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Here are just a few of the many teachers offering Voice lessons in St Paul . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!
Instruments: Piano Voice Music Keyboard
I am motivated to foster a fun lesson environemnt. I loved lessons growing up, and now enjoy the joys of teaching all ages. At my home studio, I teach voice piano and acting lessons to students of all ages. The Twin Cities fasters a rich and diverse musical community. I am happily performing locally with five different groups including two corporate bands, a jazz band, a funk group, an acoustic duo, and an original project. Read More
Instruments: Piano Voice Music
I always tailor my lessons to what the student needs and wants. It is my goal that lessons to be relevant to exactly what the student is using their voice for on a day to day basis. I love bringing things out of people and their voices that they had no idea they had in them. So I will always push you further than you thought you could go- but through inspiration and encouragement (along with practical direction to help you get there!!) My goal is to get you singing tension free & guide you to realizing your voice & artistry to the fullest. Read More
Instruments: Piano Guitar Voice Violin Cello Viola Trumpet Trombone Saxophone Flute Clarinet Drums Bass Guitar Organ Synthesizer Accordion Banjo Ukulele Mandolin Recorder Electric Violin Fiddle Double Bass French Horn Tuba Piccolo Mallet Percussion Orchestral Percussion Oboe Bassoon English Horn Conga Music Keyboard Electric Guitar Classical Guitar Acoustic Guitar
I am an instructor who tailors lessons based on the student's desires. Having been a performer since I was 13 years old, I work as a musical coach. My performing experience varies from pop, rock, country, jazz, hard rock, contemporary Christian and classical. I am a classically trained pianist and vocalist. Currently I play in a trio that performs regularly at nursing homes. I love bringing joy to the elderly by playing their favorite sing alongs as well as teaching them current music. Read More
Instruments: Voice
For me, voice teaching is all about the individual. Unlike a violin, trumpet, piano, or other instrument of a fixed size and shape, voices come in all shapes and sizes. Each students physiology and psychology is different and responds better to different stimuli/approaches. In singing, our bodies are our instruments! Therefore, there is no one size fits all approach to teaching voice. It thrills me to get to know a student and work with them in a cooperative and encouraging way to achieve his or her goals. Read More
Instruments: Piano Voice
Each student needs a long-term goal in mind for where they want their voice to be. I like to start out by setting a couple realistic goals for the long-term with my students, then breaking those goals down into manageable steps each associated with one or two pieces. I also want students to know that they are accomplishing their goals, so I have my students tape lessons and listen back later to hear their progress. Read More
Instruments: Piano Guitar Voice Violin Cello
Guitar: For children, I prefer the FJH Young Beginner Guitar method, but for adults I would prefer Hal Leonard if the student is looking to learn both chords and melody using folk music. I could also teach guitar based on gospel and Christian praise music if the student prefers. I have taught students with an interest in rock music, but only to give them the basic foundation skills of chords and notes to build on with another teacher who has more of a rock music speciality. Read More
Instruments: Guitar Classical Guitar
What advice do you have about practicing effectively?
Even more than practicing every day, it is important that students practice with their mind engaged. This means paying attention to notations in the music, reminders we have written on the page for both exercises and songs, and all the myriad aspects of posture and technique that we address in lessons.
Of course, practicing regularly and with high frequency will also help you develop quickly as well.
It is also important that, as daily practice volume goes past roughly 90 minutes, the student splits up practicing time into 45-60 minute chunks in order to avoid burning themselves out both mentally and physically.
When will I start to see results?
This depends on how much time you spend practicing each practice session, and how frequent those practice sessions are. Beginner students should practice every day if they want to see consistent, tangible progress. The amount of time spent practicing will also effect how much progress is made, as well. A bare minimum length for a practice session would be roughly 30 minutes, to allow the student enough time to warm up with technical exercises before moving on to working on the specific technical and musical challenges of whatever songs they are currently learning. Those students wishing to see more dramatic progress, especially early on, should aim to practice 60 minutes or more every day.
Why did you choose your primary instrument?
My father plays the guitar as well. He had many classical guitar records that we listened to constantly when I was young. The guitarists we spent the most time listening to were Andres Segovia, Christopher Parkening, John Williams, and Julian Bream. They played a historical cross-section of music spanning genres from the 17th century all the way up to the 20th century, influenced by a variety of cultures. This music is what inspired me to pick up the classical guitar. I also love jazz music; we listened to jazz guitarists such as Joe Pass and Wes Montgomery constantly as well.
What do you think is the hardest thing to master on your instrument?
The illusion of continuous sound. Every time the instrument is plucked, the sound of any individual plucked note immediately diminishes. This is in contrast to a violinist or vocalist, to take two examples: both of those kinds of musicians can sustain a note, and even change its volume and tone as they sustain it. On the guitar, changing volume and tone can only be achieved over the course of playing several notes. Being able to change volume and tone in this way requires the student to address the issue as part of technical exercises I introduce or develop in lessons.
If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
I currently have two degrees: a Bachelor's of Music, and a Master's of Music, both in Guitar Performance, both from the IU Jacobs School of Music. I am working towards a Doctor of Music in Guitar Performance at the same school. I have pursued performance degrees because it is my hope to pursue a career performing professionally in addition to teaching.
As part of all three degrees, I have taken and am taking rigorous classes in music theory and history. I have studied Baroque music quite thoroughly in two separate courses and intend to study both 16th and 18th century counterpoint in the next two years as well.
If you weren't a musician what do you think you'd be doing instead?
I have always been interested
24 Years
Since We Started
41,456+
Happy Customers
10,769
Cities with Students
3,123
Teachers in Network
Trusted as the industry leader, for over 21 years the teachers in our network have been providing Voice lessons in St Paul to students of all ages and abilities.
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