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Featured Guitar Teachers Near Chandler, AZ

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Here are just a few of the many teachers offering Guitar lessons in Chandler . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

James A

Instruments: Guitar Electric Guitar Classical Guitar Acoustic Guitar

Anybody can learn a few chords but its about how you play those chords and riffs. I'm a firm believer that as guitarists we are to internalize the music. If a guitarist doesn't feel what he's doing then why would the crowd? I'm also a positive reinforcement type of person in general. Regardless of what it is, people need to be encouraged. Playing guitar, even for somebody who is completely in love with playing, can be extremely frusterating at times. Read More

Ruben M

Instruments: Guitar

Beginning as a self-taught guitarist has made me aware of some of the pitfalls misinformation, misconceptions that exist in learning guitar. Im also well practiced at correcting improper technique having to do it myself numerous times as I became more educated. I like to imagine myself going back in time to when I was younger and teaching a young me from scratch, and try and imagine exactally what I would teach and what happits I would make myself develop in an imaginary effor to make myself a better guitarist now. Read More

Clarence G

Instruments: Piano Guitar Bass Guitar Keyboard

Originating from East Chicago, IN, I've known since 3rd grade that I wanted to build a career in music. Over the years I've been able to find my niche, and focus on engineering, composing, and playing live. I've recently come to really enjoy teaching. I find pure joy in watching students make even the slightest improvements (provided they practice :). Everyone that I've taught has walked away with a better understanding of music, empowering them to advance in ways they would otherwise not be able to. Read More

Bonnie C

Instruments: Guitar Banjo Ukulele Electric Guitar Classical Guitar Acoustic Guitar

I began teaching at the age of 15 at the Willowdale Conservatory of Music where I had the opportunity to tutor underclassmen as a way of paying my tuition. I managed to put myself through college as a single parent by teaching guitar and banjo out of my home and contracting with local community centers and schools for guitar classes. I moved to Arizona in 1987 to accept a teaching fellowship at ASU West while completing my Masters degree. Read More

Andrew W

Instruments: Guitar

I taught at Lockport Music Center under Ralph Fava, who was an advocate of the Berkley teaching method. I also have taught private lessons for 7 plus years. I have played in Progressive rock bands in Buffalo N.Y. such as Paradyme and Weaponex. Read More

Gerry D

Instruments: Piano Guitar Voice Drums Bass Guitar Synthesizer Harmonica Lap Steel Guitar Banjo Ukulele Mandolin Recorder Conga Latin Percussion

I have a very personal and relaxed way of teaching that helps each student enjoy and advance on their chosen instrument at their pace. I prefer 60 minute sessions to have the time to fully evaluate and advance from the previous lesson and to move on to new material. I use the student's preferred style of music to teach them how to play, and expand their styles and technique from there. Read More

Alexis E

Instruments: Piano Guitar Voice Violin

For piano beginners I use the Faber book series. I prefer these books because it gives a mixture of theory and technique that I think is essential to learn at an early stage. For violin beginners I prefer to use the Suzuki Method books. These books are great because they get the student playing quickly, while still introducing the foundations of basic theory for reading music. Beginning guitar is a little more flexible depending on the students goals and the style they would like to learn. Read More

Teacher In Spotlight

Jonathan S

Instruments: Trumpet

If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
In addition to playing the trumpet, I also play ukulele. In my first year at Juilliard, I had a hard time improving at Ear Training. Taking up a chordal instrument like the ukulele allowed me to hear music in a completely different way and advance my ear training skills much more quickly. I think it's very important if you play a single line instrument to learn a chordal instrument; whether it's harp, piano, ukulele, guitar etc. After getting better at ukulele, I formed a band with a colleague from school. Now, I write songs for my band and have a lot of fun playing and performing a different genre of music!

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
I have enjoyed playing music since I was very young. When I got to high school, I started taking music seriously and ended up attending the summer music camp at Interlochen Arts Academy. At Interlochen, I gained some of my first experience playing in orchestra which quickly became one of my biggest passions. Near the end of camp, we performed Mahler’s second symphony. I was captivated by this piece, and from the first rehearsal, I decided that I wanted to play and perform music for the rest of my life.

