Voice Lessons in Mar Vista, CA

Instruments: Piano Voice Trumpet Trombone Synthesizer Recorder Euphonium French Horn Music Keyboard

I am a motivated instructor who's passionate about music and sharing my gifts and knowledge with others. I graduated from Berklee College of Music in 2010 with a Bachelor of Music degree in Composition and Vocal Performance. I have had the pleasure of performing in Africa, Spain, Costa Rica, the UK, Canada as well as many other locations as a professional trumpet player, piano player, and vocalist. My accomplishments include being asked by the Grammy Award winning group Train to go on their summer world tour in 2012. Read More

Instruments: Piano Voice Music

My music leadership experience began with competitive show choir in 8th grade - voted Student of the Year - and these experiences inspired me through high school! The show choir program director appointed me tenor section leader in 9th grade and Voice Captain in 10th grade for my ability to lead voice sectional rehearsals and provide pianist accompaniment when needed. I am currently a performing arts coach for the Anaheim Union High School District, supporting vocal music and dance program directors with clinician and choreography services. Read More

Instruments: Piano Voice Organ Keyboard

I have been teaching for the past 17 years.  I enjoy the challenge of meeting each student's needs and creating an individual teaching plan to help students achieve their goals. I have had the opportunity to work with preschool through undergraduate students. My experience as a high school chorus teacher, Teaching Artist with the Washington National Opera, guest vocalist for the Ghanian ambassador, and part-time professor have bolster my ambition to bring music to students "where they are". Read More

Instruments: Piano Voice Flute Keyboard

While studying music in college, I always enjoyed helping my classmates with their particular questions regarding accessing their voice, improving their range, playing piano, or how to start learning to play the flute. While still in school, I shadowed and assisted my piano professor with teaching piano and rock band at a public school. I began teaching privately about three years ago. I believe that flexibility and creativity is key when working with students. Read More

Instruments: Piano Voice

My Methods: Fundamentals of breath work - incorporating several physical exercises and methods of showing the coordination until it is ingrained Focus on the use of the resonators - projecting the sound to the different cavities where sound resonates before leaving your body and into the room (i.e. 'the mask', mouth resonance, chest resonance, etc) Reducing tongue tension - a common issue is root of the tongue tension and I have several exercises to address this Improving range - most of my students gain notes in their belt range and their head range, and often in their low range as well Increasing the legato vocal line - here we focus on linking the vowels properly supported by the breath Jaw tension - similar to tongue we have evercises for this Style - different approaches such as riffing, back phrasing, using a glottal attack, using a breathy attack - creating colorful expressive phrases that link to the emotion of the song and the style desired Musicality - learning to read music, counting tempo, sustaining pitch, syncopation, dynamics, etc Diction - correct vowel shapes and enunciation + awareness of when tension closes down the vocal line if diction is carried over from speaking habits Performance - using tools from acting training to perform a song effectively and believably Career consultation - when appropriate, also offered Read More

Instruments: Voice

I believe it is important to build a strong technical foundation and knowledge of the mechanics of the voice, while also focusing on performance and real-world musicianship. With contemporary music theory (beginning to advanced) integrated into each lesson, students learn to understand and apply a musical vocabulary that is necessary to communicate in the industry. As a vocalist myself, I think too often singers have trouble communicating with their bands in a rehearsal setting or with producers and engineers in a recording setting; therefor I see the benefit in students being able to identify the grooves and "feels" of their selected pieces as well as being able to count-in a band. Read More