Voice Lessons Maryland

Instruments: Voice

There are few things I love more than seeing a student's eyes light up when they're proud of what they have performed and accomplished! I try to help students set realistic goals that will make them feel happy and accomplished and let them move at their own pace. I view my studio as a warm place that students can feel safe in to explore their passion for music through their own voice. Read More

Instruments: Piano, Guitar, Voice, Drums, Bass Guitar, Synthesizer, Accordion, Harmonica, Lap Steel Guitar, Banjo, Ukulele, Mandolin, Mallet Percussion, Orchestral Percussion

As far as books go, I prefer the Hal Leonard method, especially for beginner musicians. I combine visual, audio and kinesthetic learning methods to tailor to anyone's needs. After the basics are taught or they're already learned, I assess the student's level and teach the student what they wish to learn to the best of my ability. Read More

Instruments: Piano, Guitar, Voice

My methods of teaching are primarily based on the individual. Within the first lesson, I make an assessment of the individuals musical abilities, and document the genres of music that interests the student. I then create a curriculum based on that assessment, which includes music theory, building repertoire (including music that interests the student), and music history/literature. I also encourage the student to engage in music competitions/auditions and student recitals. Read More

Instruments: Piano, Guitar, Voice, Drums, Bass Guitar, Synthesizer, Ukulele, Music, Keyboard, Electric Guitar, Acoustic Guitar

I love to share the joy and understanding of music with others! I have been playing and singing since I was 4 years old and began performing live at the age of 8 as well as leading bands and teaching since the age of 16, organizing choirs, and assisting as a lead player with many bands other than my own projects. I have played with notable artists such as Aaron Neville, Roberta Flack, and Percy Sledge. Read More

Instruments: Voice

For Voice: Bel Canto technique Eurythmics Dramatic analysis of text/music for understanding of musical line and interpretation. For Harp: Grandjany method Read More