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Featured Voice Teachers Near Santa Clara, CA

4320   5 STAR Musika Reviews

Here are just a few of the many teachers offering Voice lessons in Santa Clara . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Lauren G

Instruments: Piano Voice Clarinet

When I was ten, I made the decision that whatever career I chose, I needed it to allow me to help people. As I got older and discovered that music was the thing I most wanted to do in this life, teaching voice and piano became the vehicle I needed to keep doing music as well as help people, like I wanted. In training my voice classically, I had the very best instructor who taught me how to sing the healthy way. Read More

Monica D

Instruments: Piano Voice Violin Cello Viola Ukulele Recorder Music Acoustic Guitar

I am a passionate and dedicated teacher who strives to provide a well structured and personalized lessons to my students. I am a graduate of Whittier College, Class of 2015 with a Bachelor of Arts degree in Music with an emphasis in Music Performance. My main instrument is Cello and my secondary instrument is Piano. I also have experience in studying Violin, Viola, and Bass. Studying Music Performance in College has inspired me to teach and work with students of all ages. Read More

Camille H

Instruments: Piano Voice Drums Music Keyboard

For most of my beginning piano students, I use the piano adventures series. They offer a clear and well paced curriculum with numerous supplemental resources in a variety of styles. For beginning music theory, I use the Berklee School of Music texts or the Benward and Saker textbooks as well as many videos and other resources to explore musical concepts. For singing, I use a variety of sight singing books, all depending on the age and experience of the student. Read More

Rupali S

Instruments: Piano Voice

My method is to incorporate proper technique and fingering, and though reading music is important, i also put emphasis on hearing what your playing and also understanding it theoretically. This way students will be well-rounded and be able to understand what they are playing from an audio and theoretical stance, rather than just being told what to play by the notes on the sheet music. What this does is it allows the student to become independent so that they don't have to rely on music and a teacher to be able to play or pick-up songs they desire to play. Read More

Michael S

Instruments: Voice

As stated above, I have been teaching and coaching private voice for over 10 years.   I have been in demand as Vocal and Music Director for numerous community musical theatre productions.   I have enjoyed working with students age 8 to 78. I am well-versed in classical, musical theatre and popular repertoire.   The most important thing to note is that I believe there is ONE healthy and safe way to sing.  We just learn to color our sound to meet stylistic needs. Read More

Kenya M

Instruments: Voice

I am a professional vocalist and instructor with over 20 years experience sharing classical, opera and Brazilian music around the world. I specialize in working with students ages, 9 to 17 years old, but love to work with adults as well. I offer a variety of lesson options for students, including private 1-on-1, small group and workshops. Whether your area of focus is classical, musical theater, pop or jazz - I can help you develop confidence, strength in voice and stage presence. Read More

Akiko S

Instruments: Voice

I love teaching, learning, and singing, but sometimes doing the things we love can still affect our nerves! I start first from a grounding and emotional center where we learn to access our own joy and take up our own space. From that point forward, we sing our hearts out! We will learn that vocal techniques that start out feeling tricky can become easier by incorporating mindfulness and full-body movement, and we master some techniques that are most relevant to your style of singing. Read More

Teacher In Spotlight

Steven S

Instruments: Piano Violin Cello Viola Double Bass

What advice do you have about practicing effectively?
I think it's important to practice slowly, to practice small sections at a time, and to isolate the hands. It is a good idea to attempt to sightread a piece just to get an idea of where the more technically challenging parts are at. From there, I will sometimes recommend practicing one hand at a time to facilitate difficult passages of music. Then, slowly play the small section with both hands together. Once you can comfortably play a small section of music, move-on to another section of music and work on it the same way. Continue this process until you've stitched the small segments of music together and you can play through the entire piece. If you're ever frustrated with a passage, take a break! You may also want to try working on another passage if you find one section too difficult. Sometimes all you need is a break or a good night of sleep to reap the benefits of your practice session.

Why did you choose your primary instrument?
I was originally a clarinetist in 4th grade, but ended up feeling dissatisfied with the instrument after playing it for three years. While in high school, I purchased a digital piano to learn the music of my favorite bands. Eventually I learned more about my digital piano and found out that there were pre-recorded songs that I could listen to. Beethoven's "Fur Elise" was on the piano, and that sparked my interest in classical music. From there, I began studying "Fur Elise" and then discovered Beethoven's piano sonatas.

What is your dream piece to perform and why?
The dream piece that I wanted to perform was Beethoven's "Waldstein" piano sonata. After years of practice, I eventually performed this piece as the highlight to my junior recital in music school. This piece had a profound impact on me, and it helped develop my technical abilities to perform more challenging repertoire. From there, I studied and performed Beethoven's "Appassionata" sonata, as well as his third piano concerto. I also had the privilege to perform the third piano concerto with the Mansfield University Symphony Orchestra.

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
Becoming a professional musician was a gradual decision for me. I originally studied the piano as a hobby and was self-taught. After playing the piano for my high school music theory teacher, she recommended me to a local pianist for lessons. From there, I studied privately, and my motivation and interest in music increased exponentially. I began practicing many hours a day and I was obsessed with Classical music, especially the music of Beethoven. I eventually gave my first piano recital and I performed the first movement to Beethoven's "Pathetique" sonata. After that, I began to pursue music more seriously and auditioned at a music school. I was accepted, and then I began to perform more challenging repertoire and accomplished bigger musical goals. I also began teaching lessons to beginner students, and then I accepted my first music teaching job in North Carolina. Recently, I moved to Wexford and accepted a position in a highly prestigious school district.

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