614-556-4736
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Here are just a few of the many teachers offering Voice lessons in Columbus . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano Voice Flute Music
I teach through positive reinforcement and encouragement with a set structure that allows for discipline and certain benchmarks that can determine success and mastery of certain skills. I truly believe that when students are nurtured and given a comfortable space they will excel as creating music and art is vulnerable and requires the student to let go. This cannot happen unless the teacher facilitates an environment and space for organic innovation by the student. Read More
Instruments: Piano Guitar Voice Bass Guitar Ukulele Double Bass Acoustic Guitar
I am a multi faceted music therapist, teacher, and performer and I enjoy teaching all ages and abilities. There are many ways to learn and there are always ways to learn the music you would love to play. I am happy to teach most genres on bass, piano, guitar, ukulele, and voice. I graduated from Baldwin Wallace University with bachelor of music degree in double bass performance and music therapy. Read More
Instruments: Voice
There is nothing better than seeing the face of a student light up when they grasp difficult concepts or sections of music. Positive reinforcement is the most important tool any teacher can have in their arsonal, and I try to praise my students every time I notice imporvements and support and assure them when confronted with difficulties. I set small goals, achievable goals for every lesson, so that my students can sense their progress in reaching their over-arching aspitations. Read More
Instruments: Piano Guitar Voice Trumpet Bass Guitar
I started teaching piano and voice to young people in my church nearly fifteen years ago. Since that time, I have worked with a conservatory and on my own bringing the joy of music to dozens of students of all ages. I offer recitals several times a year to help each student reach new goals. Read More
Instruments: Voice Music
I generally start with a Q & A to get a feel for the artist and what their true intent is, then I go for the kill. I need to know the who, what, where, when and why of the music industry in their own words. The how part is what we will work on together to achieve the goal. Pen and Pad has always been tradition when writing a song, but I recommend some app to where your created work is automatically dated. Read More
Instruments: Piano Voice
One of the things I love most is the shock of parents and students who expect that either they themselves are going to dread the lessons or practice session or that their child will give up and hate practicing. Parents and students tell me how exciting they are to come each week and hit each milestone. I make learning fun! Simple as that. I have had so many students over the years who are so nervous and timid about playing or singing and by the time we get to the first recital, they are confident and light up on the stage. Read More
Instruments: Piano Voice
My style is very relaxed and fun and I make the lessons very student focused. I do not believe in a 'monkey see monkey do' style where I simply show the student and have them repeat the concept or technique, but rather a discovery learning approach where I provide the needed support for the student to learn and apply the concepts. I also provide incentives such as rewards for practicing a certain number of hours a week. Read More
Instruments: Voice Flute
What advice do you have about practicing effectively?
Goal setting is the most important part of practicing effectively. I find it helpful to have written goals about what I want to achieve in the short term and in the long term and base each chunk of practice time on achieving a small part of that goal. For example, if my goal is to improve my tonguing by next month, I would set three or four deliberate steps necessary to achiever that (like slow practice, fast practice, metronome work, and rhythm exercises) then setting each practice time to work on one of those skills until I have achieved the goal.
How do I know if my child is ready to start lessons?
For flutists, a student is ready for lessons as soon as they can hold the instrument without tiring. That is usually around the age of 8 or 9, but can be earlier, like 6. It is helpful, but not necessary, that a student is able to focus on one thing for a half-hour or so as well, but good teachers should be able to keep a students attention regardless of age or ability to focus.
When will I start to see results?
It really depends on the student. For beginners, its my goal that you will be able to play a nursery rhyme on the headjoint by the end of the second lesson.
Why did you choose your primary instrument?
To be honest, this instrument was chosen for me. I really wanted to be a violinist. My mom heard me play recorder in kindergarten and assumed, that since I was so good at recorder, that I would be an excellent flutists, so she took me out of violin lessons and moved me to flute. Even though recorder playing has no bearing on flute playing, I quickly fell in love and ultimately decided it's what I wanted to do with my life.
What do you think is the hardest thing to master on your instrument?
Good tone is the hardest to master especially since "good" is an extremely relative term. There are some loose definitions on what is desirable and what isn't, but ultimately, tone is dependent on what each player likes to hear. Either way, even making a "good" tone is pretty difficult and takes years of practicing and listening to master.
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I use mainly the Rubank methods for flute. I also use the Suzuki books but only for repertoire. I do not employ the Suzuki method itself in teaching. I am a huge fan of the Trever Wye flute books. For advanced students, I work with Taffanel and Gaubert and other recognized studies of that level. I have a detailed Applied Repertoire list on my website that I can send to any interested student.
What does a normal practice session look like for you?
I usually begin with long tones, then some scale work. I then spend some time working on etudes and sight reading. Then I work on repertoire. I work either parts of the repertoire or the piece as a whole depending on how close I am to a performance. Each practice session is divided mainly by goal setting.
If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
My music degree is in performance. I chose that degree because I knew that I wanted to teach students one-on-one (and not in the classroom) and that I wanted to develop better technique and performance practice to be able to pass those on to my students. I want to complete a masters and then Ph.D. in musicology because I love research and I love finding out the stories and theories behind why composers chose to compose and that those influences are vital to our understanding of the piece and how we perform it.
If you weren't a musician what do you think you'd be doing instead?
I would be lawyer. In fact, I get asked almost daily why I didn't choose that route instead of music. Ultimately, I wanted to do something uplifting, which the legal field often isn't.
What is your favorite style/genre of music to play and why?
I love playing avant garde music. I love pushing the boundaries of the instrument and seeing what kind of crazy sounds I can get it to produce!
If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
Flute is actually my fourth instrument! I started on piano, then moved to violin, then voice, then finally settled on flute. There was quite a bit of overlap actually. My mom really wanted me to be a musician and kept rounding me through instruments until I found the one that I loved.
Does music run in your family? Tell us a little about your musical family members.
Actually, no! I am the first and only musician in my immediate and extended family. Nevertheless, I have never encountered anything other than support from my family despite my unorthodox career choice.
When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
I decided just last year. It was a gradual choice. For a long time, I had told myself I needed to have a "real job," but then doors just started closing and the one's that remained open were ultimately pointing me into making this hobby that I loved a career.
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Voice lessons in Columbus to students of all ages and abilities.
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