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Featured Voice Teachers Near Baltimore, MD

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Here are just a few of the many teachers offering Voice lessons in Baltimore . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Hannah L

Instruments: Piano Voice

I always ask students, both young and old, if they have goals they would like to work towards in lessons, and I then tailor lessons to help students achieve their goals. I listen to a students interests as well, and incorporate more into the lessons that will motivate and keep lessons fun, whether that is adding in time for composition/songwriting, learning how to play pop chords on the piano, or mixing in Disney/appropriate pop songs as well as classical and musical theater selections! Read More

Alex A

Instruments: Piano Voice

While achievement is important to me, I believe that developing long-term skills is a far more significant. I prefer to emphasize skill-building and retention, and always want to make sure the student is enjoying the process. I prefer to set realistic short- and long-term goals for students at each lesson, and acknowledge their accomplishments with a system of rewards. Additionally, at the end of each year, I encourage my students' participation in a studio-wide voluntary recital, which is intended to showcase their growth and development over the course of the year as well as afford them an opportunity to perform in public. Read More

Kenny R

Instruments: Piano Guitar Voice Bass Guitar Synthesizer Ukulele Keyboard

My preferred piano method is Piano Adventures and I recommend using the Lesson, Theory, and Sight Reading books at each level. For guitar and voice I typically do not follow any specific method unless the student has a preference. For more advance piano students I typically will begin using Suzuki or move them to Burgmller Etudes and Schumann's Opus 68 - Album for the Young. I perform an assessment of new students in the areas of sight reading, music theory, rhythm, performance, and ear training. Read More

Harry W

Instruments: Piano Voice

I have been involved with music for as long as I can remember. My first love was singing, and I still enjoy singing today. My first instrument was the accordion, after which I moved on to piano and keyboards. I remember my piano teacher, Mr Scholl, was a neighbor and he would come to my house for lessons. I had no idea that years later as an adult I would be "paying it forward". Read More

Anthony T

Instruments: Piano Guitar Voice Violin Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Recorder Euphonium French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Music Keyboard

During my internship with Leaders of Tomorrow Youth Center  and volunteer work with The Cavalier Music Enrichment Program (both based in Baltimore, Maryland), I have taught music to over 250 students. From general music theory to specific instruction in brass, woodwind, and percussion techniques; I have had the privilege to work with students of various ages, spanning from sixth graders to college students. While interning and volunteering I developed a great appreciation for teaching and a strong dedication to student progression. Read More

Brent M

Instruments: Voice Saxophone

In the initial meeting with a student I talk through what they want to accomplish what genre's of music the would like to play and what kind of personality they have. Then I have more of an understanding of what direction to go in to personalize the teaching. I believe very much in the saying "there's only one way to Carnegie Hall PRACTICE, PRACTICE, PRACTICE". I don't force structure and scales etc. Read More

Teacher In Spotlight

Alesheya F

Instruments: Piano Voice Keyboard

What advice do you have about practicing effectively?
Minimize distractions: It’s no surprise that your phone and computer can be big distractions if you leave them within arm’s reach during practice sessions. Put them where you can’t see or hear any notifications so you won’t be tempted to stop practicing to reply to a message “real quick” and end up going down a distraction rabbit hole. Focus on quality: Start slow if you’re new to what you’re practicing so you can make sure you’re doing quality work, like landing one dance move well before moving onto the rest of the routine. Once you feel comfortable, increase your speed but don’t lose sight of the quality of your practice. Divide your practice into sessions: Give yourself breaks in between practice sessions. Even professional athletes and performers take time between sessions to recharge so they can maintain the right quality level during practice. Use your imagination: Run through your dance moves, speech, or piece of music in your imagination when you’re not physically practicing. This can actually help you improve since many skills have a heavy mental component.

How do I know if my child is ready to start lessons?
1. Does your child know the difference between left and right? Playing the piano requires the use of both hands, so being able to distinguish one hand from the other is an important skill. 2. Does your child know the alphabet, specifically the first seven letters (A-B-C-D-E-F-G)? The musical alphabet is made of seven letters. It is important for your child to be able to identify and name these letters in order to read music. 3. Can your child count to ten? With really young beginners (age 4-5), I focus on counting to four. The note values and time signatures in beginner music focus on one count, two counts, three counts, or four counts. However, it is ideal if a child can count to a higher number as music is heavily based in math. Distance between notes (intervals) rely on counting the number of notes that separate them. Even the basic scale patterns are mathematically based. 4. Can your child focus and pay attention for 30 minutes? All of my beginner lessons are 30 minutes in length. However, I usually reserve ten minutes of each lesson to do more hands on music activities, especially for really young beginners. As a result, I need students to be able to focus and pay attention for a minimum of 20 minutes. 5. Has your child expressed an interest in taking music lessons? Children who have expressed an interest in taking piano are more likely to be motivated to practice. 6. Can your child follow basic instructions? Your child needs to be able to follow simple instructions for practicing the assigned material. 7. How are the child's fine motor skills? Can your child hold a pencil or cut with scissors? Playing the piano requires a lot of fine motor dexterity, so having well tuned fine motor skills makes a huge difference. 8. Can your child read? Teaching piano to a child who can read makes a lot of things easier, including practicing more independently and reading practice instructions on their own. Plus, beginner piano music tends to have lyrics for the child to sing while they practice. Being able to read allows the child to sing the lyrics while they play which can increase their rhythmic accuracy and timing.

If you weren't a musician what do you think you'd be doing instead?
If I was not a musician, I would be an Early Childhood Educator. Children are very important to me. I see so much potential in each child that I see. My passion is to make children follow their dream no matter what. I am the first person in my family to graduate from college. I believe that if it was not for the teachers that I had in elementary school, I would not be who I am today!

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