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Featured Voice Teachers Near Santa Ana, CA

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Here are just a few of the many teachers offering Voice lessons in Santa Ana . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Kimberly M

Instruments: Piano Voice Keyboard

I encourage my students to find and explain to me the techniques that are working for them once I have given any instruction. I want you to have a deep seeded understanding of the teachings which I am employing upon you. I will begin with basic music fundamentals for all my students and establish a scope of your knowledge and then move forward accordingly. For my piano students I will start with a beginning piano book and we will move forward as you progress. Read More

Leah L

Instruments: Piano Voice

I provide Beginner to Intermediate lessons in voice and piano. I am a professional singer/songwriter/recording artist with 10 years of training in voice and 12 years of training in piano. I have a Bachelor of Arts degree in Music Business from Anderson University (Anderson, Indiana) where I studied voice with Dr. Jeffrey Ballard and piano with Professor Ken Chan.By taking voice lessons with me, you will increase your vocal range, learn correct breathing methods and healthy practice/warm-up exercises, and gain confidence in your performance skills, all while singing the songs and music styles YOU enjoy.With piano lessons, you will learn beginner music theory (including scales, chords, time signatures, key signatures, etc.), exercises to increase dexterity, and how to play the songs YOU want to play. Read More

Tai N

Instruments: Piano Voice Organ Keyboard

<  My teaching experience includes public school, private schools, homeschool groups, and individual studio instruction. Most recently, I am an undergraduate music instructor.  I love performing but more that that I love to see my students embrace a lifelong love of music.  I employ a variety of hands-on techniques that engage students and use incentives to help them achieve success. In a collaboration with parents, I seek to know the student and set up a positive reinforcement dynamic. Read More

Alpha S

Instruments: Piano Voice

I encourage students to choose one or two songs that theyalready know or would like to learn. Students are also taught simple vocal exercises from basic fundamental books, as well as stretching and breathing exercises.I use a variety of music books,depending on the level of the student. A new song will be introduced at the next lesson, and a review of the present lesson will continue. Read More

Mage L

Instruments: Piano Guitar Voice Bass Guitar Synthesizer Music Electric Guitar Classical Guitar Acoustic Guitar

I am a versatile multi-instrumentalist instructor who enjoys teaching students of all ages. I possess a Master of Fine Arts (Performer-Composer) from California Institute of the Arts, a Bachelor of Music (Jazz Studies) from Vancouver Island University, and I even have my Apple Certified Macintosh Technician credential from v2 Consulting. I have won awards for my music and was voted Third Place in the Composers Today State Contest for my compositions via the Music Teachers' Association of California. Read More

Matt B

Instruments: Piano Voice Drums Recorder

I've been teaching for several years since I got out of College and it's been a rewarding experience. I love witnessing my students make progress and evolve. I love to feel and share their passion for music. I do like to have a program to ensure constant progress but I do not mind at all adapting, changing, or not following at all the program depending on the student's demands and goals. Read More

Teacher In Spotlight

Marcus J

Instruments: Saxophone

What does a normal practice session look like for you?
I typically start with the overtone series for warming up. It's sort of a stretch for my jaw muscles before I get into strengthening them. Scales (full range of the horn) to establish technique and control over my fingers. It's important to keep your fingers close to your horn while you're playing even when not pressing down a certain key. The closer your touch, the faster you're able to play. I usually end with playing along to tracks to help with my time and then sight reading a transcribed solo to end.

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
My major is in Jazz Performance and Composition. I chose this specific major because I was inspired from a live show performed at my school when I was 15. It was a nine piece ensemble with five horns and four rhythm section players. They played some original tunes and some arrangements of some jazz songs that I really took a liking to. Their soloing blew my mind because I had never heard instrumentalist play so well together from memory. Their professionalism and sound quality really drove my interests to the next level.

