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Featured Music Teachers Near Mesa, AZ

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Here are just a few of the many teachers offering Music lessons in Mesa . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Michael S

Instruments: Piano

I am a unique teacher who realizes that not every student is the same, or wants to learn the same type of music in the same way. I almost consider myself more of a COACH than a teacher. Yes, I do teach, and I am classically trained. However, I am more suited for the beginning/intermediate/late intermediate student (13 years of age or older) who wants to learn NEW ways of playing and performing a variety of music. Read More

Alexis E

Instruments: Piano Guitar Voice Violin

For piano beginners I use the Faber book series. I prefer these books because it gives a mixture of theory and technique that I think is essential to learn at an early stage. For violin beginners I prefer to use the Suzuki Method books. These books are great because they get the student playing quickly, while still introducing the foundations of basic theory for reading music. Beginning guitar is a little more flexible depending on the students goals and the style they would like to learn. Read More

Ben M

Instruments: Piano Guitar Voice Trumpet Trombone Clarinet Synthesizer Ukulele Recorder Euphonium Keyboard Acoustic Guitar

I like to equate learning any musical instrument to being a batter in baseball. The best batters still strike out, but when they hit that sweet spot, boom! Learning music isn't just about learning to play an instrument, but to develop yourself and your brain. I used to tell the kids in my music theater program, that they are the cream of the crop in school for taking a risk and showing themselves to the world. Read More

Daniel A

Instruments: Trombone Euphonium Music

My methods are fairly simple. No matter the age or experience level, fundamentals are key. This includes proper embouchure, good posture, effective warm ups, and a consistent practice routine. Once the fundamentals are secure, especially for younger students, I like to move on to more "fun" music, such as Rochut etudes or beginner level solo music. Besides fundamentals I believe the most important element in playing brass instruments successfully is confidence. Read More

Nijole M

Instruments: Piano

I teach how to read music and mainly use Faber & Faber method for both children and adults. For beginning students who are children, I typically start with Faber and Faber primer level. Once the student has progressed to have a grasp of the fundamentals, I will begin to introduce scales and solo repertoire. For adults, I try to find out what the student is interested in, and guide my instruction accordingly to keep the lessons engaging and fun, no matter their ability level. Read More

Stephen V

Instruments: Saxophone Flute Clarinet

My goal in teaching is to help the student develop confidence by developing skill as a musician. Once the student realizes how to gain confidence through practice, he or she will create a healthy habit of successful learning that can transfer to any field of education. Read More

Ruben M

Instruments: Guitar

With young students, I allow myself to be a bit more comprehensive in that I can start from the very basics from the beginning and even come up with simple games with rhythm, basic ear training and reading notation. The big challenge with young players is the actual act of physically playing the guitar and I encourage parents to invest in a quality instrument that is easy to play. I try and get my older children and teenagers to try and play as early as possible to develop a passion for the instrument, but not before building an understanding of the basics. Read More

Teacher In Spotlight

Carol S

Instruments: Flute Recorder Piccolo

What musical accomplishments are you most proud of?
Winning the competitions that brought me performances in Carnegie's Weill Recital Hall (twice) and a European Debut in Geneva, Switzerland. I loved performing the concertos with orchestra that I have. I'm quite proud of the chamber music work I continue to do.

Does music run in your family? Tell us a little about your musical family members.
My uncle was an active musician, bass player, in New York in the 1940s and on. My mother first went to college to major in music (piano) but ended up switching. My nephew is a film composer in LA and also has been writing K-Pop songs that are pretty successful. He's doing very well and I'm so proud!

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
I think the defining moment was the stay at music camp after 8th grade. I loved music my whole life and sort of thought of it as a career before that, but the most serious "statement" was at that point and there's been no looking back.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
Bachelor of Music in Music Education: I chose this because it seemed like the right thing to do. Master of Music in Woodwind Performance: I was really focusing my career as a performer and I had the opportunity to be accepted to the flute studio of Leone Buyse (then of the Boston Symphony Orchestra). Doctor of Musical Arts in Music Education: I chose this because I needed a doctorate to pursue teaching in college. But, while studying in the program, I came to realize that whether you are a performer or teacher (or both!), you are an educator and how important understanding how to teach it for the private studio teacher.

What does a normal practice session look like for you?
I warm up - although I'm not one to spend a lot of time on that. I do some brief scale exercises and then get to my repertoire. Similar to most students, my time for practice is often compressed, so I've learned to make most effective use of it. If I have more time, I sight-read, which I think is one of the most important skills for a musician.

What do you think is the hardest thing to master on your instrument?
Understanding the physics of air pressure, speed and direction. Sometimes people worry too much about embouchure and fingering, when it really all comes down to understanding air and how sound is made on the flute. I spend a lot of time on this in my teaching and I think this is why my students all have a really good, strong sound.

Have any of your students won awards or been selected for special honors? How have they succeeded?
I have had a number of students go from my studio to major in music in conservatories and colleges. I think that the passion I instilled in them, as well as the knowledge of how to practice and be a good musician has carried them well.

Why did you choose your primary instrument?
It was really a matter of what the band director wanted for his band and also that I walked to and from school so my mother didn't want me to choose something heavy (as my brother already played horn). I just chose the flute, but I like to think that the instrument chose me.

If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
Flute is my primary instrument (also piccolo, alto and bass), but I started off on piano when I was 5. I chose piano because my older siblings played and I wanted to be better at it than them - perhaps I already knew I was going to enter a competitive field! So, flute was my second and I chose it because I wanted to play in the school band.

What advice do you have about practicing effectively?
Organize your time. Don't try to work on an entire piece. Identify where the problems are and focus your attention there. Schedule practice time as you would any other appointment. Consider practicing in small time units.

How do I know if my child is ready to start lessons?
Have they shown an interest? Not an ability, just an interest? Are they very easily distracted? Obviously they don't need to be able to sit quietly and non-moving, but they do need to be able to give their attention.

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