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Featured Piano Teachers Near Gaithersburg, MD

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Here are just a few of the many teachers offering Piano lessons in Gaithersburg . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Anthony T

Instruments: Piano Guitar Voice Violin Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Recorder Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Music Keyboard

During my internship with Leaders of Tomorrow Youth Center  and volunteer work with The Cavalier Music Enrichment Program (both based in Baltimore, Maryland), I have taught music to over 250 students. From general music theory to specific instruction in brass, woodwind, and percussion techniques; I have had the privilege to work with students of various ages, spanning from sixth graders to college students. While interning and volunteering I developed a great appreciation for teaching and a strong dedication to student progression. Read More

Natasha M

Instruments: Piano Violin Cello Viola

My teaching style is enthusiastic and caring. I believe that the best way to encourage students to practice is to teach music that they want to play, to have them perform, to challenge them with beautiful music and to use technology to support practicing. "Natasha is really a superb teacher. She has wonderful rapport with my children and is very patient. My daughter and son have progressed tremendously in a short period, and more importantly enjoy their lessons. Read More

Kasaundra S

Instruments: Piano Clarinet Recorder Music

I am a hard, motivated and outgoing instructor. May 2018 I will be obtaining my degree in Music Media from Norfolk a state University. Currently I am 1st chair clarinet in the wind ensemble and also Tenor sax in jazz band. I was given the opportunity to play bass clarinet and tenor sax in the schools production of “The Color Purple” as well. Music is a way for someone to express themselves where words may not be possible. Read More

Pei-Hsuan L

Instruments: Piano Music Keyboard

My goal with each student is to specialize each lesson to each student's needs and give students the tools to be able to play the music they enjoy. For all of my students, both children and adults, I incorporate theory, technique, ear training, and musicality into the lessons. For beginning piano students, I use a combination of books from Alfred's and Faber. At the same time, I emphasize proper finger technique, shape, and position. Read More

Milan C

Instruments: Piano Voice Saxophone Flute Recorder Piccolo Music Keyboard

I began teaching privately in the greater Milwaukee area in 2012. With my help and motivation, a fifth grader decided to keep his flute and play in his beginning band, despite his families' circumstances. Later, I picked up an interested eighth grader, who eventually received a Gold at regional solo contest and also made the all-state band. Motivation, "keeping it real", and an upbeat attitude have continued to yield personal and academic results in my studio. Read More

Hanyin C

Instruments: Piano

These regular public performances serve as measurable and invaluable milestones that mark the degrees of growth and advancement along the path of learning. SPECIAL TOPICS FOR INDIVIDUALITY AND DIVERSITY. Although I emphasize techniques and skills that are rooted in the classical tradition in order to accomplish a solid foundation, I am mindful of each students inclination and strengths. As students become more proficient in keyboard techniques and the basic musicianship, I introduce popular styles, such as jazz/blues, ragtime and rock, to broaden their horizons and explore their interests. Read More

Ian D

Instruments: Piano

My teaching career officially began back in 2007, when I was hired to work at a small, family-run music school in Laurel, Maryland. It was in this test lab that I began to formulate an approach to learning piano quite different from the more traditional ways the instrument was commonly taught. I found that, by giving students a more solid foundation, they were able to be more self-sufficient and independent, allowing them to progress further than they would have otherwise. Read More

Teacher In Spotlight

Nathaniel V

Instruments: Voice

What advice do you have about practicing effectively?
1) Repetition, repetition, repetition. Break apart the piece into its individual components (rhythm, notes, words) and only start assembling it when each element is solidly and independently learned. Can you self-conduct the rhythms? Can you speak the rhythms on words? It's easier for the brain to process simpler tasks, and approaching the music from many different directions helps memory. 2) Distributed practicing. Practice for 15 minutes here and there throughout each day, with the intent of accomplishing a specific task or goal. If you have this kind of focus, it's easier to actually get things done, and you won't get bored and tired cramming music for 4 or 5 hours, once a week, which is horrible for memory and technique.

How do I know if my child is ready to start lessons?
A child can start learning about the voice at anytime, however it takes the vocal folds a while to mature. To avoid serious injury or longterm vocal health issues, it's best to wait to begin formal lessons until the student is 13 or older. Sometimes, if the student is younger than 14, people recommend learning the basics of music and performance through another instrument, like the saxophone or piano. This helps the child become a good musician before their voice is ready to take voice lessons in the studio. If the passion is there in high school, there's no reason they shouldn't pursue lessons.

When will I start to see results?
Lessons develop voices, but they also develop confidence, musicianship, and responsibility in the student. Results are determined by the effort expressed in lessons and when practicing at home. Students obtain new ways to use and think about their voice during the first lesson, and results could theoretically begin to manifest from this first hour or half hour in the studio. However, real and longterm change takes time, and every learns at different paces. There shouldn't be pressure to be perfect right away--there's a lot to learn!

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
The methods of my lessons are lightly adapted from the teachings of my own instructor and mentor, W. Stephen Smith. He has had tremendous success with his students, who have gone onto garner some of the biggest professional careers in opera and musical theater today. He developed several "inventions" that work to disentangle the vocal apparatus and, in doing so, help to free the voice and musical expression behind it. His methods are universal, easily adjustable for each student, proven to work, and fun.

If you weren't a musician what do you think you'd be doing instead?
I have always had a passion for writing, and if I didn't choose to be a musician, I may have studied to become and author of fiction. Even now, it's a hobby of mine to read and write. This is an asset in the studio and practice room, because singing is a language art. The biggest difference between the voice and any other instrument is, of course, the ability to use words. An easy and clear delivery of text is a goal of mine every time I sing, because, without words, I might as well be playing any other instrument! I indulge in the luxury.

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