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Featured Guitar Teachers Near Mesa, AZ

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Here are just a few of the many teachers offering Guitar lessons in Mesa . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

James H

Instruments: Piano Guitar Classical Guitar

We start with fundamentals of music theory, ear training, and composition. We find the songs and styles you want to learn and then make them make sense, through small assignments, that build into the finished product. If you can see the shapes on the guitar and subdivide the beat into equal parts, we can start to play the tunes you like. I a do not believe in slow progress. i believe you can learn and improve consistently, while having fun. Read More

Rob D

Instruments: Guitar Voice Trumpet Bass Guitar

I've been teaching since 2005:  Privately with students in their home or my studio, with brick-and-mortar studios, and with online lessons services (like Musika).  It's most important that my students have fun learning their instrument, but I also emphasize daily practice and work on the fundamentals of whichever instrument he or she is learning.  After all, if you don't work on the fundamentals, then you won't be able to play your instrument any better. Read More

Zachary H

Instruments: Guitar

My teaching started in High School, when i received a job offer to teach guitar at Rhapsody School of Music. I taught students for about 2 years, and once I graduated High School, I moved to Flagstaff to get my degree. Once I was living in Flagstaff, I taught and helped my peers with guitar and music theory, which made my love for music grow even more. I love working with any student that has an interest in music. Read More

Andrew W

Instruments: Guitar

I taught at Lockport Music Center under Ralph Fava, who was an advocate of the Berkley teaching method. I also have taught private lessons for 7 plus years. I have played in Progressive rock bands in Buffalo N.Y. such as Paradyme and Weaponex. Read More

Gerry D

Instruments: Piano Guitar Voice Drums Bass Guitar Synthesizer Harmonica Lap Steel Guitar Banjo Ukulele Mandolin Recorder Conga Latin Percussion

I have a very personal and relaxed way of teaching that helps each student enjoy and advance on their chosen instrument at their pace. I prefer 60 minute sessions to have the time to fully evaluate and advance from the previous lesson and to move on to new material. I use the student's preferred style of music to teach them how to play, and expand their styles and technique from there. Read More

Taylor S

Instruments: Guitar Electric Guitar Acoustic Guitar

The first time I taught I was about 15-years-old and it ignited a passion for sharing my musical experiences with others! I started teaching an 8-year-old and from there had the opportunity to teach people from all over the world! I've taught people from places like Tonga, Ghana, England, Wales, and China. My students have not only become better at guitar but had a great time while doing it! I've found it works best to teach the foundational skills using the students' favorite genre of music. Read More

Clarence G

Instruments: Piano Guitar Bass Guitar Keyboard

I believe I am a friendly guy at heart, so I tend to be friendly with the students. There are times where I have to tell them, for example, "You haven't been practicing.". But I try my best to do that in love while encouraging them when I see even the smallest improvement. I feel as though the key is to play as much as possible. That can be hard to do when you feel like you don't know how to play. Read More

Teacher In Spotlight

Aaron W

Instruments: Guitar Trumpet Trombone Saxophone Flute Clarinet Euphonium Mallet Percussion Music Classical Guitar Acoustic Guitar

When will I start to see results?
Noticable results depends on the student, every student will progress by a years time. In my experience, progress is noticable in as little as a month of steady lessons if the student is following lessons and assignments as designed.

Why did you choose your primary instrument?
Hearing Benny Goodman on my parents' old records and loving the sound the clarinet could make in just the jazz genre.

What musical accomplishments are you most proud of?
I'm most proud of the completion of my Masters in Performance, the two original compositions I've commissioned and recorded, and the students I've helped achieve a level of playing they wouldn't think possible.

Have any of your students won awards or been selected for special honors? How have they succeeded?
I've had students selected to perform in Master Classes and one admitted into the NAU studio. Their success is in learning musicality and effective performance practices for the pieces they we're performing.

What do you think is the hardest thing to master on your instrument?
Finding your individual sound and developing flexibility on the instrument.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
Traditions of Excellence- Beg Standards of Excellence- Int Hite Studies- Int Kroepsch-Adv Int Rose Etudes- Adv Int Cavalini Capprices- Adv The above are just examples, I have multiple books and orchestral excerpts as tools to achieve different goals (technique, musicality, articulation, finger patterns, complex rhythms and extended range).

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have a degree in Secondary Music Education for the reason if loving what a high level of musicianship the students in that age group are capable of achieving with the proper direction and foundations. My second is a Master's in clarinet performance with the goal of understanding the history and development of the instrument/playing styles to understand the different music written for the instrument and how to interpret the music with the composers inspiration in mind.

How do I know if my child is ready to start lessons?
I often notice this if they seem frustrated or disappointed in their progress. I'd look out for a desire to learn a song or melody they find popular or if they're finding interest in music outside of assigned school music. If they seem unmotivated, ask what they want out of music! I'm versed in all styles and more than happy to facilitate their interest.

If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
I chose Saxophone second as it was the most logical next step and slowly branched out to all varieties of Clarinet and Saxophone. The other Brass I can play are due to my Music Education degree.

What does a normal practice session look like for you?
About 15-30 minute chunks focusing on specific goals to avoid burn out. If you don't achieve the goal in the first session, save it for the next 15-30 minute chunk. I only practice in long sessions when testing for endurance in a piece or etude.

What advice do you have about practicing effectively?
Isolate your section and first mess with the rhythm, i.e. swing the rhythm or change the slur/articulation pattern. In combination with slow tempo increases, has proven helpful for myself and students.

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Recent Articles from the Musika Blog

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...tell us a lot about the social, political and artistic trends of the time the music was written in. We’re going to highlight some of music’s more important piano styles. We’ll give you some background and context as well as some musical insights and visual aids to help you understand each style.   Classical and art styles   If you’ve got a good grasp on how to play in the classical style, you’ll have most the technical prowess you need to be able to play within other genres. As the oldest of the piano styles, the classical approach to playing is the model for... Read More

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History of the Flute: Antiquity to the Middle Ages

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The Twelve Bar Blues

...it in the key of E as above and not use a Quick 4 so that only the Turnaround bar changes.   E E E E A A A A B7 A E B7 (Turnaround bar)   What happens when you reach the Turnaround bar is just what you think – you turn back to the beginning of that measure to the last use of the V chord (B7) and play the progression over again. The I – IV – V chords you use for the 12 bar blues To give you a list to play around with, so that you can find a comfortable set of chords to ... Read More
Piano Styles
Guitar Exercises Every Guitarist Should Practice
The Songwriting Process: Finding Your Voice
History of the Flute: Antiquity to the Middle Ages
The Twelve Bar Blues

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