Music Lessons New York

Instruments: Piano, Saxophone, Music, Keyboard

I am a musician based in Brooklyn, NY. In 2018, I graduated Summa Cum Laude from the Conservatory of Music at SUNY Purchase with a Bachelor of Music degree in Jazz Performance. As a performer, I have played with folks like Ingrid Jensen, Jon Faddis, Dick Oates, Ann Hampton Calloway, Steve Davis, and Bryant Wilder at venues such as the Blue Note, Birdland, Jazz at Lincoln Center, and the Cutting Room. Read More

Instruments: Piano, Guitar, Voice, Violin, Cello, Viola, Trumpet, Trombone, Saxophone, Flute, Clarinet, Drums, Bass Guitar, Synthesizer, Ukulele, Recorder, Electric Violin, Double Bass, Euphonium, French Horn, Tuba, Piccolo, Mallet Percussion, Orchestral Percussion, Oboe, Bassoon, English Horn, Music, Keyboard, Electric Guitar, Acoustic Guitar

Effective music education is both developmentally and culturally appropriate: By working with the student to understand their interests, I hope to provide them with an experience that will enrich their musical and social life outside of the work we do together. Through infancy, I believe Music Learning Theory is effective for developing musical and linguistic skills. If a student in toddlerhood/childhood shows that they have a preferred way to express themselves musically, I will tailor lessons around the Kodaly (voice), Orff (instrumental), or Dalcroze (dance) philosophies. Read More

Instruments: Piano, Saxophone, Flute, Clarinet, Bass Guitar, Music, Electric Guitar

I am a stronger believer of - "if you can't explain it in a way that even a baby could understand it, you don't understand the topic area well enough". I pride myself on being a teacher that can unequivocally deliver you straight-up, tried tested, failsafe methods to improve fast on your instrument, with the aim of expanding you closer and closer to the type of player that you dream you could be. Read More

Instruments: Flute, Music

I typically get students started by teaching them a song they want to learn. From there, I continue the process, gradually increasing the difficulty of the music and introducing technical exercises from my library of method books. I am not attached to one particular book, and view them as a handy reference rather than a dictator of the learning process. Listening is an important aspect of music, and learning by ear is as important as learning to read printed music. Read More

Instruments: Piano, Music, Keyboard

I am comfortable teaching with many piano methods. Some of my favorites include Alfred, Faber and A Dozen a Day Series. For more advanced students, I often recommend the Music for Millions Series or Bastien Piano Literature. For jazz, I often use Hal Leonard's "Your First Fake Book" and the "Joy of Jazz". All my students also get a strong foundation in scales and theory. I also stress learning all the notes on the grand staff and there are many good apps for this on tablets and smart phones. Read More