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Featured Voice Teachers Near Sacramento, CA

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Here are just a few of the many teachers offering Voice lessons in Sacramento . Whether you are looking for beginner guitar lessons for your kids, or are an adult wanting to improve your skills, the instructors in our network are ready to help you now!

Kimberly B

Instruments: Voice Violin

I use Suzuki as a push off point for violinists. But I will teach anything a musician would like to learn and have music for almost all styles. I usually will begin vocalists with any song they are interested in learning and can recommend books more tailored to their needs and goals upon meeting. Read More

Smiley B

Instruments: Piano Voice Organ Synthesizer Keyboard

Smiley has studied piano since the age of 5 and has been fortunate to study with the Carl Wheeler the musician who wrote and played for Tony Toni tone, as well as Beyonce and high profile headliners. Smiley has played for celebrity singers including Carlos Santana, comedian Tommy Davidson, as well as John Witherspoon. He a Degree in music from the University of Berklee, and has taught piano and voice since 2005. he enjoys working with people and uses his patience and perceptiveness to communicate music to others. Read More

Peter K

Instruments: Guitar Voice Bass Guitar Electric Guitar Acoustic Guitar

Seeing my students progress as musicians is the most rewarding part about teaching. Being a good musician does not only mean that an individual has good technique but it also means that they are able to portray their thoughts through their music and most importantly, having fun. I encourage taking things one at a time to ensure that my students are understanding and internalizing the musicality in each of the lessons. Read More

Khemya M

Instruments: Piano Guitar Voice Drums Conga Latin Percussion

My teaching experience dates back to 1996, when I began teaching lessons to children in at-risk communities in dance and music, while going through school in Oakland. I then continued in Stockton, CA, where I developed music and dance programs in the Recreation Centers, and later developed my own non-profit organization. I began writing my own grants to teach classes in after-school programs, and in 2013, while attending my music program, I began instucting private music classes in classical guitar, beg. piano and beg. voice. Read More

Patrick M

Instruments: Guitar Voice Drums Bass Guitar Synthesizer Electric Guitar Acoustic Guitar

For someone with no experience on guitar I'll typically begin with scales, and familiarizing with the guitar. For bass; exactly the same as guitar to start, drums would start with with your basic 2,4 beat, and familiarization with parts (snare, hi hat, etc). Vocalist I would always start with a warm up, basics, and note reciting. For keyboard beginners I would show them their A,B,C's as far as how to access those, and we'd start messing with different shapes, and songs almost right away. Read More

Susan J

Instruments: Voice

I not only teach the students looking to learn their craft, but also those looking to better their ability. My goal is to impart my knowledge and love of music, theater and speech to all of my students. I now teach in my fully equipped home studio in Elk Grove, CA. Encouraging regular practice on a consistent schedule is one of the key points I like to emphasize for younger students, as it tends to help the student progress and gain a passion for the instrument. Read More

Noemi C

Instruments: Piano Guitar Voice Violin Flute Bass Guitar Keyboard Electric Guitar Classical Guitar

My teaching method as follows: ( 30 to 45 minutes lesson) Piano lesson at the comfort of my home. One on one personalized tutoring , Music Theory Class , Music reading skills , games , and online testing with the aid of technology. Read More

Teacher In Spotlight

Robert G

Instruments: Guitar Voice Ukulele Acoustic Guitar

What does a normal practice session look like for you?
Since I believe that building a relationship with my students is fundamental to my effectiveness with them, typically, I'll ask the student how they are doing, how their past week has been for them. if they have a crisis, I give them time to vent and decompress--if all is well, we'll do a brief social catch-up, we smile and get into the lesson... Structurally, my protocol after that initial socializing is: 1-- I ask if everything we discussed/practiced last week made sense... 2--If not we review the questioned items... 3--I ask "What did you take home from last lesson" 4--They demonstrate --and I assess their progress... 5-I themn move into my lesson plan, couching it in terms of whta was touched on lasrt week.... 6--We close the lesson with an assignment of how to take the skill/technique of today's lesson into actual practice at home, This typically involve me demonstrating on via a phone video camera...

If you have a Music Degree, what is it in (Performance, Education, Musicology, Theory, Composition, etc) and why did you choose that degree?
My Msaters in related to the field of Education

What musical accomplishments are you most proud of?
I have the grace every weekend of being a choir director who helps choristers enjoy the delight of singing their hearts out while we as a group help feed the hearts and souls of the folks who come to the table... I have published scores of songs that have become staples of weekly Sunday services... I have over my teaching career helped hundreds of students express their joy in song and in their instruments...

