Music Lessons in Greenwich Village, NY

Instruments: Cello

I have been teaching for about six years, working with students of a wide range of ages and levels of experience. I currently maintain a small private studio, and also work with larger groups of students in workshop or masterclass settings. I love to help students play the music that they want to play, to instill one of the purest joys of music making. This comes hand in hand with a solid technical foundation however, which we will work to incorporate. Read More

Instruments: Voice

I focus on the voice first - not just repertoire, not just impending auditions or competitions. Building the voice - not just the performance to come - is an approach I have found to yield strong technique that can carry students far past any immediate need. Building range, teaching the function and physiology of the vocal anatomy (moreso as students age), and bringing students to understand their voice as an extension of their heart, mind, and body are all simple goals I have for each student. Read More

Instruments: Piano Saxophone Flute Clarinet

I've worked in many different fields around music education, enabling me to have a broad range of experiences and an ability to adapt to any situation. As a music instructor, I've taught 1-on-1 private lessons, and I've also worked at several summer camps including the Florida State University Jazz Camp, where I was the musical assistant to professor Bill Kennedy, and at Long Lake Camp For The Arts, where I served as the head of the music department. Read More

Instruments: Piano Voice

I truly love teaching; there are few pleasures greater than seeing students progress. I encourage them to discover how beautiful and fun music is, and help them to find and develop their own areas of interest and talent. Born in Japan of a mother who started me on classical voice and piano in my early childhood, I went on to play flute and the Japanese koto and shamisen, and to compose and sing my own songs. Read More

Instruments: Trumpet

For nearly all of my students, I start with Arban's Complete Conservatory Method for Trumpet so that I can truly understand the students level of understanding of music and also get a grasp of their playing technique. From there, I will branch out to find something that suits both the students ability as well as their interests. Regardless of their ability, though, I always duet with my students to make them feel less pressure during lessons. Read More

Instruments: Voice

The worst thing that can happen in a teaching environment is that the student falls out of love with music. Unfortunately, I’ve seen this happen time and time again. Therefore I protect my students love for the art like a mother does a child. It is important that my student knows what he or she wants to learn so that from the start, I am not forcing them to study something they have no interest in. Read More