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Featured Violin Teachers Near San Francisco, CA

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Here are just a few of the many teachers offering Violin lessons in San Francisco . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Mariana A

Instruments: Violin Viola Electric Violin Music

I'll be happy to answer any questions you might have. Rather you are a beginner, intermediate, advanced or just looking to deep your learning trhough Tango music-we'll take it from there and follow the path together! The lessons are tailored totally to your interests and needs. From violin parts to sightreading; from how to understand the mechanics to producing a beautiful, full, ringing sound; from set up to position changes, bow strokes, posture, varied repertoire, auditions; from classical to Tango music including improvisation - the call is yours! Read More

Maricel E

Instruments: Piano Voice Violin Cello Viola Mandolin Recorder Orchestral Percussion Music

It is my joy seeing my students learn from me and become successful in their musical journey. I help my students discover and develop their skill and talent in music. I always encourage my students to go beyond their comfort zone; to show their talents in music, and to share it to the community. I also incorporate games in my teaching. I also give my students an opportunity to choose the music they want to learn and teach it to get their interest. Read More

Irving S

Instruments: Violin Viola

I used to use the Suzuki method but mostly I used formal classical method. Although, I always fit my lessons depending of each student's needs and/or requests. Personally I like the classical method because I also teach my students music theory if needed as well as historical facts to understand the music better. I have also thaught the El Sistema method from Venezuela which basically teaches students the feeling of playing music phisically. Read More

Monica D

Instruments: Piano Voice Violin Cello Viola Ukulele Recorder Music Acoustic Guitar

For the Advanced Beginner to Intermediate students (both adults and children) I use a mix of the higher level of all series listed above and a series of pieces that will challenge my students to explore their musicality, expression, awareness, and technical skills. For Cello Students: My beginner to intermediate cello students are taught using a combination the the following method books: All for Strings, Belwin Course for Strings, The ABC's of Cello, and Strictly Strings. Read More

Sophia K

Instruments: Violin Viola Electric Violin Fiddle

As a violin instructor going into my fifth year of teaching,I seek to help my students learn to become sensitive and versatile musicians, as well as instilling in them a love of music for the rest of their lives. Having recently earned a bachelor's degree in violin performance from UC Santa Cruz, under the tutelage of the concertmaster of the San Francisco Ballet Orchestra, I can offer you much knowledge in the way of Galamian bowing technique, effective practice habits, targeted technical exercises, a large library of exercises, etudes and methods to choose from, and guidance in creating musical phrasing and expression. Read More

Cortnee L

Instruments: Piano Guitar Voice Violin Viola Ukulele Keyboard Electric Guitar Acoustic Guitar

I typically perform an assessment with every individual during the first lesson. Depending on goals, I will recommend curriculum to achieve the desired results. If a classical approach is desired, I use the Alfred's Basic Piano series and the Hal Leonard method for guitar, along with scale and chord theory literature depending on the level of the student. I also teach jazz/pop accompaniment style improv playing so I print music out from various sources. Read More

Jorge S

Instruments: Piano Guitar Violin Cello Viola Bass Guitar Organ Ukulele Electric Violin Music Keyboard Electric Guitar

I have been teaching since High School, but it wasn't until my first year of college that I started teaching music. After 6+ years of teaching in my home studios in both Austin and San Antonio, I enjoy a variety of students learning violin, viola, cello, piano, guitar, and even certain music software. My greatest lesson in teaching is that no two students are alike; one student may be more traditional and focused and have no problem learning to read music, for example, while another student may have little to no attention span, making it impossible to learn consistently. Read More

Teacher In Spotlight

Cameron H

Instruments: Clarinet

Does music run in your family? Tell us a little about your musical family members.
Since at least medieval times. My last name, Harper, is an occupational name for a harp player on the medieval court, an important position that was often hereditary.

If you weren't a musician what do you think you'd be doing instead?
If I wasn't a musician, I would most likely have studied computer science and engineering in college, with a focus on physics and astronomy. I do a lot of amateur observational astronomy and astrophotography in my free time and also have learned basic programming skills in Python and Java.

What is your dream piece to perform and why?
I would love to perform Jackdaw for Bass Clarinet and Tape by Wayne Siegel. It is such a cool piece, but extremely challenging to do well. Among other things I am an amateur birder in my free time, so the piece combines multiple areas of interest.

What does a normal practice session look like for you?
I begin with long tones and other fundamental excercises that focus on scales, intervals, sound production, and articulation. Depending on how long I have to practice, I do this for between 5-30 minutes. My goal is to both warm up my mouth and hands to be reinforcing good habits while also giving myself time to get focused and anxious to make music. After this, I will take out the 32 Etudes & 40 Studies by Cyrille Rose. At this point, I have studied each of these etudes multiple times, but I refer to them to remind myself of the good habits that I learned along the way, while also working to improve phrasing and critical thinking in my playing. Only at this point, after both my warmup and etudes, will I begin to work on repertoire for auditions and performances as well as my personal interests.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have a Bachelor of Music in Clarinet Performance degree from Temple University. I am currently working towards a Master of Music in Clarinet Performance degree at Carnegie Mellon University. I chose this degree because my main goal as a musician is to achieve a high level of mastery and knowledge of the clarinet, and this degree allows me to focus the most time on this goal. I believe that having a high level of mastery on the instrument is valuable not only for performing, but teaching as well.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
My curriculum is student-centric, meaning that lessons look different for each person. This is to prioritize meeting the specific needs of each student and adapting to how they learn best. Some books that I am likely to reference are the Rubank method books for beginners and the 32 Etudes & 40 Studies by Cyrille Rose for more advanced students. I use these books because I have personally played through these books cover to cover and am confident in their educational value to students.

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