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Featured Voice Teachers Near Fremont, CA

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Here are just a few of the many teachers offering Voice lessons in Fremont . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Dana S

Instruments: Piano Voice Keyboard

For piano the first part of the lesson is always technique (like doing push ups and running laps before u get on the court or field). Scales, Hanon, arpeggios etc... Then working on reading music and learning repertoire. Also fun parts, which depend on the student. Fun parts could be learning chord progressions of their favorite songs or writing their own music, or learning an cool jazz or rock jam song, learning how to be comfortable improvising, jamming with others etc.. Read More

Jacob M

Instruments: Piano Guitar Voice Drums Bass Guitar Conga Latin Percussion

I like students to learn their favorite songs while learning technique, such as scales and chords, as well as music theory.   Read More

Willa G

Instruments: Piano Voice Ukulele Music Keyboard

Hi! My name is Willa, and I've been teaching music for twelve years! I began learning piano at age four, and it became a deeper and deeper passion as the years passed. I dedicated myself to my craft and went on to become a Perry & Walters Music Foundation Scholar, attending Harding University and graduating Cum Laude with my BA in Music (emphasis in piano). I taught for a time in Searcy, (privately, and with the Searcy Community School of Music) and started a weekly music therapy program at a school for kids with mental and physical disabilities (The Sunshine School). Read More

James D

Instruments: Piano Voice

For beginners I will start with a reputable system of books, such as Hal Leonard or Alfred's, supplemented by my own worksheets and song selections that are relevant to the student. For more advanced students I will use my own open method, finding songs that the student is eager to play and reinforcing the theory and techniques that will enable the student to advance quickly. Read More

Kenya M

Instruments: Voice

I am a professional vocalist and instructor with over 20 years experience sharing classical, opera and Brazilian music around the world. I specialize in working with students ages, 9 to 17 years old, but love to work with adults as well. I offer a variety of lesson options for students, including private 1-on-1, small group and workshops. Whether your area of focus is classical, musical theater, pop or jazz - I can help you develop confidence, strength in voice and stage presence. Read More

Stefan F

Instruments: Piano Guitar Voice Synthesizer Keyboard Acoustic Guitar

For children just beginning their instrument, I teach finger placement and note location on the piano by using a color coding system to use in learning a song from John Thompson's Easy Piano Course. From there i introduce songs that interest them and develop sheet music comprehension, rhythm, finger technique and harmony development at a pace comfortable for your child. For older students, I ask them what their interests in music are. Read More

Gina P

Instruments: Piano Voice

For beginning students I start with breathing. I ask the student if there's anything they're interested in learning and by the third lesson have chosen something for them to sing. In an hour long lesson there is typically a half hour warm up to introduce new concepts and reinforce old ones. The second half is spent working on music and utilizing the concepts we have just discussed. Read More

Teacher In Spotlight

Noah P

Instruments: Trumpet Trombone Euphonium Tuba Music

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
I knew I wanted to teach in high school, however I never dreamed of becoming a professional player like I am now until I was in college. When I was a student at the University of Iowa I was surrounded by ambitious people like me and we pushed each other with the ultimate goal of becoming the best players we could be which ultimately resulted in several of us developing ambitions to play professionally.

Does music run in your family? Tell us a little about your musical family members.
Yes it does, it runs very deeply. My dad and stepmother are both music teachers, and low brass players. My dad was a collegiate band director, and my stepmom was a collegiate low brass professor for a long time. They have since moved on to different musical jobs with my stepmother teaching beginning orchestra and my dad moving on to an administrative role. There is also an extended part of my family that I do not know who play music in Nashville.

If you weren't a musician what do you think you'd be doing instead?
I cannot imagine life where I am not a musician. The prompt requires me to have 27 words so I'm adding some down here, the previous sentence is the only one that matters here.

What is your favorite style/genre of music to play and why?
I really enjoy playing within the New Orleans brass band style. It gives me an opportunity to open up and wail alongside a lot of creative license for the individual players. There is also a lot of improvisation which is my favorite part of a lot of music.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have a degree in trombone performance with a separate K-12 music education certification from the University of Iowa. I have always wanted to be a trombonist but I also have always had passion and felt a calling for teaching.

What does a normal practice session look like for you?
This will differ wildly depending on what literature I'm playing. There is a consistent part of my practice though which is my daily routine. My routine starts with a couple short breathing exercises. I'll then play my first sounds of the day which are usually long, easy glissandos. Then long tones and lip slurs with a metronome. The focus is ALWAYS on quality, not speed. I will usually incorporate articulation and range expansion into my lip slur exercises to be more efficient. I'll finish off with a low and slow cooldown, expanding down into the basement of my range. The goal of this is to focus on being the best trombonist I can be, and building skills in places I think are deficient.

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I think the Rubank method is good for a few reasons. I like their technical exercises, and I also like that it is progressive on a scale that is challenging but achievable in private lessons. With regards to brass playing, Arbans is really good for building technical facility, and Rochut is really good for building consistency with tone, flexibility and constructing musical phrases.

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