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Featured Voice Teachers Near Chicago, IL

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Here are just a few of the many teachers offering Voice lessons in Chicago . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Peter B

Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Bass Guitar Ukulele Recorder Euphonium French Horn Tuba Electric Guitar Djembe

The approach, overall, is to drive toward the student's goal. When someone wants to learn how to play an instrument well enough to play in a band or orchestra, I usually consider two needs - playing music and interpreting written music. These are basic parts of education, literally easy to define by achieving pages in etude books. In addition, though, there is a third component to meeting the set goal: writing music - a sensibility that you can create. Read More

Mykel A

Instruments: Piano Guitar Voice Drums Bass Guitar Synthesizer Banjo Ukulele Mandolin Recorder Double Bass Mallet Percussion Orchestral Percussion Conga Latin Percussion Music Keyboard Electric Guitar Djembe Classical Guitar Acoustic Guitar

i love music and very passionate in teaching music. I truly love and enjoy working w/ kids and adults and special needs of all abilities and levels in all age groups. I majored in music/theater at UW Parkside 89', 2000,2001,2002. Studied music at Alverno College in Milwaukee,Wi. in 93' . I have been performing music professionally for over 40 plus years regionally and nationally in a multitude of styles all over the USA. Read More

Jay M

Instruments: Guitar Voice Trumpet

I have been singing since I was 6, playing trumpet since I was 10, and I picked up guitar in my early 20's. I am now 49 and have taught voice, guitar, trumpet for over 7 years from my cozy home. I have been part of many musical ensembles (in many genres) in my 30 year career and have session work that's currently located in the Seattle Rock Roll museum. I have performed in varying capacities over 2,000 times in my career, and my emphasis is to help musicians prepare for live performances. Read More

Kari K

Instruments: Piano Guitar Voice Violin Viola

My methods depend on the student's age, what they may have already begun in lessons with another teacher, and I also take into consideration the assessment of their learning style-choosing a method that works best for their needs. Basically you could say that I have no 'one' method. I have as many methods as I have students because every single student deserves for me to take the time to get to know them and to find out what educational practices will fit best with their learning style and personality. Read More

Molly M

Instruments: Voice

I started teaching voice while at Millikin University. My first job teaching upon graduating was at the Schaumburg Academy of Music, where I taught children through adults. Other schools I taught at include Dancenter North in Libertyville, and Montessori of Hoffman Estates. While residing in the Bay Area, I grew my online studio as well as taught at Sterling West and at the non profit Boldly Me! I LOVE teaching every variety of music imaginable, from opera to hard rock. Read More

Emily B

Instruments: Piano Voice Violin Viola

I have been teaching privately since 2006 and in public schools since 2011.  I have high expectations of my students and encourage them to have fun in their lessons.  As my students grow, I tailor their repertoire to fit their needs and interests.  I teach child and adult students.  It's never too late to learn!  Read More

Andrew R

Instruments: Piano Voice Saxophone Ukulele Recorder Music Keyboard

I have had a desire to be an educator since I was in second grade. The first music ensemble I directed was a men's choir at Huntley High School in Huntley, Illinois. I proceeded to direct worship choirs and bands at Carthage College for my four years at Carthage. After Carthage I became the music teacher at Fratt Elementary School in Racine, Wisconsin where I taught general music and directed the annual fourth and fifth grade musical. Read More

Teacher In Spotlight

Luba D

Instruments: Piano Voice Music Keyboard

If you weren't a musician what do you think you'd be doing instead?
If I wasn't a musician - I would have wanted to be an athlete. I love the way I feel when I am fully immersed in physical activity. I love working with people and helping people feel good about themselves - so I would also like to be a life - coach.

What do you think is the hardest thing to master on your instrument?
I have two instruments. My voice, and piano. I find improvisation to be the most challenging skill. It requires a lot of coordination and understanding of harmony,.

Why did you choose your primary instrument?
We always had a piano and my mother was a pianist herself. It was the most accessible instrument for me to learn at home. I always enjoyed singing - so i began taking voice lessons in my teenage years.

What advice do you have about practicing effectively?
Be sure to practice the day after your lesson while remembering everything covered with your teacher. A few minutes of practicing is still precious. Do not worry if you do not have a lot of time. Play as often as you can!

What is your favorite style/genre of music to play and why?
I enjoy playing and singing any style of music. That is part of the fun for me. I was a jazz singer in NYC for many years - and that is certainly one of my greatest loves. I love improvising and interacting with live musicians.

Does music run in your family? Tell us a little about your musical family members.
My great- grandmother, grandmother, mother and aunt are all professional pianists. They all attended the music conservatory in Russia. Everyone practiced piano daily and I was exposed to many styles and attended many performances.

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
When I was living in NY at 18 years old - I wandered into a jazz club one day. I did not know that it was an "open mic" night - but the band leader came over to my table and asked me if I was a singer. I did not consider myself one - but I agreed to go on stage and sing anyway. This was a defining moment for me. The band leader suggested that I put together my own show, and we began to rehearse together regularly. From that moment on - I performed in NY consistently and I have never stopped!

