Voice Lessons New York

Instruments: Piano, Voice

Piano can be fun and rewarding for a person of any age! The best age to begin piano lessons is 6 years old, but I also love working with children between the ages of 3 and 5.With beginners, I focus on planting a strong musical foundation that they can build on for years to come. For those further alongin their musical journey, I strive to cater to a student's specific musical needs whether they beimprovementin notationreading, technique, interpretation, ear-training, theory, improvisation, or embracing new styles. Read More

Instruments: Piano, Voice, Keyboard

For any students, my method has always been consistent with all types of music. I always ask my students to know what type of music they are most interested in performing, so that I can help them better by giving them lessons that will surely have them perform with ease. In general, after I get to know my students, I help them read notes. And as we progress, I help them study some vocalises and Italian songs for beginners. Read More

Instruments: Voice, Tuba

I have been teaching young students, both in voice and tuba, since high school, and I've always enjoyed it! I pride myself on looking to make things easy and comfortable for the voice, whether you are looking to sing classically, in music theater, or in pop music! Read More

Instruments: Piano, Guitar, Voice, Drums, Keyboard, Electric Guitar, Acoustic Guitar

it is an honor, always, to teach music, to be a medium for what truly is a magical force -- the universal language. I believe that music would be nothing with out the individual touch -- so every student of mine must progress at their very own pace, in their very own way, thus to truly become a musician - and not a carbon copy of what we think music might be. Read More

Instruments: Piano, Guitar, Voice

I think voice especially has always been viewed as a bit of a mystery... you can't see or touch your voice as you sing, unlike playing instruments, so there's a certain amount of imagination that has to be involved. I do my best to straddle making singing as tangible as I can, and approach things somewhat scientifically ("This muscle is used in this way," etc.) while also inspiring visualization ("Send your sound out into the distance," etc.) I also really think it's important for musicians to be diverse, so not only will we learn chord and strumming patterns on a guitar, we'll also learn how to read simple lead lines of solos, etc. Read More