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24 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
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Here are just a few of the many teachers offering Music lessons in Baltimore . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano
I want to carry on my passion for music onto other students. I often try to acknowledge how well a student is doing whether they are pacing fast or slow. No matter where and how a student gets stuck, I always will try to work out difficulties and obstacles by working closely alongside them and encouraging them. I also have a system for students where they will earn a star if they reach a certain goal, so that they will feel like the accomplished musicians they will become. Read More
Instruments: Guitar Bass Guitar Lap Steel Guitar Ukulele Double Bass Music Electric Guitar Acoustic Guitar
i start beginning guitarists out with Hal Leonard Guitar Method Book One, because even if a player is not destined to rely on traditional notation, they still need to know the names of the notes, so they can communicate with others. I approach ukulele somewhat less formally, because chords can be played right off the bat--singing is encouraged. For bass students, ensemble is stressed from the get-go--bass is inherently a goup affair. Read More
Instruments: Saxophone Flute Clarinet
It is very important to me for students to have fun in lessons. That's my number one priority! Students who are enjoying playing their instrument are more likely to stick with it. My passion for music shines through in private lessons when I focus all of my energy on the one student. Watching the student grow and succeed is one of the greatest things about teaching. I am able to figure out what a student likes very quickly and use that to connect with them. Read More
Instruments: Piano Trumpet
I began teaching while in college. I taught band at an Elementary school for 5 Years. I also went on to become an adjunct professor at The University of the District of Columbia teaching "Jazz Trumpet" and "Beginning Jazz Piano". What I love about teaching is the moment when a student "gets it". I love to see that expression of amazement on their faces as they overcome some obstacle that may have been previously plaguing them. Read More
Instruments: Piano
I believe in the student progressing at their own pace. I am the coach helping them develop their skills and passion for the art. When the student sets the pace he/she are more likely to reach the goals we set together and he/she can be more involved in the learning process. I am their to encourage him/her and acknowledge their accomplishments. It's all abut the enjoyment of music with no pressure. Read More
Instruments: Piano Voice Saxophone Flute Recorder Piccolo Music Keyboard
My materials and methods differ depending on the pupil's age/ability. For a young 11 year old beginner, homework assignments will begin with the instrument itself, and then eventually Book One of any method book desired. Popular practice dictates good results with books like Yamaha and Standard of Excellence. For middle-level ability (middle school / early high school), the Rubank series is perfect. Finally, with middle and above levels; solos, ensemble work, duets, and additional etude books will be used. Read More
Instruments: Saxophone Flute Clarinet
I like to see what the student is currently working on, interested in, or what the school district encourages. I am open to student / parent wishes; I understand that while some student goals are to find a career with music, there are many who are looking to grow within a hobby! There are several method books I prefer for different reasons, so I will do my best after some discussion to find an appropriate fit for the student. If there is an adult learner looking to start, I'd do the same. Read More
Instruments: Guitar Bass Guitar Ukulele Electric Guitar Classical Guitar Acoustic Guitar
What advice do you have about practicing effectively?
First of all, practicing out of a sense of obligation is a dead end. The internet is filled with articles and interviews of some of the greatest musicians of our time and virtually all of them agree on this point. Practice needs to have a sense of excitement and freshness. Of course, there are aspects of practice that are challenging and sometimes repetitive and no musician can entirely avoid those. However, our main motivation for practicing music needs to flow out of inspiration and love for what we're doing. So, incorporating a sense of play is important in any practice session. It is paramount to allow periods of practice, particularly the beginnings of practice sessions, to contain free-form exploration of the instrument in the form of improvisation, exploring the sound possibilities of the instrument, and anything that sparks the curiosity and imagination of the musician.
How do I know if my child is ready to start lessons?
When your child is nagging you over a period of many months to buy them the instrument of their choice, that is generally the surest indicator that they are ready to start lessons. If they have already established musical interests, especially under the age of ten, that is a bonus. Usually, children under the age of ten experience obstacles to learning the guitar because of motor-skill development issues. This is not such a big deal, as the years before the child's hands and body catch up with their interest, can be used to explore music and develop their interests. This is a vastly underestimated and critically important part of the development of any musician. Making progress on an instrument becomes much easier when the interests of the student are already well established.
When will I start to see results?
There is no way to answer this question other than to say that it depends on the student. The factors are so varied, including age, musical interests, physical ability, personality type, and others, that the outcome is impossible to predict. Any other answer is misleading at best and disingenuous at worst. Also, I am uncomfortable with the implications of the questionl. After all, how do we define "results"? Is our idea of results being able to play certain pieces of music by certain points? Being performance ready after a certain period of time? If so, we are almost certainly setting ourselves up for frustration and disappointment, even if we achieve the goal we have set for ourselves. If our idea of seeing results involves enjoying ourselves from the very first lesson and taking pride in whatever we are able to accomplish, then results come immediately. Those are the kinds of results I strive for and I find that this kind of less goal-oriented approach paradoxically produces better results, in terms of practical outcomes.
Have any of your students won awards or been selected for special honors? How have they succeeded?
I have a number of former students who are now performing and teaching professionals. A former student of mine recently graduated from the University of Maryland at Baltimore County's jazz guitar program and has become an outstanding guitarist and musician. Another former student now tours regularly with his band and has been doing so for years. I have had students who went on to successful teaching and performing careers, at the School of Rock and at Music and Arts Center in particular. Beyond that, I've had students who developed themselves in ways they wouldn't have thought possible before they started.
24 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Music lessons in Baltimore to students of all ages and abilities.
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