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Here are just a few of the many teachers offering Voice lessons in Fremont . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano Guitar Voice Violin Viola Ukulele Keyboard Electric Guitar Acoustic Guitar
I typically perform an assessment with every individual during the first lesson. Depending on goals, I will recommend curriculum to achieve the desired results. If a classical approach is desired, I use the Alfred's Basic Piano series and the Hal Leonard method for guitar, along with scale and chord theory literature depending on the level of the student. I also teach jazz/pop accompaniment style improv playing so I print music out from various sources. Read More
Instruments: Piano Guitar Voice Keyboard Acoustic Guitar
I am an Artist who loves to see his students succeed. I have a strong passion for music, and utilize that passion and the skills I've developed throughout my career to cultivate students into fellow Artists. My primary goal as a teacher is to tap into the potential artistry of the students. For that reason, I am not as focused on the technical skills, as I am about spotlighting the inspiration that will facilitate the student to embody the Artist with original expression and purpose in their art form. Read More
Instruments: Piano Voice
No musician is complete without an understanding of the piano; my own experience began at an early age, and I encourage any student to begin studying piano as soon as possible! I have studied with amazing pedagogues and scholars alike, and carry their teaching with me where ever I go. Although the bulk of my professional resume is made up with operatic experience, my roots lie in choral music, jazz, and musical theater. Read More
Instruments: Piano Voice
I really like to accommodate student's strengths but also work on their weakness as well so that they become well-rounded musicians. I often try to put myself in the student's shoes and can understand really well how learning is from their point of view which often makes me a very in-tune and versatile teacher. I have been often told from many students that i am extremely patient, encouraging and passionate, which is what they appreciate the most. Read More
Instruments: Piano Voice Ukulele Music Keyboard
From there I moved to Portland, picked up the ukulele, and began to teach at a studio called Music World, where I worked with all ages and talents, and began songwriting and performing across the city. After that, I moved to Birmingham where I taught in a large lessons studio called Mason Music Studios, while continuing my own musical collaborations and compositions. I love Little Rock, and I am excited to be building a private studio here and helping my students become artists in their own right! Read More
Instruments: Voice
I have performed roles in Postcard from Morocco and Orpheus in the Underworld with the SJSU Opera Theater. My solo works include the Fauré and Brahms Requiem, both with San Jose Staté University. In the summer of 2015, I appeared with the Symphony Silicon Valley in R.V. William’s Serenade to Music and in 2016 I performed Haydn’s Lord Nelson Mass with the Ireland Limerick Sinfonia. Most recently I joined Peninsula Cantare as a soloist in the Carmina Burana and Mozart Vespers. Read More
Instruments: Piano Voice
For beginners I will start with a reputable system of books, such as Hal Leonard or Alfred's, supplemented by my own worksheets and song selections that are relevant to the student. For more advanced students I will use my own open method, finding songs that the student is eager to play and reinforcing the theory and techniques that will enable the student to advance quickly. Read More
Instruments: Trumpet Trombone Euphonium Tuba Music
When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
I knew I wanted to teach in high school, however I never dreamed of becoming a professional player like I am now until I was in college. When I was a student at the University of Iowa I was surrounded by ambitious people like me and we pushed each other with the ultimate goal of becoming the best players we could be which ultimately resulted in several of us developing ambitions to play professionally.
Does music run in your family? Tell us a little about your musical family members.
Yes it does, it runs very deeply. My dad and stepmother are both music teachers, and low brass players. My dad was a collegiate band director, and my stepmom was a collegiate low brass professor for a long time. They have since moved on to different musical jobs with my stepmother teaching beginning orchestra and my dad moving on to an administrative role. There is also an extended part of my family that I do not know who play music in Nashville.
If you weren't a musician what do you think you'd be doing instead?
I cannot imagine life where I am not a musician.
The prompt requires me to have 27 words so I'm adding some down here, the previous sentence is the only one that matters here.
What is your favorite style/genre of music to play and why?
I really enjoy playing within the New Orleans brass band style. It gives me an opportunity to open up and wail alongside a lot of creative license for the individual players. There is also a lot of improvisation which is my favorite part of a lot of music.
If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I have a degree in trombone performance with a separate K-12 music education certification from the University of Iowa. I have always wanted to be a trombonist but I also have always had passion and felt a calling for teaching.
What does a normal practice session look like for you?
This will differ wildly depending on what literature I'm playing. There is a consistent part of my practice though which is my daily routine.
My routine starts with a couple short breathing exercises. I'll then play my first sounds of the day which are usually long, easy glissandos. Then long tones and lip slurs with a metronome. The focus is ALWAYS on quality, not speed. I will usually incorporate articulation and range expansion into my lip slur exercises to be more efficient. I'll finish off with a low and slow cooldown, expanding down into the basement of my range. The goal of this is to focus on being the best trombonist I can be, and building skills in places I think are deficient.
Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
I think the Rubank method is good for a few reasons. I like their technical exercises, and I also like that it is progressive on a scale that is challenging but achievable in private lessons. With regards to brass playing, Arbans is really good for building technical facility, and Rochut is really good for building consistency with tone, flexibility and constructing musical phrases.
25 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Voice lessons in Fremont to students of all ages and abilities.
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Brittany
I would like to accomplish my dreams in singing. Its always been a dream of mine. Ive been in high school Choir for 2 years and I would love to continue for life.
Glenna
Looking for a vocal trainer. Currently, I sing on the praise and worship team at church and have been asked to sing solos at funerals, wedding, church, etc.
karen
I'm interested in voice lessons for my 11 yr old son. He has currently performed leads in local plays, but he is looking to take his singing "up a notch."