Voice Lessons in Franklin, MD

Instruments: Voice Trumpet Saxophone Flute Clarinet Oboe

I am an enthusiatic teacher/performer who comes from a family of trained musicians. I enjoy sharing my real world and professional experience in music with the students i instruct. I began my training at an early age bring apprenticed in voice and learning the basics of teaching music in a classroom enviornment. after many years of study, I graduated from Carirn University with a Bachelor of Science degree in Bible and Music Education. Read More

Instruments: Voice

My approach as a teacher is to see what the voice is already doing and improve on the foundation that we already have. All music-making is positive music-making. My students love that I laugh and chat with them during our lessons. I primarily teach Musical theater and characterization, but I can also teach classical music and diction (languages). I believe that style, voice phenomenons, language/diction, artistic innovation, decision-making, characterization, and active choice-making are the best ways to get someone to make great music. Read More

Instruments: Piano Guitar Voice Bass Guitar Synthesizer Electric Guitar Acoustic Guitar

For beginning piano students, I use a combination of books from Alfred's, Faber, John Thompson's. At the same time, I emphasize proper finger technique, shape, and position. For more advanced piano students I prefer exercises from Hanon, Czerny, and Bartk. For beginning guitar students, I prefer Mel Bay books. However, for guitar students I also use a much more individual and custom approach for learning how to get a good sound out of the guitar through proper hand position, finger placement and pressure, and string picking. Read More

Instruments: Piano Voice

For piano, I like the Piano Adventures Method by Faber but have also used Alfred and Bastien. I am very focused on a relaxed and precise technique, including proper rotation, articulation, flexibility, and strength, as well as teaching the ability to play without looking at the keys. For voice, I work to build a solid technique based on individual need and interest and choose songs accordingly. Proper breathing and body awareness, utilizing Alexander and Feldenkrais methods, as well as understanding of vowel and consonant articulation and of the intimate relationship between text and music is also essential. Read More

Instruments: Piano Guitar Voice

Michael's approach to voice training is grounded in physiological and developmentally appropriate techniques. While this does not necessarily preclude any particular style of music, he believes very strongly that vocal health and well-being should take precedence in one's study of singing and that it is good for students to gain a diverse musical experience. Read More

Instruments: Piano Guitar Voice Saxophone Bass Guitar Organ Music Keyboard

My teaching methods focus on building on the fundamentals of embodied proficiency with music (not just how to "read what's on the page", but first how to feel and delve into what's happening with all the moving parts and their many relationalities). For both children and adult students, before getting into structures and representations, the starting point will be the embodied feelings and experiences of and around music. In the first lesson, even my absolutely-beginner students will be having fun jamming, exploring and applying newly-learned things before we even talk about what a major scale is. Read More

Instruments: Voice

As a performer, I have sung in many opera houses and theatres across the country as well as in Germany and Italy. My voice has been described as “ebullient” in roles such as Figaro in Le Nozze di Figaro, Leporello in Don Giovanni, Dr. Dulcamara in L’elisir d’amore, Méphistophélès in Faust, Caspar in Der Freischütz, and Sam in Trouble in Tahiti. His other concert works include Baritone Soloist in Brahms' Requiem, Elijah in Mendelssohn’s Elijah, Bass Soloist in Bach’s Christmas Oratorio, and Handel’s Messiah. Read More