instructor and counselor at Camp Encore/Coda in Maine, as well as other camps more local to NY, and I am currently an employee of the Afro Latin Jazz Alliance, where I am teaching music to kids at P.S 246. Read More

Joey R

Instruments: Saxophone Flute Clarinet Music

Joey R. is a Brooklyn-based saxophonist and educator from Riverwoods, IL. He found his love for music at the age of nine while hearing John Coltranes monumental solo on Giant Steps. It was in this moment that Joey began his lifelong journey in sound. Joeys years in school were fruitful; he shared the stage with Patti Austin, Shelly Berg, Gloria Estefan, Alan Ferber, Quincy Jones, Brian Lynch, Barry Manilow, Gonzalo Rubalcaba, Charlie Watts, and John Williams. Read More

Patrycja P

Instruments: Piano Music

For the past decade, I dedicated myself to teaching at the Music Academy in Krakow, where I instructed over 200 students each year. Additionally, I started offering part-time private lessons and have been regularly teaching in my home studio for the last five years. I emphasize the importance of maintaining a consistent practice schedule for younger students, as it significantly aids their progress and fosters a love for the instrument. I also believe that blending classical and contemporary music enhances students' enjoyment and motivation to practice and learn. Read More

Teacher In Spotlight

Eric S

Instruments: Guitar Trumpet Drums Bass Guitar Electric Guitar Acoustic Guitar

What do you think is the hardest thing to master on your instrument?
Discipline and consistency. There's always something more to learn and finding ways to show up for our instrument as consistently as possible is maybe the most valuable lesson that learning an instrument can teach. It takes time and there's no shortcuts. It's just being able to stay committed to the process of learning and getting better little by little that pays off in dividends.

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
Becoming a professional musician was always a dream of mine. Throughout my early adult years I was solidly a semi-professional, having other jobs as well as doing music. Since 2022 I've gone full time and I've never looked back. It's a real privilege to be able to do this professionally and I don't take it lightly.

Does music run in your family? Tell us a little about your musical family members.
We've got a family band! There's not a Sherman family occasion that goes by without us playing a set or two. My cousins play and my brother also plays a bunch of instruments, so its always a joy to get together. We'll play anything from classic rock from the 60's & 70's, Motown, current top 40 and everything in between.

If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
My family is also musical. My older brother was the drummer in a band when he was in high school and his band would practice at our house. Because of that, there were always tons of instruments around. My curiosity led me first to the bass that hung out on our couch, and then as I got older and was able to see some amazing musicians perform, I felt like I had to figure out how to play like them. That impulse led me to learn drums and then guitar in college. Once I got a basic proficiency on those, it became more a method of self-knowledge. Music always felt like a safe place to go, with the added benefit that at the end of the day you can take all the things you learned and get on stage and perform!

How do I know if my child is ready to start lessons?
At first, we're looking for a spark. It could be wonder or amazement while watching or listening to music, it could be the ability to focus on something musical for an extended period of time. It could be your child asking you every day if you can get them that guitar. At that point, it's worth a try. Lessons may not be the best fit for every child, but if your child is expressing interest in music it's a great place to start.

When will I start to see results?
This will depend on me, you, and your child (if you're booking lessons for your child) all doing our respective jobs. My job is to set out clear exercises and goals and make practicing exciting and fun. Your child's (or you, if you're looking for lessons for yourself) job is to find a way to be consistent in their practice. A little every day is better than a lot every now and then. If you're a parent, your job is to encourage your child's budding relationship with their instrument, and with music in general. Reminding them to practice, renting an instrument, and buying into their musical journey can go miles and miles for a child's musical development.

What musical accomplishments are you most proud of?
Playing at Red Rocks Amphitheatre in Colorado was a huge bucket list moment. I had the opportunity to perform there in July 2024 with by band Snacktime, along with our big siblings Portugal The Man. Being the house band for Jason Kelce's late night talk show "They Call it Late Night" on ESPN was also really cool. I've also really enjoyed recording music and producing it all myself and watching it all come together piece by piece. It's something I would wish for any student of music, especially nowadays when it's so easy to start to begin to record yourself.

What advice do you have about practicing effectively?
I love this question. It reminds me of a quote attributed to Abe Lincoln: "Give me six hours to chop down a tree and I will spend the first four sharpening my axe". In other words, it's important to be clear with ourselves what our goals of a given session of practice will be. Are we working on flexibility? Are we working on intonation? Are we working on a specific piece of music? With that in mind, I've found it's well worth the time to spend even a couple minutes thinking and planning out how we want to use the time practicing, which would then dictate what exercises we might practice, or how much time we want to spend on specific aspects of our instrument.

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