Have any of your students won awards or been selected for special honors? How have they succeeded?
Indeed, having taught for 30 years+, I have proudly watched many of my students become professional musicians and teachers themselves...Such is a joy indeed to see student live their passion....

What do you think is the hardest thing to master on your instrument?
As with any instrument, with the guitar and the voice, it is not about simple "getting eh right note.." That's eh easy part--IT's COMMUNICATING the intent and power of that note and the passage that is the true purpose of this and any art....

Do you use specific teaching methods or books? (Ex: Alfred, Bastion, Suzuki, Hal Leonard) Why did you choose them if you did?
Through my education I have been exposed to all of these approaches, and they each in their way have influenced my rather eclectic pedagogical philosophy. My first task with a student is to carefully assess where thy are, how thy learn, and what they want to learn----From there, I draw from each of thse methodologies the techniques and approaches that best meet each student's particular needs.

Why did you choose your primary instrument?
I've always been a singer, so choosing an instrument that would allow me to also sing was definitely a more logical choice that tuba... My parents were not wealthy, so a $100 guitar was more realistic than a $5,000,piano, so, guitar it was!

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Recent Articles from the Musika Blog

Famous Violinists That Inspire Through History

...from the techniques and philosophy she first taught to her students.   Isaac Stern (1920 – 2001)   How do you get to Carnegie Hall? Perhaps a more important question is why is Carnegie Hall still standing? Give a nod to Isaac Stern, who in 1960 led the charge to save the famous performance venue. This famous violinist made his debut at Carnegie Hall in 1943, and he couldn’t bear to see the venue demolished. The conservation effort was successful, and musicians to this day are able to perform in the Isaac Stern Auditorium/Ronald O. Perelman Stage. Musically speaking, Stern was a prolific musician... Read More

Hey Soul Sister Chords for Acoustic Guitar (Train)

...  Useful links Lyrics and Chord Tabs Read more on Wikipedia     Song Specs Title: Hey, Soul Sister Artist: Train Songwriters: Patrick Monahan, Amund Bjørklund, and Espen Lind Album: Save Me, San Francisco Key: C (Capo at 4th fret, actual key is E) Tempo: 98 Chord Progression: C–G–Am–F Accompaniment Technique: Open Chords, Pulsing and Boom-Chicka Strumming   Playing Tips Here are some helpful tips to keep in mind when learning the Hey, Soul Sister chords. I provided some useful links above and I’ll take you through the chords, accompaniment patterns, song form, and chord chart. Everything you need to get ... Read More

Reading Music for Beginners: Rhythm and The Staff

...Learning how to read music is probably pretty low on the priority list of many musicians. How can something as dull and boring as staring at weird symbols on a sheet of paper make you a more skilled musician? I used to think thoughts like this before I learned how to read music in college. Reading music for beginners might seem like a huge undertaking, but with some practice, effort, and guidance, most people begin to understand the language of music rather quickly. Speaking from a decade of music education experience, I can tell you that the difference between a student ... Read More

Jazz Exercises for the Saxophone: Advanced Studies in 12 Keys

...Introduction to the Final Part of the Series   This blog post is the fourth and final part of a series on learning how to play comfortably in 12 keys entitled Jazz Exercises for the Saxophone. Does this mean that you’re now an expert on playing in 12 keys? No. This series is meant to be an introduction of sorts. It is not a comprehensive method. Remember, studying jazz is a lifelong process. I don’t have any more clever anecdotes or hypothetical situations to explain why learning to play and think comfortably in all the keys is incredibly important. Just ... Read More

The Kodály Approach – More than Hand Signs

...far I have provided a very small amount of context and given examples of the plethora of tools that Kodály inspired teachers use in the music classroom. I find it important at this juncture to emphasize that while the Kodály approach was originally developed to aid in strengthening a nation’s cultural identity through music literacy, it does not end there. Although its inception was several decades ago, in a completely different country halfway around the world, a Kodály inspired philosophy and pillars of music education are most certainly applicable to modern day music education. By building a strong foundation of ... Read More
Famous Violinists That Inspire Through History
Hey Soul Sister Chords for Acoustic Guitar (Train)
Reading Music for Beginners: Rhythm and The Staff
Jazz Exercises for the Saxophone: Advanced Studies in 12 Keys
The Kodály Approach – More than Hand Signs

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