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Featured Voice Teachers Near Fontana, CA

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Here are just a few of the many teachers offering Voice lessons in Fontana . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Siri H

Instruments: Piano Voice Violin

Im a creative individual who has always been passionate about music. I started with piano at age 4 and studied violin in college. I was the concertmaster of my Universitys Symphony Orchestra and received music scholarships every semester. I currently perform around Los Angeles as a singer/songwriter. I love helping people discover their confidence and learn music! I attended a music magnet elementary school and have been a participant in honor orchestras, all state orchestras, and many chamber groups. Read More

Yi Christine C

Instruments: Piano Voice

I am educated in vocal pedagogy and teach the Richard Miller method of vocal health. I teach all ages and have experience teaching children of any age. I do encorage my voice and piano students Only if they express interest. What does happen often is that as a student absorbs the approach, it affects their life to some extent they naturally start slowing down and appreciating details in their lives too; they relax and become more aware of whats around them because their minds have been trained somewhat through practicing music that way. Read More

Derek P

Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Organ Synthesizer Harp Accordion Harmonica Lap Steel Guitar Banjo Ukulele Mandolin Recorder Lute Electric Violin Fiddle Double Bass Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Shakuhachi Oboe Bassoon English Horn Conga Latin Percussion Keyboard Electric Guitar Djembe Classical Guitar Acoustic Guitar

For beginning students who are children, I typically start with Hal Leonards Essential Elements book, as well a basic understanding of music. Once the student has progressed to have a nice grasp of the fundamentals of music, I usually begin to introduce solo repertoire appropriate for their first recital performance. I also believe in the importance of listening to as many professional recordings as possible of the instrument the student is taking lessons on. Read More

Zoe N

Instruments: Piano Guitar Voice Bass Guitar Ukulele Recorder Double Bass Keyboard Electric Guitar Acoustic Guitar

Teaching is a journey of discovery, growth, and mutual inspiration. My approach is centered on creating an environment where learning becomes an exciting exploration rather than a mere instruction. I view myself as a guide, nurturing the innate curiosity and talents of my students while providing them with the tools and knowledge they need to flourish in their musical pursuits. My teaching approach is characterized by fostering a personalized connection with each student, nurturing their passion for music, and building a strong foundational understanding. Read More

Serg E

Instruments: Piano Guitar Voice Bass Guitar Synthesizer Ukulele Music Keyboard Electric Guitar Classical Guitar Acoustic Guitar

Hi! My name is Serg. I'm a professional bandleader and music coach with a decade + of experience. I offer comprehensive training in voice, guitar, piano, bass, and ukulele for ages five and up. For teen and adult clients, the sessions include optional career guidance, songwriting, and sound mixing/technology consults for no extra charge. I am a friendly, caring teacher who finds joy in seeing my clients succeed. I will always go the extra step to make you feel comfortable, inspired to improve, and confident in your abilities. Read More

Fraser P

Instruments: Piano Voice Trumpet Euphonium

I have been teaching for the past 10 years and have always been passionate and dedicated to improving a students ability and maximising their potential whether it be for fun or for a specific achievement. I was head of music at two international schools in Stockholm, I taught in 5 different schools in Sydney and I built up my own music business of over 25 students in Stockholm teaching trumpet, piano and voice. Read More

John H

Instruments: Piano Voice

I think it's important for students to learn interpretation and musicality as much as technique, regardless of their instrument. For piano, I typically start with Hannon's piano exercises, and then move on to repertoire which highlights specific technical challenges, such as crossed hands or mixed meter. In the repertoire is where I also make sure to talk about common interpretation practices, as well as techniques for how to characterize a piece of music. Read More

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Recent Articles from the Musika Blog

10 Songwriting Tips To Help You Write Memorable Music

...maybe you’ll just hang out, drink a few beers and enjoy being outside without catching anything. You never know.   But obsessing over expectations draws us away from our songwriting because it’s a different act entirely. Great songwriting happens when our minds are clear enough to be receptive to ideas. Expectations take our attention elsewhere so that we’re too distracted to recognize a good idea when it comes. I know this all sounds a bit new-agey, but it’s true. Knowing why you want to be a songwriter in the first place is probably a good thing to do before you set... Read More

What is 'Concert Pitch'?

...Changing all instruments to be pitched in C would also involve a literal rewriting of all music written for transposing instruments; infinite hours spent rewriting music’s repertoire. All of the great orchestral repertoire was written for instruments that exist. Changing that would mean changing the composer’s intent. Additionally, pitching every instrument to C would mean instruments could only transpose at the octave. It’s more practical to have instruments in between. Think of the difference between the piccolo and the flute, or the difference between the alto saxophone and the baritone saxophone. That’s what an octave transposition looks like. The alternative would be having the same fingering ... Read More

Song Structure Tips for Songwriters

...another key, I could go about this in a few ways. F-Bb-C-Dm is a I-IV-V-iv chord progression, so turning the Bb or IV chord into a IV7 chord is an easy way for me to get to the key of Eb. Eb is closely related to the key of F, so it’s new territory for the listener, but also not a dramatic departure. If I really wanted to take the song to a whole new place, I’d probably take the F note from the I chord (F-A-C) and modulate to a totally unrelated key with F in it like a Db ... Read More

Types of Flutes: The Modern Flute Family

...instrument, meaning the music is written in C and the instrument sounds a fourth below. It is usually about 34 inches long. To play the alto flute, flutists must use a slightly more relaxed embouchure and gentler air stream than for the C flute. The finger keys are still slightly spread from the C flute, but this is much less noticeable than in early versions.   Because of the large keys of the alto flute, it isn’t well suited to rapid fingering. But what the alto flute lacks in speed it makes up in its powerful tone and color, which is more mellow than the ... Read More

Recording a Demo at Home

...the theory and techniques of audio engineering. A book on recording will go a long way in simplifying the process and will allow you to put out the highest quality demo possible. Also, spend time learning how to use whichever equipment you choose to record with. Audio gear often has a number of features and options that can simplify your recording tasks if you know how to use them effectively. Preemptively learning the inner workings of all the gear you have will save a lot of time down the road.   Get Help Making a recording that accurately captures the music that you’ve ... Read More
10 Songwriting Tips To Help You Write Memorable Music
What is 'Concert Pitch'?
Song Structure Tips for Songwriters
Types of Flutes: The Modern Flute Family
Recording a Demo at Home

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