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Here are just a few of the many teachers offering Voice lessons in Mesa . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano Voice
All children are different and are progressing at their own pace.Most important for me is to see that they enjoy making music at any level. Another important thing for me is to remind my students to practice with a good posture and poise.This will ensure that they look as a performers and enables them to practice and perform for much longer periods of time. I teach my students to be creative during their lessons and home practice,this makes practicing fun and study of music enjoyable and rewarding. Read More
Instruments: Piano Voice
I incorporate a variety of method books and approaches to learning music, believing that there is no one method for every student. For piano, my favorite methods are Faber and Faber's Piano Adventures, but I enjoy utilizing supplemental material from a variety of genres. Read More
Instruments: Guitar Voice Trumpet Bass Guitar
For all students, I teach them exercises to strenghten their fundamentals and skills in the given instrument, and each lesson we practice the exercises to focus on improving their sound production, pitch finding, placement, and more. We also learn songs that both the student and I choose and prepare for performance (when necessary). Here are the books I work from for each instrument, but please note that I don't necessarily use these for every student, only when appropriate: GUITAR: Mel Bay's Modern Guitar Method (books 1 through 3) VOICE: Master Vocal Exercises by Horatio Connell, and Sightsinging (Hal Leonard) BASS GUITAR: Bass Method, (Hal Leonard, books 1 through 3) TRUMPET: Essential Elements 2000, (Hal Leonard, books 1 through 3) Read More
Instruments: Piano Voice
I am a musician, composer, teacher and author. I graduated from the NYC "Fame School"- Fiorello H. LaGuardia HS of Music and Art. I studied music theory and composition at Mannes Conservatory, NYC and received a BA as a Music Major from Aaron Copland School of Music/Queens College/CUNY. I took Graduate courses studying Special Ed/Music Therapy at Lehman College, NY. After in depth research with creating highly motivational music programs for all ages as well as for children that had ADD, Autism, or Aspergers, I was awarded a grant from the Grammy's to write a book. I have traveled to Europe and the far east teaching creative music workshops. Read More
Instruments: Piano Voice Saxophone Flute Clarinet
I graduated from Temple University in 2011 with my Bachelor's degree in Music Education. I was a saxophone major, but I have also studied piano since the age of three. I enjoy performing in musical pits, which is where I picked up the flute and the clarinet. I am currently a choral teacher at the high school level, but I have previously taught in a K-8 school, as well as several years in a daycare setting with very young students. Read More
Instruments: Piano Voice Music Keyboard
After graduating college, I began adding vocal training to my studio. I have directed numerous choirs over the years and love choral, musical theatre, and jazz music. I encourage healthy consistent practice for piano and/or voice. I also relish the student's input when choosing literature. If a student does not like the music, I have found they will not practice. Students love performing at our End of the year Vocal Recital for their friends and family. Read More
Instruments: Trumpet Trombone Euphonium Tuba Music
When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
I knew I wanted to teach in high school, however I never dreamed of becoming a professional player like I am now until I was in college. When I was a student at the University of Iowa I was surrounded by ambitious people like me and we pushed each other with the ultimate goal of becoming the best players we could be which ultimately resulted in several of us developing ambitions to play professionally.
Does music run in your family? Tell us a little about your musical family members.
Yes it does, it runs very deeply. My dad and stepmother are both music teachers, and low brass players. My dad was a collegiate band director, and my stepmom was a collegiate low brass professor for a long time. They have since moved on to different musical jobs with my stepmother teaching beginning orchestra and my dad moving on to an administrative role. There is also an extended part of my family that I do not know who play music in Nashville.
If you weren't a musician what do you think you'd be doing instead?
I cannot imagine life where I am not a musician.
The prompt requires me to have 27 words so I'm adding some down here, the previous sentence is the only one that matters here.
What is your favorite style/genre of music to play and why?
I really enjoy playing within the New Orleans brass band style. It gives me an opportunity to open up and wail alongside a lot of creative license for the individual players. There is also a lot of improvisation which is my favorite part of a lot of music.
If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have a degree in trombone performance with a separate K-12 music education certification from the University of Iowa. I have always wanted to be a trombonist but I also have always had passion and felt a calling for teaching.
What does a normal practice session look like for you?
This will differ wildly depending on what literature I'm playing. There is a consistent part of my practice though which is my daily routine.
My routine starts with a couple short breathing exercises. I'll then play my first sounds of the day which are usually long, easy glissandos. Then long tones and lip slurs with a metronome. The focus is ALWAYS on quality, not speed. I will usually incorporate articulation and range expansion into my lip slur exercises to be more efficient. I'll finish off with a low and slow cooldown, expanding down into the basement of my range. The goal of this is to focus on being the best trombonist I can be, and building skills in places I think are deficient.
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I think the Rubank method is good for a few reasons. I like their technical exercises, and I also like that it is progressive on a scale that is challenging but achievable in private lessons. With regards to brass playing, Arbans is really good for building technical facility, and Rochut is really good for building consistency with tone, flexibility and constructing musical phrases.
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Voice lessons in Mesa to students of all ages and abilities.
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