Piano Lessons in Kannapolis, NC

Instruments: Piano Guitar Bass Guitar Banjo Mandolin Music Keyboard Electric Guitar Classical Guitar Acoustic Guitar

My teaching experience dates back to my high school years where i would actually walk to a students home to teach. I have been teaching for over 50 years. Students leave with a sense of excitement and accomplishment and look foward to the next weeks lesson. Making music with new students is always exciting and very rewarding to see a new student actually accomplishing something that will benefit their lives in future years to come. Read More

Instruments: Piano Music

I would describe my style as amiable and accessible. Making music should be a joy! I have taught students ranging in age from five to eighty-five, and am always happy to adjust my teaching style accordingly to meet the particular needs of the particular student. I am a friendly and personable fellow who loves to teach, and always try to ensure that this comes through in my approach to teaching. Read More

Instruments: Piano Guitar Trumpet Acoustic Guitar

I am a passionate teacher and performer that loves paying back the knowledge that I have had over the years. Professionally I have played in orchestras and every genre of music group trumpet, piano, guitar. Over 15 years I was a co Director of a music school that had thousands of students throughout those fifteen years that have gone on to professional and amateur music careers that have led them to play with professional groups and many other world renowned opportunities in travel and music development I am happy to pass that knowledge to the student who is looking for either professional or amateur venues of playing. Read More

Instruments: Piano Voice Organ Synthesizer Keyboard

With each new student, I assess their abilities and goals. From this information, I will make a decision reagrding which method I will use to teach the students their instrument. As lessons progress, the curriculum becomes more challenging. Depending on each students abilities and goals, I will most likely one of the following methods: Faber, Alfred, John Thompson, or Suzuki. In addition to teaching students how to play their instrument, each of these methods include supplemental theory materials, helping students to understand the language of music, which helps them become even better musicians. Read More

Instruments: Piano Guitar Bass Guitar

Ever since I was a child I had wanted to be a teacher. When I got to Central Piedmont Community College I focused on music education because I knew I wanted to teach music theory in college. After transferring to Wingate University I began studying choral music education because I was fascinated byhow the voice works and blends with other voices in a choir situation. I have had the opportunity to study rock bass, jazz bass, classical guitar, piano, and even private voice lessons from private lessons all the way up through college level lessons and these lessons have given me such a drive and passion for not only music, but music education. Read More

Instruments: Piano Voice

The methods I choose fora studentwill be individualized based on wherethat student is and wherethe studentwould like to go. I will select different methods for different kinds of learners. However, we will certainlybegin by looking atthe student'sinstrument and learning environment and evaluate the technique and knowledge of the student. We will also begin by discussing long term goals and setting clear short term goals in ear-training, sight-reading, performance as well as theory and composition.The keyboard is a great place to learnmusical fundamentals, especially for beginners because it is so easy to visualizeintervals and patterns. Read More

Instruments: Piano Voice Saxophone Flute Synthesizer

I then attended Housatonic College where the Costanzo brothers, Sonny and Sam, headed the music department. Sonny is a renowned trombonist in the New York City area who has played over the years with Clark Terry’s big band and now leads his own.             One of the highlights into my ventures with jazz was to study under John Mehegan, noted scholar, author and educator. John set into motion the study of jazz theory and improvisation with his four book series on the subject, which is still highly recognized today. Read More