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Featured Viola Teachers Near Mesa, AZ

Alexis E offers violin lessons in Mesa, AZ

Alexis E


...I do my best to tailor my style to each students specific needs and goals. In general, I am a very laidback and patient teacher. My students recieve clear and achievable goals at the end of each of their lessons to work on while they are practicing during the week. ... Read More

Siarra R offers violin lessons in Mesa, AZ

Siarra R


...A typical lesson starts off with 2-3 scales for warm-ups, partially to get a feel for where our minds and bodies are for the day (because every lesson is different). ... Read More

Tori R offers violin lessons in Mesa, AZ

Tori R


...For beginning violin and viola students, I use All for Strings first, then followed by I Can Read Music paired with Suzuki Book 1. As students advance in their piano or string studies, we eventually step away from method books and study staple, classic repertoire by composers such as Mozart, Beethoven, and Bach. for each lesson, I write custom lessons plans based on the student's needs and interests. ... Read More

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Trusted as the industry leader, for over 21 years the teachers in our network have been providing trumpet lessons in Mesa to students of all ages and abilities.
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More Information About Violin Lessons


Recent Articles from the Musika Blog

Saxophone Fingering Chart

...curve will make the new fingering ultimately more efficient. You should also keep in mind that the information provided in this article is my opinion. From my experience, I also believe that it’s the most popular opinion on the subject, but it’s not the only one. Some saxophone players use the “1+1” fingering as their main Bb fingering. Most people I’ve talked to about it don’t. I also know that the “1+1” fingering sounds absolutely terrible on my particular horns. Maybe it sounds good on your horn. These are things that will develop over time. This saxophone fingering chart is simply a good resource to... Read More

Vocal Exercises: Intermediate and Advanced

...step and therefore challenge the singer’s ear); the third exercise, a sequence incorporating a sixth that resolves down a third (rather than resolving to the starting pitch, “Do”). Begin by singing just the isolated fourth on any one vowel somewhere lower in the vocal range. Continue a few repetitions up by half step, switching vowels as you go. Continue through the second and third exercises using the same method used for the isolated fourth.   4th: C4 – F4 – C4 (Do Fa Do)   4th Sequence: C4 – F4 – C4 – E4 – C4 (Do ... Read More

Soloing Over Rhythm Changes

...chorus followed by a few improvised choruses. Remember to use rhythmic variety. Also, always remember to record and listen back to your solos.   Here’s a sample ‘A’ section using the methods described above:     Alternate Versions of Rhythm Changes All of the examples above use a fairly generic version of the rhythm changes progression. Once again, using a basic template and applying familiar material to it is the most effective way to practice something new. Many compositions based on rhythm changes have been written over the past 85 years or so. There have been a lot ... Read More

Making Sense of Musical Genres

...have little in common but they do, at some level, share a musical connection and, importantly, both are associated with the rock subculture, however different the incarnations of that subculture may be in regards to both band’s followings.   When you’re struggling to define what musical genre a piece belongs to, first take into account whether you’re dealing with art music or popular music. Art music can usually be exclusively categorized by its structure, its style, and its place in history and society. Popular music, however, invents new genres as ways to sell the music to different demographics and that can make things ... Read More

Intro to Music Theory with Emphasis on Guitar: Modes and Scales

...would form a D minor scale known as D Dorian. Consequently, there are seven different modes corresponding to the seven different root notes of a scale   I – Ionian – Major scale (no sharps or flats) – classic Major scale, sounds wholly resolved II – Dorian – minor scale (flat 3rd, flat 7th) – minor scale distinguished by a natural 6th note III – Phrygian – minor (flat 2nd, flat 3rd, flat 6th, flat 7th) – minor scale distinguished by flat 2nd IV – Lydian – Major scale (sharp 4th) – Major, however with a dissonant spaciness from sharp 4th V – Mixolydian – Major ... Read More
Saxophone Fingering Chart
Vocal Exercises: Intermediate and Advanced
Soloing Over Rhythm Changes
Making Sense of Musical Genres
Intro to Music Theory with Emphasis on Guitar: Modes and Scales

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