What does a normal practice session look like for you?
A normal practice session for me starts off with about ten minutes of long tones and breathing exercises, resting as much as I play and going very slowly (38 beats per minute). After this, I work out of the Stamp book to play pedal tones and slur up above the staff. Then, I work on technical exercises, which include intervallic slurs, multiple tonguing, articulation and other things from Bai Lin, Shuebruk, Arbans, Flexus or Franquin. I write down everything that I do and how it went. I typically work on a single exercise for about a week and then move on to the next one. After I get my warm up and technical exercises out of the way and take a break, I work on the music that I have to play for any upcoming auditions or performances. It's important to me to start the day off as relaxed as possible, making sure that all of the technical aspects of my playing are in the proper place before I move on to my music. It makes playing difficult music much easier!

What advice do you have about practicing effectively?
Since the trumpet has a max practice time of around two or three hours, it is incredibly important that students use their time effectively. We can't spend two or three hours on a single passage of music like a violinist or pianist, so every note we play should have our complete attention. Trumpet players must also not overplay anything, as it's very easy to sustain a injury or to lose that mental focus. Resting as much as we play and breaking up practice sessions into thirty-minute blocks is a very effective strategy to working around these issues.

When will I start to see results?
Results can vary student to student. For example, a student working on articulation will see results much faster, a few days to a week, than a student working on an embouchure change, which could take anywhere from month to a year. However, since my lesson plans involve writing everything down (what the exercise or etude the student is working on, what is good and bad about it, time spent on material, what to improve, etc.) students should be able to easily document their progress day by day. When starting out with lessons, it’s typical to see a great deal of improvement in a short amount of time.

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Recent Articles from the Musika Blog

Keyboard Vs. Piano: What Exactly is the Difference?

...The range has been extended and the hammer system perfected, but other than that pianos are very similar instruments to the ones that were played in the 18th century. Pianos were first named “Fortepianos” which means “Loud-Soft” in Italian.       The Music Theory Benefit     Any instrument with a keyboard doubles as a near-perfect visual representation of the concepts we use to describe music theory. If you’ve ever played an instrument without a keyboard, you probably already know how baffling certain music theory concepts can be. But on instruments that feature keyboards, things like scales, chords, and intervals are perfectly laid out in a step-by-step system.  ... Read More

Beginner Guitar Solos: Getting Started with Improvisation

...There’s no greater feeling than going to a music store to pick out your first guitar, going home, and holding your brand new instrument for the first time. Whether you’re 10 or 50, playing the guitar for the first time is an experience you’re likely not to forget for the rest of your life. But learning anything new and starting completely from scratch can be hugely intimidating. When you stop to listen to all the incredible music that’s been made with the guitar over the last century, it can be difficult knowing where and how to get started. Beginner guitar solos, for example, can be a tough ... Read More

Four Easy Breathing Exercises for Singing

...of inhale and exhale going. Immediately exhale through the straw for four slow counts. Keep repeating the cycle for three cycles of four counts of inhale and four counts of exhale. Once this exercise feels comfortable, try gradually increasing the inhale and exhale counts from four to six, eight, ten, and twelve. Keep in mind that with each increase of counts, the “straw” space in the mouth must become more narrow. The constricted space will work abdominal muscles gently while preventing the singer from taking in too much air at once.     Breathing Exercise #4 – Yoga breathing   Called ... Read More

Violin Accessories: Essentials for All Violinists

...can be cut and shaped is more comfortable. There are corduroy chinrest covers and inflatable cushions that are strapped under the violin. Some professional violinists only use a soft cloth or handkerchief to keep their chin and neck from chaffing against the violin. The choice is chiefly determined by how much space there is between the violin and the musician’s chin and shoulder. Lots of space means that a great deal of cushioning is needed; very little space means that a thinner cushion can be used. Have your teacher gauge how much support your violin needs in order for it to stay up ... Read More

Setup of the Five Piece Drum Set

...larger measurements available. The second variety is the floor tom, mounted upright on the floor, often measuring between 14 and 18 inches in diameter. Another standard component of all drum kits is the hi-hat, a pair of cymbals (usually 14 inches in diameter) that can be clicked together using a foot pedal. Much like the bass drum, hi-hats are used for timekeeping. Opening the cymbals produces a rattling effect that is used a lot in rock and punk music. Similarly, the ride cymbal (usually around 20 inches) is also used to keep time; sometimes the bell of the cymbal is struck to create a distinct and pitched tone. Another popular type of cymbal is the crash cymbal, which is frequently used for accents rather ... Read More
Keyboard Vs. Piano: What Exactly is the Difference?
Beginner Guitar Solos: Getting Started with Improvisation
Four Easy Breathing Exercises for Singing
Violin Accessories: Essentials for All Violinists
Setup of the Five Piece Drum Set

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