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Instruments: Voice
All students are different and therefore will require different methods of teaching. I plan on assessing and observing each student to see what method will work best for them. I learned the Kodaly method in school and plan on using that method for my students. As far as technique and other aspects of my teaching, I will decide that specifically once I meet my student and have an idea of how they can learn best! Read More
Instruments: Piano, Guitar, Voice, Saxophone, Bass Guitar, Organ, Music, Keyboard
Later on, students will learn to read music in-depth--not merely replicating what's represented on the page exactly as-is, but with a broader and deeper understanding of the movements and relatativities taking place within the music, while building an ability (and feeling of mobility) to experiment with re-harmonization, substitutions, and alterations of all sorts. Especially at beginner levels, students often are flooded with an endless stream of lifeless representations, scales, formalities, technicalities, and special names, and as a result, their interest becomes stifled. "Music" comes to mean a drab exercise with an authority figure instead of the rich, profound, imaginative, vibrant, feeling, potent, and meditative social being that it can be. Read More
Instruments: Voice
In addition to teaching students with diverse backgrounds, I have taught students in extremely diverse repertoire as well, including contemporary commercial music and classical repertoire. I use my knowledge of 21st century pedagogy including anatomy, biomechanics and acoustics to help my students perfect their artistic craft in varied genres. Additionally, I apply my expertise in psychology, specifically motor learning, to facilitate their skill acquisition. Furthermore, psychological preparation is as crucial as one’s vocal preparation. Read More
Instruments: Piano, Guitar, Voice, Drums, Bass Guitar, Synthesizer, Ukulele, Music, Keyboard, Electric Guitar, Acoustic Guitar
I use a combination of sight singing, ear training, and standard theory. While there are many proven methods, every student is different. Learning abilities, comprehensive understanding, and prior knowledge can play a part in the methods that are used. For beginning students who are children, I typically start with Hal Leonard's Essential Elements. Once the student has progressed to have a grasp of the fundamentals, I will begin to introduce solo repertoire appropriate for their first recital performance. Read More
Instruments: Voice, Saxophone, Clarinet, Ukulele, Recorder, Music
For a beginner student, I tend to use the Rubank method books there are several for specific instruments. This book is just a guide though the majority of my lessons are student based. I take into consideration their level and what they can accomplish in their own practice and dedication. For adults or advanced students I want to see where they are and what they need help or work with. Read More
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