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Featured Violin Teachers Near San Francisco, CA

4289   5 STAR Musika Reviews

Here are just a few of the many teachers offering Violin lessons in San Francisco . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Julie L

Instruments: Piano Guitar Violin Viola Saxophone Flute Clarinet

I'm an experienced and caring instructor who loves to see students empowered in their own creativity and excellence. I received my Bachelor's in Music Education from Ithaca College in 1988. I have recorded and released three projects so far that have received radio play internationally and been on the charts on college public radio. My travels performing music in the U.S. and beyond have enriched my life immeasurably and I love sharing the spark of imagination with my students. Read More

Irving S

Instruments: Violin Viola

I graduated with honors from the Masters degree in Music Performance at San Francisco State University under the instruction of Paul Yarborough and the Alexander String Quartet. On my graduation, I was selected to receive the Distinguished Achievement Award for Academic Excellence at the Graduate Recognition Ceremony on May 22nd, 2018. I am currently working with Maestro Urs Steiner and Golden Gate Symphony as Principal Violist and musicians recruiter, substitute for Academy Orchestra, Santa Cruz Symphony, Merced Symphony, and Solano Symphony. Read More

Monica D

Instruments: Piano Voice Violin Cello Viola Ukulele Recorder Music Acoustic Guitar

Teaching is a passion of mine that I hope to further expand upon in my post-graduate educational studies. I do my best to provide a personalized lesson that is designed to suit a students playing style.I like to acknowledge a students accomplishments to help encourage their accomplishments. By acknowledging a students accomplishments it helps them thrive and eager to tackle further challenges both in music and their lives. I want my students to enjoy practicing and grow their love for their respective instruments. Read More

Naz K

Instruments: Violin

I love kids and since I am on the younger side of most violin teachers, I believe I have an advantage of connecting with the students more. When there is a nurturing bond between a teacher and a student, it allows the student to connect more and be more responsive throughout their lesson. One of my teaching styles is making the lesson fun by making jokes, connecting the music to their favorite type of music. Read More

Marco G

Instruments: Violin Viola Mandolin Electric Violin Fiddle Double Bass

Normally with very young students I start with the parallel study of written music, basic technique and music learned by imitation. It is a question of repeating short fragments of melody and then composing the whole piece piece by piece. This practice is widely used in many musical traditions and leads the student to develop the ear and the memory, that is the main elements of the musical practice. This practice can be applied to all levels from the most basic to the most advanced. Read More

Mariana A

Instruments: Violin Viola Electric Violin Music

My aim is to provide you with a pleasant, high quality learning experience, developing a healthy and happy relationship with your instrument so that you can enjoy and express yourself through any music style! Combining the means offered by the finest violin schools and all the alternative, related disciplines such as Alexander Technique, Yoga, and Meditation working all together towards the importance of knowledge of our body, awareness of the self, need for enjoyment and educational relationship centered on student needs. Read More

Jun L

Instruments: Violin Viola

My teaching methods are based off of the Franco-Belgian school founded by Vieutemps, Beriot, and Ysaye to name a few. i am also inspired by the methods of Ivan Galamian and his teaching style. For beginners, I will start with basic elements such as the proper way of holding the instrument; this is crucial for later violin development so it must be mastered first. I will also provide lessons on basic Music Theory essential to understanding rhythm, pitch, and reading music. Read More

Teacher In Spotlight

Cameron H

Instruments: Clarinet

Does music run in your family? Tell us a little about your musical family members.
Since at least medieval times. My last name, Harper, is an occupational name for a harp player on the medieval court, an important position that was often hereditary.

If you weren't a musician what do you think you'd be doing instead?
If I wasn't a musician, I would most likely have studied computer science and engineering in college, with a focus on physics and astronomy. I do a lot of amateur observational astronomy and astrophotography in my free time and also have learned basic programming skills in Python and Java.

What is your dream piece to perform and why?
I would love to perform Jackdaw for Bass Clarinet and Tape by Wayne Siegel. It is such a cool piece, but extremely challenging to do well. Among other things I am an amateur birder in my free time, so the piece combines multiple areas of interest.

What does a normal practice session look like for you?
I begin with long tones and other fundamental excercises that focus on scales, intervals, sound production, and articulation. Depending on how long I have to practice, I do this for between 5-30 minutes. My goal is to both warm up my mouth and hands to be reinforcing good habits while also giving myself time to get focused and anxious to make music. After this, I will take out the 32 Etudes & 40 Studies by Cyrille Rose. At this point, I have studied each of these etudes multiple times, but I refer to them to remind myself of the good habits that I learned along the way, while also working to improve phrasing and critical thinking in my playing. Only at this point, after both my warmup and etudes, will I begin to work on repertoire for auditions and performances as well as my personal interests.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have a Bachelor of Music in Clarinet Performance degree from Temple University. I am currently working towards a Master of Music in Clarinet Performance degree at Carnegie Mellon University. I chose this degree because my main goal as a musician is to achieve a high level of mastery and knowledge of the clarinet, and this degree allows me to focus the most time on this goal. I believe that having a high level of mastery on the instrument is valuable not only for performing, but teaching as well.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
My curriculum is student-centric, meaning that lessons look different for each person. This is to prioritize meeting the specific needs of each student and adapting to how they learn best. Some books that I am likely to reference are the Rubank method books for beginners and the 32 Etudes & 40 Studies by Cyrille Rose for more advanced students. I use these books because I have personally played through these books cover to cover and am confident in their educational value to students.

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