What does a normal practice session look like for you?
A normal practice session includes some ear training games, improvisation, and repertoire. I carefully select material based on the student's interest and preferences. I play several selections for the student to choose from.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
At the age of 18, I began performing in jazz clubs in New York City with wonderful musicians, many of whom were persuing degrees, or had graduated already. I decided that I wanted to increase my skills and pursue a lifetime career as a musician.

What is your dream piece to perform and why?
My dream piece is inspired by my audience in the moment. I enjoy taking requests and engaging with my audience. I am also inspired by the musicians I am working with on stage.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I supplement my own method with workbooks that help with note recognition and musical concepts. Alfred is my favorite Notespeller. I have developed many of my own materials and visual aids which I use in my classes. During my 25 years of teaching - I have collected hundreds of songs for all levels and I enjoy sharing them with my students.

How do I know if my child is ready to start lessons?
If you're not sure if your child is ready for private lessons - try a group class! You can have several children in a class together. They will motivate each other and have more fun!

When will I start to see results?
Immediately! My style of teaching will build fundamental skills that will show immediate results! The student will develop their aural listening skills and gain the tools to work on their own musicianship skills.

Have any of your students won awards or been selected for special honors? How have they succeeded?
Many of my students are studying music at the University. They are regularly asked to perform for events in the University. I have prepared some of my students to play for their church services. I believe in practical application of skills!

What musical accomplishments are you most proud of?
I am most proud of being a live performer. I enjoy engaging with fellow musicians on the stage and creating meaningful and beautiful moments with a live audience.

Did you have a teacher that inspired you to go into music? How did they inspire you?
I was born into a household of professional classical pianists. Everyone was playing and practicing daily. Naturally - I wanted to do it too. My mother was my very first piano teacher.

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Recent Articles from the Musika Blog

Mastering the Cello Repertoire: Twinkle Variations, Dvorak Concerto, and What Lies Between

...students will begin exploring outside of first position with finger extensions and shifts. Also, repertoire will begin to incorporate brush stroke. As beginning cellists become more comfortable with basic technique, teachers will also start encouraging students to develop their tone quality. Intermediate Cello Repertoire Allegro Moderato, Sonata No. 1 in G Major: J.S. Bach (Suzuki Book 3)   As students begin their intermediate studies, they will be introduced to ornamentation, vibrato, trills, and more advanced rhythms. To foster musical maturity, students will also start to refine melodic phrases by thinking beyond the beat, learning to express a musical shape... Read More

Teaching Violin: Tips for New Teachers

...added gradually, so that the student (or parent) does not receive emotional whiplash. Did you figure out a new game for group class? That should be pretty simple to add to the immediate schedule. But changing all the music for your beginner orchestra group two weeks before the concert is probably not a good idea. So temper your modifications with an eye to what’s reasonable.   In Conclusion Teaching violin is an intensive process. From figuring out which teaching space you will use to budgeting costs and time, you will always be planning, preparing, and looking to see what needs to be done next. ... Read More

Have You Ever Seen The Rain Chords Tutorial

...song where the strumming pattern varies. If you’re new to chord strumming, it may take some practice and a few listens through to master. The use of the F major chord throughout the song will help you develop strength in your index finger and become more comfortable with the chord.   Intro This song is, and these chords are, particularly easy and versatile because it is in the key of C major. If you’re studying theory alongside learning your instrument, you likely know that C major is the key that uses no sharp or flat notes (only the white keys on the piano). If you’re hoping to start a ... Read More

Jazz Scales: The Altered Scale

...a few examples for you to practice in twelve keys:     The first two are pretty self-explanatory. The first example is just the scale in groups of four. The second example is the scale in descending triads.   The third example is based on a diminished scale exercise we went over a couple of articles back. It’s a little more complicated because there aren’t an even number of notes. Also, it has to be practiced in twelve keys since the altered scale isn’t a symmetric scale. I think it sounds pretty cool, though. It’s one that I use often when improvising. Application to Improvisation ... Read More

The Morningside Lights Parade: Bringing Communities Together Through Merry Music-Making

...the midst of his latest musical debut. Bear in mind, that the musicians performing this evening were not even hired professionals; in fact, they were volunteers who had met mere moments before the start of the performance. This spontaneity was all part of Davis’s vision for the piece. Like every other aspect of this unique event, Davis wanted anyone to be able to participate, no matter what their musical ability or instrument of choice happened to be. Those unable to read music had nothing to fear— there was no typical score to speak of, only instructions written on a pamphlet-sized map of the parade route, suggesting musicians play certain ... Read More
Mastering the Cello Repertoire: Twinkle Variations, Dvorak Concerto, and What Lies Between
Teaching Violin: Tips for New Teachers
Have You Ever Seen The Rain Chords Tutorial
Jazz Scales: The Altered Scale
The Morningside Lights Parade: Bringing Communities Together Through Merry Music-Making

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