410-343-7555
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24 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
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410-343-7555
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Here are just a few of the many teachers offering Music lessons in Baltimore . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Violin Cello Viola
Helping a student reach their musical aspirations and developing their love of music has always been my mission. I help students set goals for themselves, and guide them to those goals through music I choose and music the students are interested in, which I sometimes let the students choose themselves. When a student reaches a goal, it gives them a sense of accomplishment and encourage them to progress even further in their musical journey. I consider myself not just a teacher, but a guide for students navigating the music world. Read More
Instruments: Guitar
My name is Joseph G. Jr. I graduated from Towson University in 2007 with a Bachelor of science degree in music. I play classical guitar and I am an avid composer too. I am very good at music theory and am very creative. I have been teaching guitar for 16 years. I like to write music for myself to play on the guitar, but I also like to write for other instruments. Read More
Instruments: Piano Voice Saxophone Flute Recorder Piccolo Music Keyboard
In 2013, I graduated with a Bachelor's in Music from University of Wisconsin-Milwaukee's Peck School of the Arts. I honed my craft of private teaching and also specializing in Balkan folk works, arranged for flute and secondary woodwinds. In 2019, I extended these skills over into Vocalism: singing, beatboxing, rapping, and spoken word. Ergo, my best work to date is an original composition called "LatinAmerica". There, I looped my original flute samples, singing, beatboxing, and minimal electronic effects onto my Boss Rolland RC 505 tabletop loop station. Read More
Instruments: Saxophone Flute
My teaching style is pretty transparent. It really depends on the needs of the student. I am dedicated to the development of proficient instrumentalists. My teaching style is pretty transparent. It really depends on the needs of the student. I am dedicated to the development of proficient instrumentalists. My teaching style is pretty transparent. It really depends on the needs of the student. I am dedicated to the development of proficient instrumentalists. Read More
Instruments: Trumpet
Sometimes while learning how to play an instrument teachers and students can get so wrapped up in how to play that they forget why they play. I always set aside time to work on pieces that are fun so that practicing and playing is not drudgery. Challenges are great to grow abilities but it is good to play music that is very easy for you so that the love of music and the joy it brings stays with you. Read More
Instruments: Saxophone Flute Clarinet Bassoon
I have at my disposal a variety of method books and exercises that I use with my students, depending on their age, level of achievement, and particular needs. I tend to use Accent on Achievement, the Breeze-Easy Methods, and the Belwin/Alfred Student Instrumental Course for young and developing players. As the student advances, I use the Rubank Advanced Method Volume I, then transfer to method books specific to the particular instrument being studied. Read More
Instruments: Piano Organ Music Keyboard
I believe a good foundation is important to be a successful musician, regardless of the level of application. With this in mind, each student will have access to theory, ear training and they will build technique through intervals, scales, chords, etc,... Every concept will present an applicable piece to reinforce the knowledge. For example, younger kids will be introduced to Solfege, utilizing the Curwen hand signs. Then we introduce the treble clef. Read More
Instruments: Guitar Bass Guitar Ukulele Electric Guitar Classical Guitar Acoustic Guitar
What advice do you have about practicing effectively?
First of all, practicing out of a sense of obligation is a dead end. The internet is filled with articles and interviews of some of the greatest musicians of our time and virtually all of them agree on this point. Practice needs to have a sense of excitement and freshness. Of course, there are aspects of practice that are challenging and sometimes repetitive and no musician can entirely avoid those. However, our main motivation for practicing music needs to flow out of inspiration and love for what we're doing. So, incorporating a sense of play is important in any practice session. It is paramount to allow periods of practice, particularly the beginnings of practice sessions, to contain free-form exploration of the instrument in the form of improvisation, exploring the sound possibilities of the instrument, and anything that sparks the curiosity and imagination of the musician.
How do I know if my child is ready to start lessons?
When your child is nagging you over a period of many months to buy them the instrument of their choice, that is generally the surest indicator that they are ready to start lessons. If they have already established musical interests, especially under the age of ten, that is a bonus. Usually, children under the age of ten experience obstacles to learning the guitar because of motor-skill development issues. This is not such a big deal, as the years before the child's hands and body catch up with their interest, can be used to explore music and develop their interests. This is a vastly underestimated and critically important part of the development of any musician. Making progress on an instrument becomes much easier when the interests of the student are already well established.
When will I start to see results?
There is no way to answer this question other than to say that it depends on the student. The factors are so varied, including age, musical interests, physical ability, personality type, and others, that the outcome is impossible to predict. Any other answer is misleading at best and disingenuous at worst. Also, I am uncomfortable with the implications of the questionl. After all, how do we define "results"? Is our idea of results being able to play certain pieces of music by certain points? Being performance ready after a certain period of time? If so, we are almost certainly setting ourselves up for frustration and disappointment, even if we achieve the goal we have set for ourselves. If our idea of seeing results involves enjoying ourselves from the very first lesson and taking pride in whatever we are able to accomplish, then results come immediately. Those are the kinds of results I strive for and I find that this kind of less goal-oriented approach paradoxically produces better results, in terms of practical outcomes.
Have any of your students won awards or been selected for special honors? How have they succeeded?
I have a number of former students who are now performing and teaching professionals. A former student of mine recently graduated from the University of Maryland at Baltimore County's jazz guitar program and has become an outstanding guitarist and musician. Another former student now tours regularly with his band and has been doing so for years. I have had students who went on to successful teaching and performing careers, at the School of Rock and at Music and Arts Center in particular. Beyond that, I've had students who developed themselves in ways they wouldn't have thought possible before they started.
24 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Music lessons in Baltimore to students of all ages and abilities.
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