What is your dream piece to perform and why?
I suppose my dream tune to play over effortlessly would be countdown by John Coltrane because it's upbeat and the changes are quite difficult to interpret. I poses a challenge because to get the speed up to par, you first have to master many techniques and be able to get around your instrument effortlessly without hesitation. The next step is to hear the harmony and be able to make shapes over the changes that make melodic sense. On top of all that, you're interacting with the other band members and trying to create a real connections that's enjoyable and exciting to the listener.

If you weren't a musician what do you think you'd be doing instead?
If I wasn't a musician, I'd like to think that I'd be in the arts in some other way. Perhaps a painter or cartoonist. I loved art class as a kid but never believed that I could do it for a living so it never sparked my interest as a career, only a hobby. I remember winning competitions for art class and receiving strong grades as well. But as a kid, I always had a dream of becoming an architect for houses. I also still have a desire to give back to the community in some way, maybe as a volunteer fireman.

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Recent Articles from the Musika Blog

Types of Effects Pedals for Guitar

...create simple delay patterns as well as complex sound structures that make the guitar sound like an otherworldly instrument. Paired with a reverb pedal, the delay pedal gives guitarists the ability to construct completely unique soundscapes. &nbsp; &nbsp; &nbsp; Wah-wah &nbsp; &nbsp; &nbsp; The wah-wah pedal creates a sound that mimics the human voice. This effect was invented and pioneered by horn players in the 1920’s who found they could create a tone similar to the sound of crying by muting the bell of their instrument. A wah-wah pedal achieves this unique sound by sweeping the peak response of a filter up and down... Read More

Types of Effects Pedals for Guitar

...players activate this pedal while playing guitar solos. &nbsp; &nbsp; &nbsp; Pitch Shift &nbsp; We’ve already covered octave pedals, but there are other pitch-shifting effect pedals that can add interesting harmonies to your tone. It’s important to note that pitch shift pedals create synthetic harmonies that don’t tend to sound very realistic. If you’re looking for a tone that precisely matches your own, consider adding another guitarist into the mix or by simply learning how to play the added harmony on your own. &nbsp; &nbsp; Instrument Modeling &nbsp; &nbsp; If you’ve ever wanted to make your guitar sound like a piano or organ midway ... Read More

Popular Piano Songs with Easy Chords

...made E I shouted out D &#8220;Who killed the Kennedys?&#8221; A When after all E It was you and me E D Let me please introduce myself A E I&#8217;m a man of wealth and taste D And I laid traps for troubadours A E Who get killed before they reached Bombay B Pleased to meet you E Hope you guess my name B But what&#8217;s puzzling you A E Is the nature of my game oh yeah, get down, baby (The previous chord progressions repeat until the end of the song) &nbsp; &nbsp; “Two Weeks,” By Grizzly Bear &nbsp; &nbsp; Though it was ... Read More

How to Read Strumming Patterns for Guitar

...the song you want to learn is not always going to be the most efficient way to learn a piece of music. A good deal of your development as a guitar player should be by listening and watching the guitar players you want to sound like. Musical notation is an incredible way to understand music, but it only gives you a general idea of what something sounds like. If you want to learn how to read strumming patterns, immerse yourself in guitar music and imitate what you see and hear. Reading music notation is a great start, but you won’t begin to progress ... Read More

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...of rhythm changes is AABA, with each section being eight bars. As with the blues progression, there are quite a few different harmonic versions of rhythm changes. For the purpose of this article, I&#8217;ll use one of the simplest versions. I&#8217;ll go over alternate versions later in the article. The most basic version of the &#8216;A&#8217; sections of rhythm changes is: I vi / ii V / iii IV / ii V / I7 / IV7 / I VI / ii V. Immediately we can see some similarities to the blues. The most obvious similarity should be the IV-I resolution. ... Read More
Types of Effects Pedals for Guitar
Types of Effects Pedals for Guitar
Popular Piano Songs with Easy Chords
How to Read Strumming Patterns for Guitar
Soloing Over Rhythm Changes

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