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Featured Music Teachers Near Fremont, CA

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Here are just a few of the many teachers offering Music lessons in Fremont . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Andrea G

Instruments: Oboe English Horn

For beginning oboists I typically start with the Gekeler Method for Oboe. Once a student has moved passed the basics the fun begins with Ferling Etudes, the Barret Oboe Method, and the Vade Mecum! There is a wide variety of solos, sonatas, and concertos available for study between these method books intended solely for oboists. They also include duets that are fun to play together, and repertoir for the English horn as well. Read More

Robert A

Instruments: Piano Keyboard

My goal as a teacher is to make the student an independent musician as quickly as possible. For this, I work on developing multiple musical areas, from piano skills, to aural training, theory, sight reading, and more to make the student a well rounded and competent musician. The student should expect to have weekly assignments as well as practicing 3-4 days, if a beginner, or every day for intermediate for at least 30 minutes a day. Read More

Andrew D

Instruments: Saxophone Flute Clarinet

For beginning students I like to start in the Standard of Excellence Series as well as the Rubank Method Books. I also try to allow my students a chance to play something they want at the end of lessons. As my students advance we add in classical pieces as well as jazz, and improvisation. Older students and adults we can fgure out what you want from the lessons. I try to work it so it is enjoyable for you yet not as elementary. The goal is to become advanced enough to create your own music. Read More

Yu-Tung (Tammy) L

Instruments: Piano Oboe

One of the most enjoyable things about teaching is to learn from my students and learn to harmoniously interact with different personalities. My teaching experience dates back to my high school junior year in California, as I began teaching private piano and oboe lessons at students' homes, and have been consistently teaching one-on-one lessons until currently. I started with teaching children and younger teenagers, and then began to teach adults during my undergraduate years. Read More

Scott C

Instruments: Guitar Drums Bass Guitar

I like to use familiar songs as vehicles to teach. In my UCSC class, I start with Beatles songs because everyone knows them and they're well-liked. I always like students to suggest songs they want to learn as well, since they will be more likely to practice and be more engaged in practice if the song is something they enjoy. I use these as vehicles to teach chord voicings, theory, intervals and technique. Read More

Alex C

Instruments: Guitar

I am a instructor with10 years of experience giving 15-20 guitar lessons a week who loves sharing the gift of music. I've also performedjazz,rock, pop and otherstyles of musicin groups and solo at many types of venues, including a few jazz festival appearances in addition to jazz clubs and a small number of sponsored concerts under my own name. Along the the way Ireleased a CD that was played on 30 public radio stations andperformed with many excellent musicians from the Bay Area, East Coast and Europe. Read More

Jaime M

Instruments: Piano Flute Piccolo

For beginning students, I place a large emphasis on the fundamentals i.e. scales, chord progressions etc. I also start them on solo pieces and like them to choose the pieces they are working on. I believe that if they choose their repertoire then they will have greater love and enthusiasm for the music. I also encourage them to push beyond what they think they can do. I work hard to match my teaching style to the needs of each and every student. Read More

Teacher In Spotlight

Carol S

Instruments: Flute Recorder Piccolo

What musical accomplishments are you most proud of?
Winning the competitions that brought me performances in Carnegie's Weill Recital Hall (twice) and a European Debut in Geneva, Switzerland. I loved performing the concertos with orchestra that I have. I'm quite proud of the chamber music work I continue to do.

Does music run in your family? Tell us a little about your musical family members.
My uncle was an active musician, bass player, in New York in the 1940s and on. My mother first went to college to major in music (piano) but ended up switching. My nephew is a film composer in LA and also has been writing K-Pop songs that are pretty successful. He's doing very well and I'm so proud!

When did you decide to become a professional musician? Was it a gradual decision or was there a defining moment for you?
I think the defining moment was the stay at music camp after 8th grade. I loved music my whole life and sort of thought of it as a career before that, but the most serious "statement" was at that point and there's been no looking back.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
Bachelor of Music in Music Education: I chose this because it seemed like the right thing to do. Master of Music in Woodwind Performance: I was really focusing my career as a performer and I had the opportunity to be accepted to the flute studio of Leone Buyse (then of the Boston Symphony Orchestra). Doctor of Musical Arts in Music Education: I chose this because I needed a doctorate to pursue teaching in college. But, while studying in the program, I came to realize that whether you are a performer or teacher (or both!), you are an educator and how important understanding how to teach it for the private studio teacher.

What does a normal practice session look like for you?
I warm up - although I'm not one to spend a lot of time on that. I do some brief scale exercises and then get to my repertoire. Similar to most students, my time for practice is often compressed, so I've learned to make most effective use of it. If I have more time, I sight-read, which I think is one of the most important skills for a musician.

What do you think is the hardest thing to master on your instrument?
Understanding the physics of air pressure, speed and direction. Sometimes people worry too much about embouchure and fingering, when it really all comes down to understanding air and how sound is made on the flute. I spend a lot of time on this in my teaching and I think this is why my students all have a really good, strong sound.

Have any of your students won awards or been selected for special honors? How have they succeeded?
I have had a number of students go from my studio to major in music in conservatories and colleges. I think that the passion I instilled in them, as well as the knowledge of how to practice and be a good musician has carried them well.

Why did you choose your primary instrument?
It was really a matter of what the band director wanted for his band and also that I walked to and from school so my mother didn't want me to choose something heavy (as my brother already played horn). I just chose the flute, but I like to think that the instrument chose me.

If you play more than one instrument, how did you decide to start playing the second? (Or 3rd, 4th, 5th, etc)!
Flute is my primary instrument (also piccolo, alto and bass), but I started off on piano when I was 5. I chose piano because my older siblings played and I wanted to be better at it than them - perhaps I already knew I was going to enter a competitive field! So, flute was my second and I chose it because I wanted to play in the school band.

What advice do you have about practicing effectively?
Organize your time. Don't try to work on an entire piece. Identify where the problems are and focus your attention there. Schedule practice time as you would any other appointment. Consider practicing in small time units.

How do I know if my child is ready to start lessons?
Have they shown an interest? Not an ability, just an interest? Are they very easily distracted? Obviously they don't need to be able to sit quietly and non-moving, but they do need to be able to give their attention.

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