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Featured Piano Teachers Near Jersey City, NJ

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Here are just a few of the many teachers offering Piano lessons in Jersey City . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Michael B

Instruments: Piano Guitar Bass Guitar Double Bass Keyboard Electric Guitar Acoustic Guitar

I have a variety of books I use for beginning students, depending on age and level, including the Alfred guitar book for kids. Regardless of level, I always help students learn some music they are already interested in, as that is a key path to enjoying both the pure joy of music itself and the delight of learning something you didn't know you could do. Another important pathway that I explore with students, earlier or later depending on the student, is to begin to learn to improvise and compose their own music. Read More

Andrew F

Instruments: Piano Voice Drums Synthesizer Ukulele Orchestral Percussion Conga Djembe

I am a multifaceted musician, music producer, composer and instrumentalist with diverse musical experience spanning many genres and styles. I graduated from Bard College in 2016 with a degree in music composition. While at Bard, I was involved with the opera workshop and the audio engineering crew. I play six instruments and am able to teach most of them proficiently. Currently, I perform as a solo musician with a backing band at venues and clubs throughout the New York area, and also compose and produce music for film, TV, video games and advertisements. Read More

Evan R

Instruments: Piano Guitar Bass Guitar Double Bass Music Keyboard

Taught with iPianoLab, keyboard program for kids age 5-10, for last 2 years. I teach private lessons as well as group lessons, in schools and privately. I have played bass professionally for the past 10 years, playing in jazz bands, pop bands for private events, and many other genres of music, playing upright and electric bass. I currently serve in a church band that I've been a part of for the past 4 years, playing a mix of traditional Gospel, Caribbean worship, and CCM. Read More

Vincent T

Instruments: Piano Guitar Violin Bass Guitar Organ Synthesizer Harmonica Banjo Mandolin

           I base my lessons around the student, not a cookie cutter method. I look for three crieteria: a student's interests, ability level, and time they have to practice. I am very interested in what the student thinks of the lessons, and ask for feedback frequently. I encourage them to bring their own ideas and songs into the lessons. I am very keen on review; if someone doesn't understand what we did last week, they won't progress to what we are doing now. Read More

Alden S

Instruments: Piano Saxophone Clarinet

My relationship with music making began at the age of 7 when I begrudgingly agreed to take piano lessons at the nudging of my parents. In the first lesson, my teacher taught me the theme from The Simpsons, and I was sold. It would be years before I would actually become competent at turning notes on a page into something musically expressive, but that day I went home knowing I had found something special, and that inertia has carried me to where I am today. Read More

Jonathan D

Instruments: Piano Voice Music Keyboard

My teaching style encourages the student to have fun, be expressive, and get curious about music. I keep things very simple in my lessons. Each student I have ever taught progresses at their own pace. So for me as the teacher I work in the lesson to give them the tools they need to work. It is very. important in lessons to acknowledge the student's accomplishments so that they are aware of where they are growing. Read More

Paul J

Instruments: Piano Saxophone Flute Clarinet

My philosphy for all my students is that any student can achieve any goal if they believe in themselves and put in steady effort. One of my major teaching methods involves learning music the student listens to regularly. So much is learned from this process be it technique, time, rhythm, theory, but the most important part is that the students love and understanding of music grows, not just their knowledge. Read More

Teacher In Spotlight

Jill W

Instruments: Piano Voice Keyboard

Does music run in your family? Tell us a little about your musical family members.
Music does run in my family. My grandfather was a well-know Jazz musician photographer. We grew up listening to jazz and classical musical day and night. My brother became a well know Jazz musician and teacher in San Francisco. He plays Clarinet, Sax and flute. He is a recording artist and travels all over the world spreading jazz from place to place. He is the conductor of a Cartoon Jazz Band, Saxophone Sextet and two Big Bands. I travelled the classical route beginning in Jr High School. After my college studies, I went to work with The New York City Opera with The wonderful Beverly Sills. Following that, I started my own Acapella chorus called “Ah-Capella” which performed in various NYC venues. Broadway then was my calling, where I stayed in the producing and casting sector for a decade. i have been teaching Voice and Piano privately for two decades. I also sing in The Cecilia Chorus of New York which performs twice a year in Carnegie Hall. I am a Section Leader with this extraordinary chorus which I have been sing with for nine years.

Have any of your students won awards or been selected for special honors? How have they succeeded?
My student Patrick Wilhelm, Baritone, has graduated from the Curtis Conservatory of Music and is now singing as a principal artist with Virginia Opera and Wolftrap Opera Company in DC. He has sung in recitals internationally and has excellent reviews!

What do you think is the hardest thing to master on your instrument?
The hardest thing about being a singer/musician, is that every day is different. Since singers depend on their breath to support their tone, we must treat out instrument, which are our bodies, with great care. Humidity, cold, performing environment, all play into how we may breathe and produce sound. As a pianist as well, I know when I need to play an A, it will be there on the piano every time. Singers must warm up and nurture their instrument to the best of their ability so they can produce that A everyday.

What advice do you have about practicing effectively?
Look forward to practicing. It is a wonderful investment in your musicianship. It is time you deserve to focus on your craft. Isolate the specified measures that need the extra time. Repetition is key. Set a goal, i.e, “ I will play these four measures perfectly five consecutive times.” If you make an error during the third time, you must start from the first time. After you have completed this goal, implement it into the piece and your practice time will be golden.

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...the intro is revealed. We now know the construction of the diminished scale and how to apply it to chords. But we don’t always want to just run the diminished scale whenever we see a chord that it fits over. That’s boring. We can manipulate the scale to make it sound more interesting. Think about practicing the major scale. You probably have certain exercises you practice. Maybe you run the major scale, then practice it in thirds, practice it in diatonic triads, etc. You can do all of these with the diminished scale as well. In addition, here are a few public domain diminished scale patterns: ... Read More

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