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Featured Piano Teachers Near Concord, NC

4048   5 STAR Musika Reviews

Here are just a few of the many teachers offering Piano lessons in Concord . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Jeremy F

Instruments: Piano Trumpet Trombone Euphonium Tuba

Hello! My name is Jeremy and I enjoy giving brass lessons to students of all ages and ability levels. At my studio, I can give lessons in piano, bass trombone, trombone, tuba, euphonium, baritone and Trumpet. Enthusiasm, patience, persistence, and good communication skills have all allowed me to help brass players understand their musical challenges and live up to their potential. I am a personable teacher who enjoys developing positive relationships with my students. Read More

Allison C

Instruments: Piano

I started teaching in college and started with some friends that wanted to learn how to play the piano and sing. After graduation I went and taught in Chicago for a few years and Greenville SC where I was the music teacher in both schools. I am currently teaching two students piano and two students the dulcimer. I have taught children as young as 3 years old and as old as 35 years old.  Read More

Beth A

Instruments: Piano Keyboard

I absolutely love seeing my students really learn their new techniques and music! I am a very patient person and definitely allow each student to learn at his / her own pace, encouraging them to know each technique in several different ways, to truly have a good understanding of not only what they are playing, but how and why. I am a stickler for lots and lots of practice (what else? ;-) ), but honestly you or your student will only learn piano by practicing consistently. Read More

Vince L

Instruments: Piano Guitar Bass Guitar Banjo Mandolin Music Keyboard Electric Guitar Classical Guitar Acoustic Guitar

For beginning students on guitar i typically start wih Hal Leonards book 1. With about 50 pages in this book, we can go thru at a steady pace and be playing songs from the beginning. Makeing music from the very beginning is the key ! Even the simple one line practice exercizes i back up with a harmonic chordal accompaniment for a satisfying duet. The basic learning books I use to accomplish having the student play music from the very beginning. Read More

Marina M

Instruments: Piano

I thoroughly enjoy customizing each student's lesson according to their learning ability and make sure they excel and have fun. I utilize most of the time the Alfred Piano method both for school age and adults. When I feel the student is ready I supplement quite a lot with the Hanon exercises,Czerny and the Master Theory workbook(this works very well with the student who also desires to learn to play by ear as well.) For repertoire I emphasize classical pieces and also help the student with pop and holiday pieces;i.e- Schumann's Album for the Young, Beginning Bach minuets,Bach and Clementi sonatinas,etc. Read More

Mallory N

Instruments: Piano Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums Synthesizer Recorder Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Oboe Bassoon Keyboard Djembe

I love being able to send students on their way for the day knowing that they put their best foot forward. Even if they did not come to a lesson prepared, being able to see growth in the small amount of time I'm with them is enough for me. I understand that every student progresses at their own pace, so I work with them and their parents to make sure that realistic goals are set and written down to hold the student, parent, and myself to this growth plan. Read More

Matthew G

Instruments: Piano

I was brought up learning the Suzuki Method of Piano. This method has its benefits, but I also utilize other methods such as Faber's Piano Adventures or Clark's The Music Tree. Developing a good ear is essential when trying to express yourself musically. Piano technique is also essential when trying to execute what you want at the right moment. With an emphasis on technique and listening, I motivate my students to also read the music and to interpret the only source that is made available to them. Read More

Teacher In Spotlight

Jan L

Instruments: Piano Voice Trumpet Saxophone Flute Clarinet Recorder French Horn Piccolo Oboe Conga Keyboard

What advice do you have about practicing effectively?
For optimal practice results, have your own, dedicated space, a quiet area that is always semi set up for music making. Keep hydrated especially if you are a vocalist or wind player. Establish a routine. It could be something as simple as: warm ups, buzzing if you are a brass player, scales and arpeggios, followed by an etude and or method book work, then solo. Practice while standing and sitting. Move around as you play or sing. Always have a reason for repeating a phrase or section of your piece. It could be to work on steadiness of a difficult run, a tricky fingering, or to increase the tempo, or intonation etc. Mindless repetition can be a fruitless exercise so it is important to practice mindfully. Have short term and long term goals for each practice session. Keep them simple. Avoid always starting back at the beginning of the piece. With our busy schedules it is hard to always practice at the same time each day, but at least, schedule some time each day, for practice. Even a brief practice session is better than none at all! Say to yourself, "I am only going to practice 10 minutes today". it's less daunting, easily achievable. Once you get started, it probably will develop into more!

When will I start to see results?
You should begin to see results from your lessons immediately. Of course, the more you put into your lessons, the more you will get out of them. Results do not magically happen, but if you are taking lessons, and playing at home and at school, you will see results. Guaranteed.

Did you have a teacher that inspired you to go into music? How did they inspire you?
My clarinet teacher in high school inspired me to become a music teacher. She was a consummate professional, opened my world to a myriad of musical opportunities and demonstrated how to teach with a humanistic style. She had a wonderful sense of humor, and modeled how to be serious about music making, while retaining that sense of wonder and joy. In an era when most music directors were male, she stood alone as a female conductor, had a full time teaching load and managed her lovely young family. She basically did it all, and I knew that I wanted to follow in her footsteps. Later, I had three wonderful children, four grandchildren and an exciting career in music ed.

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