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Featured Piano Teachers Near San Francisco, CA

4320   5 STAR Musika Reviews

Here are just a few of the many teachers offering Piano lessons in San Francisco . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Cortnee L

Instruments: Piano Guitar Voice Violin Viola Ukulele Keyboard Electric Guitar Acoustic Guitar

Music has always been a part of my life. I became involved in music, theater and dance at a young age, performing in countless professional productions. In my teens and early adulthood, I began writing and recording music and became involved in a number of recording projects that led me to teaching. I gave my first lesson over a decade ago and I continue to perform when I can. I graduated from Interlochen Arts Academy with concentrations in Theater and Music, and I worked for Women's Audio Mission in San Francisco. Read More

Jonathan H

Instruments: Piano Guitar Keyboard Acoustic Guitar

I have a lifelong love of music that has taken many forms. I have had concert hall performances around the country of pieces that ranged from traditional classical, to the experimental and the avante-garde. I have created gallery installations that transformed sound as participants moved about the space, as well as other digital/performative experiments that pushed the leading edge of art. I have performed original pop and rock music, organized public musical events, and throughout it all my passion for music and sound has continued to deepen. Read More

Derek S

Instruments: Piano Ukulele Keyboard Acoustic Guitar

For my young piano students, I use the structure of the Faber series to slowly introduce concepts. For my guitar students I have had great success with the Mel Bay series, which combines initial chord playing and some music reading fundamentals. For ukulele, I utilize the Hal Leonard service. With all of my students, I always want to have the students choose songs they like and that they can set as realistic goals. Read More

Lauren P

Instruments: Piano Voice

I have found that this helps the student to progress more quickly and gain a true love of music. I also like to have my students work on a wide variety of repertoire, even if they would like to specialize in only one field. Coming from a liberal arts college,I find that having a specialty while also being well versed in other fields as well is important to a successful music study. Read More

James D

Instruments: Piano Voice

My teaching experience started about 10 years ago when I was in Guitar Center looking at keyboards and someone asked me for lessons... I still have that student and many more now and have a very high retention rate and am an upbeat, positive teacher that students enjoy coming back to. The fact that I also play live gigs about 4 nights a week gives my students a chance to see me play live and get inspired, something that is really necessary to keep a student motivated for years. Read More

Isabelle D

Instruments: Piano Trumpet Trombone Euphonium Tuba

I really try to work with the student with where they are at or where they want to go with their music. I was a slow learner on piano, so I can understand how confusing and frustrating it can be at times to learn an instrument. I really work to make sure that the students under stand the basics because that will outlast me when I am long gone from their life. Read More

Teacher In Spotlight

Annemarie W

Instruments: Piano Voice Ukulele

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have a bachelor of arts degree in music. I also have a Master of Arts degree in Education, Teaching, Learning and Curriculum with an emphasis in Music.

Why did you choose your primary instrument?
I always loved to sing. I think because I loved hearing famous singers on the radio, t.v. and at concerts. I loved their stage presence as well as hearing how their voice could sing a large vocal range and express their emotions. I enjoyed the artists that created emotions in the listeners ears and created a sense of beauty.

What musical accomplishments are you most proud of?
I was able to sing with an artists who performed at Carnegie Hall in front of thousands of people. I published a thesis at the University that I attended and earned several honors, scholarships and awards. The highest honor was a Soroptomist International Master's Scholarship.

Have any of your students won awards or been selected for special honors? How have they succeeded?
Several of my students have made honor rolls. They have also been selected for leading singing roles and have sung in prestigious choirs. Some of my special needs students have been cured of their challenges and have moved on to a successful learning path.

What do you think is the hardest thing to master on your instrument?
Rhythm, vocal sound quality and getting over the fear of performing in public are the most challenging. I also think that singing and playing piano, to the point where you are freely expressing yourself without fear and too much concentration.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I use Bastien, Suzuki, Hal Leonard and Bel Canto singing/piano methods. I also cater to the students interests, strengths and familiar pieces of music. I try to strengthen the students skills through these materials.

When will I start to see results?
It takes a few weeks to grasp one or two concepts and master a beginning level song. It takes about a year to learn several songs and to be able to perform them in public.

Did you have a teacher that inspired you to go into music? How did they inspire you?
My aunt has a beautiful singing voice. My mother is very musical and she was a choir director. My mother was also very involved at my school's musical functions.

How do I know if my child is ready to start lessons?
If they are eager to learn music, express an interest by tinkering at the piano or singing a lot in the car, playing at home or taking walks etc.

What advice do you have about practicing effectively?
It is best to practice in the morning when you are fresh or in bits throughout the day. Setting goals is imperative. If you would like to perform, then finding practical ways to do this is helpful, such as open mic venues, churches or bands that are looking to start up.

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Recent Articles from the Musika Blog

10 Reasons Why Everyone Should Be Playing Ukulele

...difficult to memorize because the uke only has four strings. Chord shapes that are played with three or four fingers on the guitar are often played with just one finger on the uke.   Here’s a C major chord shape on the guitar and ukulele:   C Major Shape On Guitar:     C Major Shape On Ukulele: It usually takes months of difficult work to be able to memorize enough guitar chords to be able to play simple songs, but just a week or two of practice can give you access to all the chords you’ll need to be able to play... Read More

Soloing Over Rhythm Changes

...the ‘A’ sections, I used the scale based on the V chord for each measure with a ii-V. For the first bar, I just wrote out the major scale. These three scales are meant to be used over dominant chords. It’s possible to use the diminished, whole tone, or altered scale based on the V over the first measure, but for the purpose of this exercise, I just wrote out the major scale. I think it provides a ‘ground’ for when you’re first practicing this material. The ‘B’ section only consists of dominant seventh chords, so it should be pretty ... Read More

Jazz Scales: The Whole Tone Scale

...whole tone scale within the first ten seconds. It’s pretty easy to recognize. In my last post, I talked about the diminished scale and how its possibilities of manipulation were seemingly endless to me. I talked about how learning about the diminished scale had a pretty big impact on my musical life. I’m not sure I can quite say the same thing about the whole tone scale. Maybe it’s just my ear’s personal preference, maybe it’s because there are less notes in the scale (and therefore, mathematically, less possible permutations), maybe it’s just not used as much as the diminished scale. ... Read More

Jazz Exercises for the Saxophone: Advanced Studies in 12 Keys

...regular practice regimen). Some jazz standards’ melodies utilize only one scale, so it’s not so difficult to learn the melody in 12 keys. Look at the melody to “There Will Never Be Another You” or the ‘A’ sections to the melodies of “I Got Rhythm” and “Cherokee”. For the most part, all of the notes in each melody are part of only one scale. So, to transpose the melody to other keys, we can simply utilize the number system applied to the scale that the melody is derived from (as we did in the last blog post with simple melodies ... Read More

Jazz Exercises for the Saxophone: Advanced Studies in 12 Keys

...would be I ii iii IV V vi vii. The second and third chords of “All of Me” are III and VI respectively (they’re actually V/V/ii and V/ii, but that just complicates things further). So, to make it easier to learn the melody and harmony in 12 keys, we can learn them together. When we relate the harmony and the melody to each other in these jazz exercises, transposing them is easier. Like with the digital patterns, we can associate the numbers of the scale degrees with the harmony rather than with solely one scale. Under the first chord, we ... Read More
10 Reasons Why Everyone Should Be Playing Ukulele
Soloing Over Rhythm Changes
Jazz Scales: The Whole Tone Scale
Jazz Exercises for the Saxophone: Advanced Studies in 12 Keys
Jazz Exercises for the Saxophone: Advanced Studies in 12 Keys

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