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Featured Flute Teachers Near Burlington, MA

4271   5 STAR Musika Reviews

Here are just a few of the many teachers offering Flute lessons in Burlington . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Sofia G

Instruments: Piano Flute

My teaching experience started during my college years. I began teaching at a music school and privately in my own studio for 3 years. Motivating students with my teaching artist skills, is one of my key point to increase the passion for music in the student. In addition, consistent practicing schedule is another aspect that I insistently apply to all my students. Depending on the student's age I can either choose pieces (songs) that fits their taste, as well as introduction to body mapping. Read More

Brittney M

Instruments: Saxophone Flute Recorder

After I've gotten to know the pace of learning for the student I will then create a custom lesson plan to ensure the student doesn't get either overwhelmed or bored. It is important to figure out the goals of the student and work towards achieving them. Each student is different and will work at his or her own pace. I believe that anyone at any age is capable of learning an instrument if they are a serious student. Read More

Veronica K

Instruments: Flute Piccolo Music

I tailor my teaching to what my students want to learn and what kinds of music they are interested in. I try to teach my students the fundamentals in order to succeed. While I do teach repertoire, my main goals are to foster a passion for music and the ability to approach new music my students may encounter. I try to leave my students with effective practice methods and a basic understanding of music theory in addition to flute skills. Read More

Nava P

Instruments: Flute Piccolo

She also completed her undergrad degree in flute performance there. Moving Forward, Nava has trained under world-renowned soloist Mimi Stillman at Temple University and starting Fall 2022, she will be continuing her masters in Flute Performance with Professor Janet Arms under John Cali Music Scholarship at Montclair State University. Nava has had the opportunity to play in masterclasses of several renowned flutists such as Carol Wincenc (Juilliard professor), Leone Buyse (Rice professor), Nancy Stagnita (Interlocken professor), Emma Gerstein (Associate Principal Flute in the Chicago Symphony), April Clayton (Brigham Young University Professor) and Denis Bouriakov (principal flutist of the Los Angeles Philharmonic and UCLA professor). Read More

Melissa M

Instruments: Flute Piccolo

I structure lessons to be as fun as possible while also helping students grow musically. For beginner students, I typically start by teaching from Flute 101: Mastering the Basics by Phyllis Avidan Louke and Patricia George. If the student is in a band or orchestra program, I make sure to incorporate any method books or music being taught in that program into my lessons as well. I also use workbooks and games to teach beginning music theory and karate belt levels to encourage younger students to learn their scales. Read More

Joe L

Instruments: Saxophone Flute Clarinet Piccolo

I am an instructor that focuses on building the whole musician. I can teach multiple disciplines including classical, baroque, jazz, latin jazz, Brazilian, rock, middle eastern, and others. In the last several years I have learned about flute pedagogy and teaching artistry from Marco Granados, audition repertoire and standard repertoire from the BSO's Clint Foreman, and baroque flute/period performance from Na'ama Lion. My philosophy is that flute instruction should extend beyond western concert music and conventional repertoire to build versatile musicians prepared for the modern musical world through a Socratic teaching method that builds the desire to learn. Read More

Charles J

Instruments: Piano Saxophone Flute Clarinet Keyboard

I believe on an emphasis of performance over theory; learning to make a kinesthetic connection with your instrument is most important in developing both a good sound and adequate technique. The value of a good warm-up is most important in establishing a successful practice routine. We are all pressed for time, so I help students focus on the most important elements of breath control, embouchure and articulation at the same time that they are acquiring technical facility through the logical development of scales and arpeggios. Read More

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