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Featured Voice Teachers Near Chicago, IL

Kari K offers voice lessons in Chicago, IL

Kari K

Instruments:

...Expectations: Practice DAILY. Be ready for each lesson. Be willing to communicate with me about things you do not understand. Be willing to learn new things, many, in one session. ... Read More

Emily B offers voice lessons in Chicago, IL

Emily B

Instruments:

... I am encouraging yet firm and expect a lot from my students.  My lessons are fun and informative, and they help me convey my love of music!  ... Read More

Sheri P offers voice lessons in Chicago, IL

Sheri P

Instruments:

...For piano, I use the Faber, Snell, Alfred and Marlais methods to the end of Level 6. These would include a lesson, technique, theory and performance books. Dozen a Day is included along with Czerny and Hanon in later levels. ... Read More

Wolf H offers voice lessons in Chicago, IL

Wolf H

Instruments:

...Therefore, the approach we choose for lessons will be specific to each student and their individual strengths, goals, and schedules. If there is a common denominator, it is that I believe the study of music should be engaging and fun.... Read More

Emily V offers voice lessons in Chicago, IL

Emily V

Instruments:

...I graduated with a BA in music from Saint Joseph's College. I studied both choral and instrumental education. I did not work towards becoming a teacher because I want to work in more non-traditional education settings (sacred music, worship teams, private lessons).... Read More

Lucas D offers voice lessons in Chicago, IL

Lucas D

Instruments:

...If they think they are ready, they're definitely ready. Music can be enjoyed and learned by all ages.... Read More

Nadiia Z offers voice lessons in Chicago, IL

Nadiia Z

Instruments:

...First, there must be a goal for each student, during the first lessons we discuss about it. My task is to plan and implement this. Over the years of my experience in singing, I have learned to be a psychologist; for each student I can find an individual approach, look into the soul and see the potential.... Read More

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Recent Articles from the Musika Blog

Mastering the Cello Repertoire: Twinkle Variations, Dvorak Concerto, and What Lies Between

...students will begin exploring outside of first position with finger extensions and shifts. Also, repertoire will begin to incorporate brush stroke. As beginning cellists become more comfortable with basic technique, teachers will also start encouraging students to develop their tone quality. Intermediate Cello Repertoire Allegro Moderato, Sonata No. 1 in G Major: J.S. Bach (Suzuki Book 3)   As students begin their intermediate studies, they will be introduced to ornamentation, vibrato, trills, and more advanced rhythms. To foster musical maturity, students will also start to refine melodic phrases by thinking beyond the beat, learning to express a musical shape... Read More

Teaching Violin: Tips for New Teachers

...added gradually, so that the student (or parent) does not receive emotional whiplash. Did you figure out a new game for group class? That should be pretty simple to add to the immediate schedule. But changing all the music for your beginner orchestra group two weeks before the concert is probably not a good idea. So temper your modifications with an eye to what’s reasonable.   In Conclusion Teaching violin is an intensive process. From figuring out which teaching space you will use to budgeting costs and time, you will always be planning, preparing, and looking to see what needs to be done next. ... Read More

Have You Ever Seen The Rain Chords Tutorial

...song where the strumming pattern varies. If you’re new to chord strumming, it may take some practice and a few listens through to master. The use of the F major chord throughout the song will help you develop strength in your index finger and become more comfortable with the chord.   Intro This song is, and these chords are, particularly easy and versatile because it is in the key of C major. If you’re studying theory alongside learning your instrument, you likely know that C major is the key that uses no sharp or flat notes (only the white keys on the piano). If you’re hoping to start a ... Read More

Jazz Scales: The Altered Scale

...a few examples for you to practice in twelve keys:     The first two are pretty self-explanatory. The first example is just the scale in groups of four. The second example is the scale in descending triads.   The third example is based on a diminished scale exercise we went over a couple of articles back. It’s a little more complicated because there aren’t an even number of notes. Also, it has to be practiced in twelve keys since the altered scale isn’t a symmetric scale. I think it sounds pretty cool, though. It’s one that I use often when improvising. Application to Improvisation ... Read More

The Morningside Lights Parade: Bringing Communities Together Through Merry Music-Making

...the midst of his latest musical debut. Bear in mind, that the musicians performing this evening were not even hired professionals; in fact, they were volunteers who had met mere moments before the start of the performance. This spontaneity was all part of Davis’s vision for the piece. Like every other aspect of this unique event, Davis wanted anyone to be able to participate, no matter what their musical ability or instrument of choice happened to be. Those unable to read music had nothing to fear— there was no typical score to speak of, only instructions written on a pamphlet-sized map of the parade route, suggesting musicians play certain ... Read More
Mastering the Cello Repertoire: Twinkle Variations, Dvorak Concerto, and What Lies Between
Teaching Violin: Tips for New Teachers
Have You Ever Seen The Rain Chords Tutorial
Jazz Scales: The Altered Scale
The Morningside Lights Parade: Bringing Communities Together Through Merry Music-Making

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