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Featured Voice Teachers Near Fontana, CA

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Here are just a few of the many teachers offering Voice lessons in Fontana . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Siri H

Instruments: Piano Voice Violin

In college, I taught a handful of beginning violin students. Throughout college and my years post grad, Ive taught private and group dance lessons and focus on technique and confidence. I apply the same concepts to my music lessons and love helping students discover their personal voice. I encourage regular practice and personal compositions. Every student is different and I am hopeful to find the system that works for each one. Read More

Daniel C

Instruments: Piano Guitar Voice Drums Bass Guitar Ukulele Keyboard Electric Guitar Acoustic Guitar

One of the most important factors in determining a teacher's legitimacy is their professional teaching experience. I can confidently say that along with my extensive training, education, and music industry credentials, I have 6 years of professional experience teaching every possible age, skill, and instrument combination. My most recent job involved teaching up to 35 students a week on beginner-advanced piano, vocals, guitar, drums, songwriting, and bass. Many of my students have been with me since I started there two and a half years ago. Read More

Kandra S

Instruments: Piano Voice Organ

The best part of teaching for me is seeing students transform from unsure beginners to confident musicians with enthusiasm and passion for their own chosen taste in music. I know students can drive the lessons with their choices, so I let them select music that will keep them coming back for more challenges. Even still, I want them to have the exposure to diverse training and music styles to expand their own style. Read More

Clinton W

Instruments: Guitar Voice Bass Guitar Electric Guitar Classical Guitar Acoustic Guitar

I am a very big proponent of adaptable teaching, specifically adjusting to the students, wants, needs and goals. I love teaching students what THEY want to learn, and applying my knowledge of music theory and instrument theory in a fun and applicable way to their interests, thereby making music theory less of a snore and chore, while also getting the students excited for more. I love highlighting students excellence and seeing the joy of finally nailing something they've practiced, but even more so I love working through aspects that are particularly challenging for a student, as the reward is even greater after doing so. Read More

Olivia G

Instruments: Guitar Voice

As an artist myself, I know how vulnerable it can be to share your voice. I also know that it is one of the most beautiful and gratifying ways to express yourself. With 15+ years of experience performing, recording, arranging and coaching vocals, I'm very confident I can help you reach your singing goals! I graduated from Berklee College of Music with a Major in Songwriting and as a Vocal Principle. Read More

Derek P

Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Organ Synthesizer Harp Accordion Harmonica Lap Steel Guitar Banjo Ukulele Mandolin Recorder Lute Electric Violin Fiddle Double Bass Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Shakuhachi Oboe Bassoon English Horn Conga Latin Percussion Keyboard Electric Guitar Djembe Classical Guitar Acoustic Guitar

Derek is a Grammy-nominated trombonist based in Los Angeles, California. Derek completed a BM in Jazz Studies from the University of North Texas in 2016 and an MM in Studio Music and Jazz Trombone at the University of Miamis Frost School of Music in 2018. As a freelance musician in Los Angeles, Miami, and Dallas, he has been regarded as a first-call musician in many styles of music for the past 5 years. Read More

Marina H

Instruments: Piano Guitar Voice Music Keyboard Electric Guitar Acoustic Guitar

For classical and opera singing, I teach a healthy Bel Canto technique rooted in the Italian school of singing. I am also skilled in teaching SOVT style, but I typically avoid it with beginning singers. For musical theater and pop, I teach healthy belting techniques that preserve vocal quality and focus on a connection to the chest and body, alleviating vocal tension. For my guitar students, I teach fingering techniques and basic chords first, and then I focus on giving each student a basic repertoire--several pieces they already know and like to showcase their abilities and track progress. Read More

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Recent Articles from the Musika Blog

10 Songwriting Tips To Help You Write Memorable Music

...maybe you’ll just hang out, drink a few beers and enjoy being outside without catching anything. You never know.   But obsessing over expectations draws us away from our songwriting because it’s a different act entirely. Great songwriting happens when our minds are clear enough to be receptive to ideas. Expectations take our attention elsewhere so that we’re too distracted to recognize a good idea when it comes. I know this all sounds a bit new-agey, but it’s true. Knowing why you want to be a songwriter in the first place is probably a good thing to do before you set... Read More

What is 'Concert Pitch'?

...Changing all instruments to be pitched in C would also involve a literal rewriting of all music written for transposing instruments; infinite hours spent rewriting music’s repertoire. All of the great orchestral repertoire was written for instruments that exist. Changing that would mean changing the composer’s intent. Additionally, pitching every instrument to C would mean instruments could only transpose at the octave. It’s more practical to have instruments in between. Think of the difference between the piccolo and the flute, or the difference between the alto saxophone and the baritone saxophone. That’s what an octave transposition looks like. The alternative would be having the same fingering ... Read More

Song Structure Tips for Songwriters

...another key, I could go about this in a few ways. F-Bb-C-Dm is a I-IV-V-iv chord progression, so turning the Bb or IV chord into a IV7 chord is an easy way for me to get to the key of Eb. Eb is closely related to the key of F, so it’s new territory for the listener, but also not a dramatic departure. If I really wanted to take the song to a whole new place, I’d probably take the F note from the I chord (F-A-C) and modulate to a totally unrelated key with F in it like a Db ... Read More

Types of Flutes: The Modern Flute Family

...instrument, meaning the music is written in C and the instrument sounds a fourth below. It is usually about 34 inches long. To play the alto flute, flutists must use a slightly more relaxed embouchure and gentler air stream than for the C flute. The finger keys are still slightly spread from the C flute, but this is much less noticeable than in early versions.   Because of the large keys of the alto flute, it isn’t well suited to rapid fingering. But what the alto flute lacks in speed it makes up in its powerful tone and color, which is more mellow than the ... Read More

Recording a Demo at Home

...the theory and techniques of audio engineering. A book on recording will go a long way in simplifying the process and will allow you to put out the highest quality demo possible. Also, spend time learning how to use whichever equipment you choose to record with. Audio gear often has a number of features and options that can simplify your recording tasks if you know how to use them effectively. Preemptively learning the inner workings of all the gear you have will save a lot of time down the road.   Get Help Making a recording that accurately captures the music that you’ve ... Read More
10 Songwriting Tips To Help You Write Memorable Music
What is 'Concert Pitch'?
Song Structure Tips for Songwriters
Types of Flutes: The Modern Flute Family
Recording a Demo at Home

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